Search This Blog

Saturday, 9 August 2014

Saturday Story - 'Tiers of Sorrow'

Sometimes, the fact that there’s a ghost in the story is meant to be a surprise. At other times, it is obvious from the outset; the latter type of story can easily fit into an anthology of ghost stories; the former can’t, since its inclusion alone spoils that surprise. Last week’s and this week’s tales fall into the latter category. I have written a few ghost stories that are not obvious, so if or when they appear here, you’ll get no warning.

I hope you like the humour – it was a difficult piece, to balance the humour with a serious and tragic subject. And of course the title is a play on words...

 

TIERS OF SORROW


 
Nik Morton

  

I never believed in ghosts. Until I became one.

            After a long holiday I returned to my old haunts. Or, rather, haunt in particular, the renovated Victorian warehouse that served as home to an artistic couple, Alice and Jeff. They talked about getting married but never got around to it. Foolishly, they reckoned they had all the time in the world. So much for Carpe Diem!

            They’d owned the place about two years and had no idea I existed – even in an ethereal sense. Some people – most people – just aren’t sensitive enough. I don’t mean sensitive in a precious way. This is something to do with the sixth sense, which, contrary to scientific pontificating, does exist. Cats and dogs are notably very sensitive, and even horses can detect manifestations of the spirit world.

Unlike my tenants, I seem to have all the time in the world. In one form or another, I’ve been around for almost 169 years. I was born on 25 July 1834, the day Samuel Taylor Coleridge died and I became a ghost on 18th December 1865. Ironically, on the day that America abolished slavery I was chained to this ghostly existence, seemingly forever.

            This two storey building has large rooms with Turkish rugs covering the varnished floorboards, a divan which wouldn’t be amiss in a bordello, a mahogany round table and matching chairs, and the omniscient eye of a television – a magical invention.  The bathroom is enormous, tiled with cork and mirrors, with a round bath and Jacuzzi.

            The place looked neglected. I’d been away about two months – one doesn’t precisely measure time when there’s a surfeit of it. Cobwebs abound, the windows grime-laden. Daylight hardly seeped through the high windows or skylight, making it a dark, sombre place, in complete contrast to the time when I went away, when it was all bright and cheerful, with their paintings adorning every wall. Alice painted colourful landscapes while Jeff indulged in nubile maidens in lush jungles, the flora vibrant with colour.

            “Who the hell are you?” It was Alice’s voice, coming from the bathroom doorway. “What are you doing here?”

            At that moment a shaft of sunlight percolated through a smear on a high window. It revealed Alice, or the semblance of her. I recognised the long blonde tresses, the rather too large mouth and furrowed brow. She was wearing a diaphanous night dress. I could see the flesh beneath, and the bones beneath the flesh…

            “My God!” I exclaimed. “You’re a ghost!”

            She screamed, probably realising that I was one too.

 ***

I’ve never been haunted before. It was a strange feeling. No matter how much you might empathise, until you’ve experienced it, you don’t know what it’s like. I remembered the few previous tenants who had been able to perceive me. This, probably, was what they felt at our first introduction. Of course, I had quickly put them at their ease, but that first feeling of shock was quite something, to use the modern vernacular.

            I held up a mollifying hand. Fortunately, it wasn’t attached to chains or carrying my head. (Some ghosts seem to go over the top). “Don’t worry, I won’t hurt you!”

            “Where’d you come from?” she asked.

            “On holiday. A break from here.”

            “But – but ghosts can’t – they’re – I’m tied to this place, where I killed myself!”

            Oh, dear. With everything to live for and she kills herself! “There are different kinds of ghosts, and different tiers of sorrow, my dear.”

            Her face appeared angry. Not suffused with colour – which would be impossible in her present state but a darker hue of grey. “You mean I’m stuck here while you can swan off anywhere you like?”

            “I’ve been around a while, picked up a few things. As the years pass by, you find you can travel to any place you visited while alive. It helps break the monotony.”

            “Can you teach me?”

            “Bored already?”

            That dark grey look again!

            “Well, I suspect you’ll find it impossible until you move up a tier or two.”

            “You mentioned that before. What tier?”

            I shrugged. The more we spoke, the stronger we appeared to each other visually. As if gaining substance because of belief in each other’s existence. I had noticed this a few times encounters with other ghosts, good and bad but nothing so strong. Perhaps it was something to do with the place. There were echoes of my death here, and now hers. “Time translates into tiers of ability. Unfortunately, from your viewpoint, you’ve got some way to go. A kind of apprenticeship, if you like.”

“I don’t like!”

“There’s nothing you can do about it. That’s life – or, rather, the cost of being a ghost. That’s all.”

            “That’s all? That’s all!” She stood, clenching and unclenching her fists. I could picture her throwing plates and mugs at Jeff. Theirs had been a strong, passionate relationship. It broke my heart to realise she must be twenty-eight and would always be that age now.

            “Why did you do it?” I asked, suddenly.

            “What?” She was taken aback by my change of tack.

            “Take your life. It’s so precious a gift, to be savoured in all its vicissitudes.”

            “You some kind of ancient mariner, a poet or something? Killed because your verse didn’t scan?”

            “No.” I was surprised at her uncanny reference to Coleridge’s famous creation and a little shocked at her waspish tongue. Of course, she’d not changed simply because she’d died. “You’re naturally upset –”

            “Upset? I’m livid!” She stamped into the lounge, looked around. “This place is filthy!”

            “You never seemed to care when you were alive.”

            “How would you know?” Then she realised: “You were here all the time, while Jeff and I – “

            I smiled to myself and lied: “I didn’t look.”

            Alice sat on the divan, head in her hands – still attached to her neck, I hasten to add. Happily she wasn’t that histrionic!

            Slowly, with an enchanting hangdog appeal in her eyes, she looked up. “Where is he?”

            “I don’t know, but I can find out. A few neighbourhood ghosts owe me.”

            She grinned. “You’re cute, you know?”

            “I’ve heard the expression before – usually concerning pets and other creatures.”  I didn’t feel cute – especially in my black frock-coat, breeches and buckle-shoes. I felt like a fugitive from a Dickens novel.

           ***

“There are different tiers of ghosts. Like angels, that sort of thing, a kind of hierarchy,” I tried to explain the next day. “The tier a ghost belongs to depends on the circumstances of the person’s death, the reasons for the spirit being trapped between life and after-life, roaming until some blessed relief.”

            “I suppose I’m on the bottom tier, then?”

            I shrugged and caused cold air to waft the curtains: motes of dust danced in a solitary sunbeam. “Some ghosts are so powerful, they haunt their allotted place for centuries. Others, the majority, last merely a year or two and fade away, neither here nor there, lost forever.”

            “Is that why there doesn’t seem to be many ghosts about?” she asked, gesturing around with her arms.

            I smiled. “Right. The world would be pretty crowded, otherwise.” Just the persistent ones survive, I thought, those terribly wronged. Like me.  

 ***

The news didn’t take long in coming. “We’ve found Jeff.”

            Her eyes lit up at mention of his name, then clouded over. “I suppose he’s at his mate’s place. Dave’s. He ruined his marriage with a one-night stand, the idiot!”

            “Yes, Dave did, but neither he nor his wronged wife committed suicide over it!” It was out before I could prevent it.

            And she laughed, the familiar tinkling sound I remembered. “Touché, I think! Serves me right.”

            “He was at Dave’s, but they had a blazing row.”

            “What? They never argued –”

            “Jeff said Dave was a fool to throw away his marriage. Told him to crawl back to his wife.”

            “Jeff said that?”

            “Yes. Then he packed and left.”

            A worried look came into her eyes. Concern. Even fear.

            “He walked the streets most of last night.”

            Alice breathed a sigh of relief.

            “He’s here now–”

The front door opened.

            Jeff was a shadow of his former self – not as much as Alice was, obviously – but these weeks of bereavement, guilt and anguish had taken their toll. He slouched into the room, dropping his rucksack.

            “Can he see us?” Alice whispered.

            “No, he doesn’t have the gift. And he can’t hear us, either, so there’s no need to whisper.”

            “He looks awful.”

            “Yes, he does. No sleep, no heart because it’s broken–”

            “But he betrayed our love –”

            “He regretted it the next morning, said he was sorry. He meant it, you know.”

            “How do you know all this? You were on holiday!”

            “Listen.”

            We could hear Jeff talking to himself or, rather, to dead Alice. “God, how I wish I’d been stronger, Alice. I shouldn’t have stormed out and left you like that… I couldn’t reason with you, though, never could when you got your temper up… I loved you, always will… And now you’re gone…”

He sobbed.

            I glanced at Alice. She was quite moved by his confession. Ghosts can’t cry, but I swear she was blinking back non-existent tears.

            “Can’t I help him?” She paced in front of Jeff, eyeing me beseechingly. “I didn’t mean for any of this to happen! It was a dreadful mistake. I’ll regret it to my dying day – I mean, for all eternity!”

            “You can help him by being here, taking on his pain.”

            She stood in front of him as he poured his heart out and her ethereal form seemed to waver and grow dim as the man’s tears ran. It was as if his words hit her, she kept staggering back.

            After a while, she pleaded, “Jeff, stop torturing yourself! It was my life and I wasted it! Don’t make me waste yours too! Forgive me, please!” She touched his tears and they sparkled for an instant.

He shivered as with a sudden chill.

            Slowly, he stood up and wiped his face.

He glanced around as he came out of his cathartic reverie and saw a painting in a dark corner: it was a landscape by Alice over which he’d painted a nude sitting of her. As he went across to it, clouds moved or the sky turned or the earth moved and light streamed through the skylight and illuminated the picture. Alice’s eyes in the picture seemed to glow, reflecting on his face.

            He held it up and said, “I can forgive you for leaving me like you did. I guess I must get on with my life... But I’ll always remember you.”

            The light grew quite intense and I turned to see the mere wisps of what remained of Alice floating up into the white light. That was quick – so much for working through different tiers! Already, she was going on to a better place.

            I envied her such an early release.

            Jeff picked up his rucksack and walked out of the building, with the picture under his arm.

            I wondered what the new tenants would be like.
 

***

Previously published in Telmicro Media Magazine, 2007.

Copyright Nik Morton, 2014

***

If you liked this story, you might like my collection of crime tales, Spanish Eye, published by Crooked Cat, which features 22 cases from Leon Cazador, private eye, ‘in his own words’. 
 
He is also featured in the story ‘Processionary Penitents’ in the Crooked Cat Collection of twenty tales, Crooked Cats’ Tales.

Friday, 8 August 2014

FFB – Alias Thomas A. Katt

A few years ago, when I was commissioning manuscripts for a publisher, I encountered this little fantasy gem, Alias Thomas A. Katt by Bob Stewart (2011, 2014).

Of the 190+ books I accepted during my tenure, I enthused over all or I wouldn’t have accepted them, yet of all those there were a good many that seemed just that little bit extra-special. It would be invidious to list all of them, but from time to time they may crop up in this regular feature. That’s one of the most satisfying aspects of being a commissioning editor – whether for a magazine or a book publisher – opening a submission that captures you from the first page.

Thomas is a detective noir with a twist. Cat lovers will love it, as will fans of crime fiction.

This book reached the end of its initial contract and has switched publisher. It’s an e-book and paperback, now with a new beguiling cover.
 
 

Alias Thomas A. Katt - the blurb:

When Mallory opens the cage at the animal rescue center I trot out, right into her heart. She names me Thomas, a natural enough moniker for a male cat. It is a pampered life until I enter the surreal world of “feline noir” which twists my fondest dream into my worst nightmare after switching bodies with my mistress’ boyfriend, Tom A. Katt.

My fondest dream? To have human interaction with Mallory, not limited to purring and mewing.

My worst nightmare? Mallory is now on the hit list of a killer…

The dilemma: To save her by learning to successfully masquerade as a human. My knowledge of the human world is limited to television, movies, and the books Mallory reads to me on rainy New Orleans afternoons. And, how do you use those pesky opposable digits, anyway?

The horns of the dilemma: There’s always a chance we’ll switch back, leaving Mallory in deadly peril.

Normally, I’d write a review for this feature. But I’d be biased, obviously. So here are some endorsements:

Faux saints, cats who inhabit human bodies and find they can’t dog paddle when in their human state, ace cops who are also mob enforcers… all are elements in Bob Stewart’s comic novel, Alias Thomas A. Katt, that I thought might make it difficult to suspend my disbelief, but those were minor obstacles to that goal. What really posed a problem for me is I’m a cat-hater, but, from the first page I was captivated. Any fears of not being able to suspend that famous disbelief went right out the window with the contents of the litter box. This is a book chock-full of rollicking escapades, impossible situations, and improbable characters in a plot that could have been designed by Timothy Leary while “researching” illegal substances (sound track by Dylan). It’s a really cool book! What we in the writing trade are speaking of when we throw around the words “original” and “imaginative.” I give it my highest rating: Four Fur Balls.
-  Les Edgerton, author of Hooked, Finding Your Voice, Monday’s Meal, The Death of Tarpons and The Rape.

Bob Stewart has created his own niche--feline noir--in this kitty caper. When Tom Katt, a police officer and romantic interest of the lovely Mallory, switches bodies with Mallory's real cat, Thomas, the tables are turned on the bad guys. Even though he's forced to work within the boundaries of an inferior human body, Thomas still has his feline smarts. Bad kitty! takes on new meaning in this fun romp that all cat lovers will find purr-fect.
- Carolyn Haines is the author of BONES OF A FEATHER, the 11th in the Sarah Booth Delaney Delta Mystery series. www.carolynhaines.com

"It's a given that cats and crime fiction have been cozy companions since the days of Edgar Allan Poe. Now, however, Bob Stewart adds a delightful new twist, taking the reader on a charming, fast-paced, and quite inventive ride..."
-- Carlton Stowers, two-time Edgar winner

Bob Stewart is the author of four published non-fiction books, and has reported news events for popular magazines (People, Time, Life, and Latina). He has authored two plays presented by the Aggie Players at Texas A&M University, and two scripts for series television while pursuing a career in journalism. He served as associate producer for Switched at Birth, a television mini-series based on the Kimberly Mays baby switch in Florida. It was nominated for an Emmy. He has been managing editor of The Bryan Daily Eagle, The Laredo Times, and the Marshall News-Messenger. For ten years, he wrote a daily television column for the San Antonio Light. Next, he pursued a career as a freelance reporter/writer/author. In 1998, he joined the staff of People Magazine as a correspondent, working out of his San Antonio home.
 
 
His non-fiction books are:
No Remorse (Pinnacle True Crime and a True Crime Book of the Month club selection) is the true story of Texas serial killer Kenneth McDuff who was convicted of murder, then paroled, when the Supreme Court struck down the death penalty, only to go on a killing spree. McDuff was executed in October, 1998.

Revenge Redeemed (Revell ) is the true story of a Kentucky couple whose only child was killed by a drunk driver in 1972. They rehabilitated the man who killed their son and today he lives next door to them.

Sacrifice: The Drug Cult Murder of Mark Kilroy (Word Inc.) with co-author Jim Kilroy is the bizarre true story about Mexican drug smugglers who murdered Jim’s son, a University of Texas pre-med student as a human sacrifice while the youth was in Mexico on spring break.
 
Man to Man: When the Woman You Love Has Breast Cancer (St. Martin’s Press and a Literary Guild Alternate Selection) with co-author Andy Murcia, the husband of entertainer Ann Jillian.

Bob has worked on a number of national stories for People, including the Oklahoma City bombing, the Branch Davidian standoff in Waco, the murder of Tejano singer Selena, the TWA jet crash in New York, the murder of students at schools in Pearl, Miss., Jonesboro, Ark., and Columbine in Denver, Colo., the racially-motivated murder of James Byrd in Jasper, Tx., the execution of Karla Faye Tucker, and the kidnap/murder of Mark Kilroy in Matamoras, Mexico.

Wednesday, 6 August 2014

Spain and the Old West

For over fifty years Spain has been associated with the American Wild West. It all has to do with Almeria – a province of Andalusia – which is a place of many contrasts and definitely worth visiting. Whether you tour the capital city Almeria or the Alpujarra and Valle del Andarax, the Cabo de Gata and Nijar national parks, you’ll discover fantastic sights and views.

Reminiscent of the hanging houses of Cuenca, there are the dwellings hanging over the very lip of the barranco at Sorbas, which is a fascinating little town with steep narrow streets vying for prominence against the larger Castilian style buildings. Close by are the gypsum karst caves, a unique and unforgettable experience when visited. And Sorbas itself boasts a most informative and worthwhile visitors’ centre that resembles these caves.
Almeria
 
 
Jen in Sorbas                                          Sorbas - hanging houses

Sorbas is situated on a plateau between the valleys of Vera and Almanzora and the sub-desert strip of Tabernas.

The pueblo of Tabernas dates from Roman times, when they set up a number of inns and taverns to supply their troops. The town attained its prominence under the Moors and the castle is considered to be the most important after the Alcazaba in Almeria city.

In 1989 the desert of Tabernas was declared a Nature Reserve. It’s the only real desert in Europe, with eroded hills and a sub-arid climate. Not surprisingly, nearby is Europe’s biggest solar energy centre.

This desert landscape was home to the film industry for many years, especially in the 1960s. The arid scenery and constant sunlight made it a perfect spot. Among the many films made here are: Lawrence of Arabia, A Fistful of Dollars, Cleopatra, Indiana Jones and the Last Crusade, Apache, The Good, the Bad and the Ugly, Bounty Hunter and Shalako.
 
 
 
You can still visit the actual scene props at poblado del oeste. The Tabernas desert theme parks offer different shows, of six-gun duels and shoot-outs, representing scenes from the famous Wild West films. There are three film sets to visit – and all of them have websites. They are Mini-Hollywood (www.viva-almeria.com/mini_hollywood_p95.php), Fort Bravo, Texas Hollywood (www.texashollywood.com) and Western Leone (www.westernleone.com).


The last spaghetti western was made in Spain in 1975. This coincided with the downturn in popularity of TV westerns too.

The story of western novels is similar to that in films and television. At one time many paperback publishers ran popular and prolific Wild West series, many of them actually written by Brits such as George G. Gilman and J.T. Edson. Other writers of westerns include Louis L’Amour (author of Shalako), Oliver Strange (the Sudden series), Zane Grey and Max Brand (creator of Dr. Kildare). By the 1980s their numbers declined and the likes of Corgi and Pan no longer printed western novels.

But the western wouldn’t simply ride off into the sunset, beaten by spy movies and cop shows. No, the western survived and returned in film time and again, with modern classics of the genre creating mythic and epic visions – such as, Dances With Wolves (1990), Unforgiven (1992), Tombstone (1993), Wyatt Earp (1994) and Open Range (2003), The Missing (2003), Bandidas (2006), 3:10 to Yuma (2007), Appaloosa (2008), True Grit (2010), Cowboys and Aliens (2011), Sweet Vengeance (2012), Django Unchained (2012), and The Homesman (2014). On television we had Dr Quinn, Medicine Woman (1993-1998) and Deadwood (2004-2006), both series starring British actors, and Hell on Wheels (2011-to present).
 
In books, contrary to collective wisdom, the story isn’t so bleak, either. I can recall a strong core of fellow sailors who voraciously read any and every western they could lay their hands on. I’m sure that is the case for the other Armed Services. Where did that market and those readers go? Now, it seems rare to see a new western published in the UK.
 
Actually, that’s the way most readers see it, but in fact the independent publisher Robert Hale, who’s been around since 1936, has been bucking against that trend for twenty years with their imprint Black Horse Westerns. Primarily aimed at libraries, these attractive and colourful hardback editions maintain the action and myth of the Old West yet also recognise modern story ingredients such as psychological drama, domestic violence, betrayal, mystery, horror, romance and of course heroism.

Gone are the days when the man in the white hat shot the bad guy in the black hat. The fascinating details of the Old West are brought to life again by gifted writers such as Gillian F Taylor, Ben Bridges, Chuck Tyrell and IJ Parnham. Yes, there are indeed several women writers in Hale’s stable. Strong women characters are featured too, not least the entertaining Misfit Lil series by Chap O’Keefe. These writers come from around the world, whether that’s Australia, Scotland, the United States - or Spain.

Writing as Ross Morton – using my mother’s maiden name, Ross – my latest, sixth Black Horse Western has now been published by Robert Hale: The Magnificent Mendozas.
Purchased through Amazon UK here
Purchased through Amazon here
Purchased post-free worldwide from the book depository here

If you’re interested in the Old West – whether as a line dancer, film buff, or perhaps as a reader who thought they were not publishing westerns any more – then try a few Black Horse Westerns and you’ll be pleasantly surprised. You can also order them on Robert Hale’s website, many with discounts: www.halebooks.com There are at least 230 from which to choose. Spoilt for choice, in fact. [There have sprung up in recent years a good number of new independent publishers of westerns, mainly in e-book format, in the UK and the US; this is a healthy sign for the genre.]

For a fascinating overview of westerns in the movies, try http://www.filmsite.org/westernfilms6.html

 

 

 

Monday, 4 August 2014

World War I – fiction – a glimpse

As this is the 100th anniversary of the start of World War I (or the First World War as we Brits called it), I thought I would attempt to read the fiction books in my library that feature that conflict. 

Some I have read, such as A Farewell to Arms, Flanders, All Quiet on the Western Front and Johnny Got His Gun. Others have just been sitting there on the shelves, waiting…

By all means join in and offer suggestions for further reading.




 

Books – Crystal balls at the ready!


By 2018, a new consumer report predicts that e-books will be Britain’s favourite reading format. They’ll overtake the sale of paperbacks and hardbacks, according to PwC.

So, in the next four years the consumer e-book market is predicted to triple from £380m to more than £1bn.

Astonishingly, half the population of the UK is expected to own a tablet device of some kind by 2018. In that same period, sales of printed books are estimated to fall by a third, to £912m.

Yet it’s still positive for print book writers and buyers. Before 2013, the UK book market was in decline, but now it is predicted to be worth £1.9bn in 2018, which is a healthy balance sheet by all accounts...

Perhaps we should be looking to the east as China is predicted to become the world’s second largest book market in 2017, overtaking Japan and Germany, with the US the world’s number one book market with predicted revenue of $37bn.

[My apologies for the repetition of the word ‘predicted’ – who’d have foreseen that?]

 

Information gleaned from Writers’ News, August 2014 – www.writers-online.co.uk

Sunday, 3 August 2014

'Shadows over Lornwater'

Sorry, there's no blog today. Ostensibly a day of rest...

I'm currently working on a long short story, 'Shadows over Lornwater' for our publisher Knox Robinson - it will be available at or before the time of publication of Wings of the Overlord. It is a kind of prequel to Wings and its sequel To Be King.

It all takes place in a fantasy land created by my friend Gordon Faulkner. There's magic, witches, intrigue and death - but no dwarves, elves, unicorns, vampires, werewolves or zombies (I'm saving those for my next western...!)


 
 

Saturday, 2 August 2014

Saturday Story - 'There'll Always be Ghosts'

                                               
THERE’LL ALWAYS BE GHOSTS

Nik Morton


I'm going to miss old Thomas Howard. He was one of the oldest ghosts in this area, and though he talked a mite strange, he was personable enough, even with his head under his arm. And smart. He looked the part, with his doublet and hose, his Elizabethan ruff and jewelled rings. In pinstripes and white shirt, I must appear very nondescript for a ghost. My whole life I've been plain Charles Inchcape, a not particularly edifying fellow. Yet somehow we took to each other straight off. Perhaps because we both haunted banks in our spare time, of which we accrued plenty. His was, inevitably, the Queen's bank, Coutts; mine's the Allied & Northern (they insist on the ampersand, thinking it’s trendy).

            It took a little adjustment. One minute I was hurrying round to see Jimmy, the next I was hit by a car which didn't stop.

I died on the way to hospital.

But, as Thomas said, at least I kept my head.

 
Mr. Digby Wessex had been the branch manager at Allied & Northern for about six years by the time I joined as assistant manager. He had an abrupt manner, was going to fat and looking for a coronary to happen. We never got on from the start. He was sanctimonious and a hypocrite: do as I say, not as I do. He deplored unpunctuality in his staff and upbraided anyone unfortunate enough to arrive late due to inclement weather or unreliable public transport: he seemed to take great pleasure in embarrassing his staff, particularly in front of customers. If any mistake occurred, it became public knowledge.

            Jane Mumford was a charming blonde young teller, always there with a cheerful word for the customers. I was in love with her, but being a balding old coot of fifty-two, I would just have to dream. Yet she was pleasant to me, with a lovely genuine smile and bright blue eyes. She was also the epitome of banking efficiency. Her book-work was immaculate and precise.

            When customers started complaining about phantom withdrawals, Jane agreed to look into the matter. It wasn't simply a case of withdrawals from the ATM, where the bank could reasonably argue that the customer was mistaken. No, these debits were made by cheque and though many accounts were affected, the cheque-numbers were all the same sequence. It was as though a cheque-book had been printed with a different account number for each cheque! A good scam for a printer, if he could manage it, I suppose ...

            Jane and I stayed late a number of nights, working on this problem. Mr. Wessex vetoed any overtime and dismissed the customers' claims as nonsense.

            Then one afternoon while Mr. Wessex “popped out for lunch” - a three-hour session, usually - I searched through his in-tray for a missing file. He constantly denied having any files that went astray; they all turned up, eventually, often mysteriously, and I continued to harbour the feeling that he had them.

            On this occasion the file was there all right, tucked inside a wallet folder. At the same moment I noticed his PC terminal was still switched on and he was logged into a session. The screen was in INQUIRY mode, so there was no risk of updating the computer records. However, I was surprised to note extra User Help icons along the top of the screen. Not unusual, though their names seemed odd: UPDQ and UPDS. The screen was on a customer's bank record, and I did a double-take as I recognised the cheque-number of the latest entry - it was in the same sequence as all those phantom withdrawals!

            Curious now, heart hammering, I rummaged in Mr. Wessex's drawers and in-tray, but could find nothing of any relevance. I logged out and switched off the Personal Computer and tidied up.

            Before leaving Mr. Wessex's office I telephoned a friend in the Fraud Squad. Jimmy was most helpful: some PC programs could update the database and there would be no audit-trail of the action other than the revised record ... I asked if I could call on him next evening.

 
The following day I advised Jane I was onto something but would rather wait till after my meeting with Jimmy. For the time being I suggested she suspend any further investigations. Afterwhich she could do a search for the amounts deposited in customers accounts that tallied with the phantom amounts: I did not believe Mr. Wessex would use his real name or his own account.

            On my way round to see Jimmy, the car hit me but didn't stop.

Old Thomas sympathised, as his death had been swift while mine had been quite protracted and agonizing.

Thomas showed me what happened. Ghosts have this knack of pulling back the veil of the past. It makes timeless wandering bearable, if you have any interest in history.

“’Tis a strange gap in time, it seems, this haunting business,” observed Thomas feelingly.

            When Mr. Wessex came back into the office, he looked worried: he'd noticed the tidy desk, the PC switched off and obviously recalled leaving with it switched on. He picked up his phone and jabbed the Last Recall button and of course Jimmy answered.

            Wessex apologised, said it was a wrong number ... Then he swore and his face seemed to go pale and cold, the eyes dark and fathomless. Even watching as a ghost, I was startled by the sheer evil in his face. As my Gran used to say, “It's not the dead you need to worry about.”

Thomas remarked sadly, "The dark augury of your death was etched in those features.”

 
“But he'll get away with it, unless Jane ...” I stopped, fear for her safety suddenly making me uneasy. I had no heart, no physical presence, so I could no longer experience distress through the emotions, yet strangely I sensed a phase-shift in my astral being, a disconcerting disquiet when I realized the danger Jane may be in.

            “Precisely,” said Thomas with his usual percipience. “Welcome to the hell of our limbo, where you can observe those you hold dear without being able to offer any solace or guidance, where you must suffer all the torments of the shell you have departed though multiplied a thousand-fold.”

            “You sound very bitter,” I said.

            “I have reason to be, for I was the subject of a trumped-up charge of treason. Simply because I would not bend to the Queen's command.”

            With a single blow of the axe he was beheaded in 1572 near the Tower of London, where he had been imprisoned: he was accused of plotting to wed Mary Queen of Scots and then seize the crown from Elizabeth I.

“Yes,” he said again, “I hold much bitterness.”

 
I’d awoken in my ghostly form about a week after my death. Lying on a park-bench opposite the Allied & Northern bank, I accepted this strange unreality with surprisingly little concern.

            To my chagrin the funeral was over, so I didn't even have the solace of hearing any eulogy: strange, they only tend to write or say good things about you when you're dead - unless you happen to be in show-business... “You may wish to journey back to the funeral later,” suggested a voice, “to hear what was said about you.”

            Despite being a ghost, I found I was capable of being startled.

            Strolling across - no, floating above - the grass was a headless Elizabethan: he introduced himself, “Thomas Howard, the fourth Duke of Norfolk, at your service, sir.” He bowed, which amused me, as his head stayed in the crook of his arm.

            It was comforting to know I could still be amused and it seemed that I was not destined to be alone in this limbo. “The regrets and anger will visit upon you in a while, my friend,” Thomas told me.

            We soon became firm friends. I enjoyed his dry sense of humor: “All the best banks have a ghost, though it can become quite tedious in this credulous age.”

 
We watched as Jane stayed behind one evening and ran a small inquiry program knocked together by a computer whiz, a nice young man.

            “If she finds out about Wessex and he gets to know, he's not going to hesitate... Another hit-and-run...” I tried concentrating, passing mental messages, STOP IT, DON'T GO ON, JANE, STOP!

She would pause, as if listening to something imperceptible in the air, then shake her head and continue with her investigations.

            “This new world of banking offers me new interests, young Charles,” said Thomas. “Despite having no palpable form, I find I can affect the conduits which emanate from these machines and thus disturb their esoteric messages.”

            “A gremlin, you mean? You're a gremlin in the system?”

            Thomas shrugged his headless shoulder. “If you say so. It has proved fun in the past, to discern the bafflement of the machine users when my intervention has taken effect!” The wily old buzzard, I thought.

            “I've been called worse,” he sallied back.

 
After much effort we could actually substitute separate characters displayed on the terminal’s screen. “Now we can send her a message, warn her!”

            “No,” said Thomas. “I have a better idea.”

            So we set to with a will and after two days of extreme astral exertion we’d accomplished everything that was necessary.

 
The Allied & Northern Head Office received a message on their electronic mail system, on every terminal, which read:

            MR. D WESSEX THE BRANCH MANAGER OF A&N ALVERTOWN HAS BEEN SYPHONING OFF PHANTOM WITHDRAWALS FROM HIS CUSTOMERS. SUGGEST YOU INVESTIGATE. JANE MUMFORD.

There followed full details of the withdrawals and the bogus account they were syphoned into. Jane was puzzled as she noted these same details in her own computer investigations.

            A secret Head Office entrapment program was installed in Mr. Wessex's branch which succeeded in logging his next illegal withdrawal. It also traced the transaction to Wessex's bogus account. He tried to protest his innocence, blaming Jane, but Jane's meticulous records exonerated her.

 
A couple of days later Thomas was exorcised by his illustrious descendants. As he faded from sight, he gently placed his head on his shoulders and smiled. “At last, with my family's help, I can now let this bitterness go.”

            Fortunately, I have met other ghosts since Thomas left. I still miss him, but this non-life is interesting. I attended Jane's wedding the other day. She married that computer whiz-kid and they honeymooned on the bonus she was awarded for bringing Wessex to justice.

            Unlike Thomas, I’m not bitter. Perhaps that will come as time goes by; he tarried a while, some four hundred years. I wonder what life will be like in the next hundred years or so? Perhaps theft will be obsolete, unlike ghosts. There'll always be ghosts.

***
Previously published in Portsmouth Post as ‘Phantom Withdrawals’, 2004.

Copyright Nik Morton 2014

***

If you liked this story, you might like my collection of crime tales, Spanish Eye, published by Crooked Cat, which features 22 cases from Leon Cazador, private eye, ‘in his own words’.  He is also featured in the story ‘Processionary Penitents’ in the Crooked Cat Collection of twenty tales, Crooked Cats’ Tales.

 
 
Spanish Eye, released by Crooked Cat Publishing is available as a paperback and as an e-book.





 

Friday, 1 August 2014

FFB - The Life and Times of the Thunderbolt Kid

With nine books under his belt, it’s clear that no matter what Bill Bryson writes about, he can make it amusing and interesting. He has a way with words and employs them to good effect.  His tenth offering (2006) is a memoir of his time as an ordinary kid in Des Moines, Iowa.  ‘So this is a book about not very much; about being small and getting larger slowly.’


No great drama, no conflict, just an insight into the curious world of 1950s America, when everything was good for you, whether that was DDT, nuclear fallout or cigarettes.

            As the title suggests, this doesn’t just concern Bryson’s childhood. It’s about the 1950s too, when almost 90% of American families had fridges, nearly three-quarters had washing machines, telephones, vacuum cleaners and gas or electric cookers – all thanks to the thousands of factories that hadn’t existed before the war and which had changed from making tanks and battleships to making cars and labour-saving goods after the war.

            People felt good. They felt that they could actually have all those things they had dreamed of and even some things beyond their wildest dreams. Yet for all the acquisitiveness, they exhibited an amazing simplicity of desire. People were thrilled to own a toaster, for example. Nowadays, technology is taken for granted.

            Something new seemed to turn up every week if not every day. Men wore hats and ties almost everywhere they went and women prepared food from scratch. A policeman seized a youth on suspicion of possessing drugs when in fact the powder he had was called instant coffee.

            Before the war, half of the US states had laws making it illegal to employ a married woman. The war changed attitudes.

            Young Bryson had an older sister and brother – don’t miss the anecdote about his brother’s handkerchiefs... Apparently, his mother wasn’t a good cook – their kitchen was actually called the Burns Unit – and it had nothing to do with George and Gracie. His descriptions of the family diet are hilarious – ‘Apart from a few perishable dairy products, everything in the fridge was older than I was...’

            As Bryson remarks, time goes slowly when you’re a kid; it’s adult life that is over in a twinkling. Because childhood days were filled with nothing very much, kids were curious about everything. ‘I knew how to cross every room in the house without touching the floor,’ Bryson says and you can picture him clinging to wardrobe doors and bouncing on bed-heads, a veritable ‘Just William’.

             Nobody thought anything of the fact that kids were playing on lawns drenched in noxious insecticide. ‘Possibly it was thought that a generous dusting of DDT would do us good.’ Bryson says all the events are more or less true, though he has changed the names, which is understandable, considering. You don’t really want to know why Lumpy got his name, I assure you, yet you probably knew somebody just like him in your childhood.

            It seems that they were indestructible in those days. ‘We didn’t need seat belts, airbags, smoke detectors, bottled water, child-proof caps on medicines, helmets on bikes... We knew without a written reminder that bleach was not a refreshing drink and that gasoline when exposed to a match had a tendency to combust.’ These were the long lost days of common sense, before the lawyers really woke up.

            Thankfully, we in the UK never suffered any pressures from product advertisers. In America, the shows sponsored by Camel cigarettes were forbidden to show villains smoking cigarettes and no mention could be made of arson, flames or coughs! They even demanded a game-show re-filmed because a contestant said her astrological sign was Cancer; they made her Aries, instead. The script of ‘Judgement of Nuremberg’ was altered to remove all references to gas ovens and the gassing of Jews, by order of the sponsors, the American Gas Association. Only in America... 

            Inevitably, there are moving moments as memories evoke long-lost images and emotions. He writes about the time he visited his mom in the Women’s Department of the newspaper, sitting at her desk, hammering away at her Smith Corona upright. ‘I’d give anything, really almost anything at all, to pass just once more... to see... my dear old mom at her desk typing away.’ We all probably have at least one of those precious moments treasured in our hearts and minds.

            His mother took him to the movies regularly but he never got to see the films he fancied, such as The Blob and The Incredible Shrinking Man. Instead, they watched talk, talk, talk movies where ‘the characters always turned away when speaking so that they appeared inexplicably to be addressing a bookcase rather than the person standing behind them.’

            Where does the Thunderbolt Kid come into it? At some point Bryson was convinced that he was not of Planet Earth and his parents had simply adopted him. When he was about six he found an old jersey in the basement with a rather striking thunderbolt on the chest. Obviously, this was ‘the Sacred Jersey of Zap, left to me by King Volton, my late natural father...’ The creators of Superman have a lot to answer for, believe me.

            We’ve entered a boy’s magical world of make-believe that’s more real than anything happening in the so-called real world. Bryson captures the essence of this strange behaviour, when imagination ruled. They didn’t have much television or other imagination-sapping entertainments, they had to use their growing and endlessly curious brains to make their own amusements.

            The only girl in their neighbourhood anybody really wanted to see naked was Mary O’Leary but that wasn’t going to happen, at least not while Bryson was around. He didn’t have that much luck placating his burgeoning hormones, it seems, and it makes amusing reading.

            He also dwells on the absurdities of the Communist witch-hunts, the ignorance of the nuclear test officials, the obscene hypocrisy of the treatment of black Americans. And of course he mourns the passing of a way of life, where even a huge department store, once the centre of their universe, had to close its doors; a place where school records and photographs were recycled – destroyed - because nobody seemed interested.

In Bryson’s eyes, this was a wonderful world and he won’t see its like again. We can sympathise as the world continues to change around us, not always for the best.

            If you’ve read any Bryson book before, you won’t need urging to read this memoir. If you haven’t, try it, you’ll be pleasantly surprised. Recommended.

***

On the other side of the Atlantic we can read Richard Littlejohn’s reminiscences on the same period, Littlejohn’s Lost World (2014), which has picked up many good reviews on Amazon.