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Showing posts with label conman. Show all posts
Showing posts with label conman. Show all posts

Saturday, 3 December 2022

THE GOOD LIAR - Book of the film


Nicholas Searle’s debut novel The Good Liar was published in 2016 and the film was released three years later.

The story concerns Roy, a conman, and Betty, a widow; both are in their eighties but reasonably fit for their age, though Roy is plagued by a ‘difficult leg’. They meet for the first time through an online dating connection. And they seem to get on well. The protagonists are played by two consummate actors, Ian McKellen and Helen Mirren, who effortlessly inhabit their personas. Roy comes across as a particularly unpleasant man in both book and film.

The book’s story is told in the present tense and in the third person past historic, and jumps around quite a bit – the present (probably 2009), 1998, 1973, 1963, 1957, 1946, and 1938.  The ‘present’ is a bit woolly in the book but since certain characters were youngsters in 1938, the ‘present’ must be around the 2009 date to realistically fit.

After a couple of dinner dates, Betty takes pity on Roy and asks him to stay at her home – with the proviso their relationship would be for companionship only. He is willing to accept her kind offer. The majority of the flashbacks relate to Roy and the various predicaments he found himself in: impersonating a man accidentally killed in Norfolk, conning widows out of their savings. It is soon obvious that he has designs on Betty’s nest-egg. The only fly in the ointment is her grandson who appears over-protective.

Searle commits the modern cardinal sin of head-jumping from Roy’s thoughts to Betty’s in the same scene. Yet in this instance it works, emphasizing not only a battle of wills but imbuing the tale with mystery about Betty’s motivation.

The gradual twists and revelations are served up towards the end.

This is one of those rare occasions where the screenplay improves on the book. In the book, the fate of Roy is a rather prosaic damp squib, yet in the film it is far more brutal and, dare one say, satisfying. In the book some events are considered but not carried through; in the film these events are enacted and enhance the drama. The book deals with the horror of the Nazi concentration camps, where the film barely touches upon this. The screenplay is by Jeffrey Hatcher.

A worthwhile psychological thriller that maintains its grip on the reader to the end.

It does not matter if you see the film before or after reading the book: the book provides more telling background regarding Roy, while the film is a gripping experience in its own right thanks to the lead actress and actor.     

Saturday, 25 October 2014

Saturday Story - 'Final demand'


Wikipedia commons
 
 
FINAL DEMAND
 

Nik Morton

 
Nervously lowering himself from the stucco wall of his rich aunt's Georgian house, Jeff Grayson was suddenly startled by a familiar voice from the darkness.  "Visiting your relatives, Jeff?" Eric Hinton asked in an ironic tone as he stepped out from the shadows of a kerbside sycamore.
      
"She - she wasn't in..." Jeff stammered, trying to hide a small sports bag behind his anorak.

"What's that?"  Hinton snatched the bag.

Jeff's heart sank.

Hinton whistled, brown eyes bulging.  "Must be two hundred quid at least!  Her mattress must've been hellish lumpy!  Doesn't the Gas Company pay you enough?"

"Please," Jeff whispered, knees shaking.  "I'll repay her; I'm only borrowing it... I've got a dead-cert at Chepstow..."

"Still playing the gee-gees, eh?"  Surprisingly, Hinton handed back the money.  "Okay... But be careful, since it's not yours!"  He lifted a crush-proof pack to his mouth and his thin lips curled round a cigarette.  Lighting it, he strode off, chuckling.

***
The dead-cert should have been declared dead or as good as: it came in so late it almost won the next race.  Jeff still owed too much money to unsavoury people.  At least he was glad when the uproar of his aunt's burglary died down.  Until he had a visitor. 

Mrs Wycherly, his landlady, let Hinton in and showed him upstairs to Jeff's bedroom.

Surprised to see Hinton, Jeff stood at the door and gaped.
 
Hinton leaned against the door post and lit a cigarette.  "Pity about your aunt's holiday savings, eh?  You'd think people'd trust banks more, wouldn't you?"
 
Stomach churning, Jeff glanced guiltily at the head of stairs: "You - you won't turn me in - will you?"

"Don't worry!"  Hinton gently shoved Jeff inside and shut the door behind them.  "Let's keep this little conversation private, eh?  He twitched ash onto the carpet.  "Now I think we can be of mutual assistance."
 
Despite his shock at seeing Hinton here, Jeff was wary of his old associate's silvery tone; still, he was curious.  "How?"
 
"I've heard about your gambling debts, Jeff, my boy.  My little scheme could help you get out from under, know what I mean?"
 
"How?" Jeff croaked.
 
"Don't you print the bills for the company's customers?"
 
"Yes - but - "
 
"Is it easy to increase the demands?"
 
Jeff paled, realising what Hinton was suggesting.  "I - I've never thought about it..."

***
Hinton supplied the names and addresses of fifty customers - local pensioners, aged spinsters, widows, widowers and the infirm. 
 
Jeff was a frustrated computer programmer in the company's operations room.  He was able to circumvent various checks and controls to adjust the print alignment routine. 
 
This routine usually printed lots of x's on pre-printed and numbered computer stationery - the bills and statements - to permit the computer operators to line up the paper in the printer before the genuine details were printed; these alignment prints were destroyed by the operators and the inclusive pre-printed numbers declared void in the accounts schedule. 
 
Now the adjusted routine pulled in fifty client names who paid by cash, not through a budget scheme.  It produced 100%-increased bills among the alignment bills while the printing of the fifty statements were skipped.
 
The processing on the individuals' accounts was unaffected.  
 
Jeff enveloped and posted these bills himself.  Trying to adjust the accounts system package, to pay the extra direct into a bogus bank account was, he considered, too risky.
 
If anyone came into the office to complain or pay up then it would be attributed to a computer fault and profuse apologies made.
 
But the majority of recipients wouldn't be able to leave their homes or would await the red reminder before venturing to settle.
 
As a representative of GAS Co (General Altruistic Services Company), Hinton was already calling at these addresses, demanding half-payment per month. 
 
The actual bills were paid by cheques drawn on General Altruistic accompanied by a letter of explanation stating further correspondence was to be addressed to the Company PO Box.

In the second month of the new quarter they'd amassed a nice little profit.  But Jeff wasn't very comfortable with it; trouble was, now he'd dug himself in deeper.
 
***
Then the publicity broke concerning another Gas Company area, just a coincidence.

A 65-year-old widow had received a bill for £159 and was now under sedation.

A middle-aged cripple's inflated bill prompted him to write to the national papers deploring the inefficiency of computers.

Yet another case concerned a spinster who was now afraid to use her gas appliances.

All incidents were explained as being computer-errors or accounts department mistakes.

Jeff saw it as the end of the line.

Once customers lost faith in the Gas Company's computerised accounts, Hinton's demands would fall on deaf ears.  He chuckled at the irony: the fake bills wouldn't be believed!

***
"Let's pack it in while we're ahead," Jeff suggested.

Hinton's stubby nicotine-stained finger prodded Jeff's chest. "Listen, I told you before," he said adenoidally, "I've enough on you to put you inside..."

"But - "

"No buts."  Hinton shook his head.  "You don't know anything about me now... A phone-number's all you've got."  He sniffled, red nose submerged in a huge flannel handkerchief.  "Damned flu..."

From his glowing stub he lit another cigarette. "Just carry on printing those bills, and I'll carry on dragging round from door to door collecting extra cash!"  He sneezed and said in a martyred tone, "That's how I caught this flu!"

Returning to his digs, Jeff recalled with a smile that he'd sent his landlady, Mrs Wycherly, an extortionate bill, to clear suspicion from him.
 
Then, entering the parquet hall, he smelled gas.
 
Mrs Wycherly was sprawled in the kitchen, her head resting on a cushion inside the cooker: a human sacrifice to the bill in her limp bloodless hand.
 
Kneeling down, Jeff felt her neck like he'd seen in the movies and detected a faint pulse.

Hands trembling with guilt - this was his doing, his bill had scared her into suicide - he heaved her out the kitchen and upstairs - if she wakes up on the bed she mightn't remember her attempted suicide, he thought. 
 
Even though she was small and quite light he had to rest half-way up.
 
Flopping her onto the bed in the back bedroom, he forced open the sash windows and breathed in fresh air.  His legs wobbled weakly after the unaccustomed exertion.
 
Shivering in the night breeze, he grabbed Mrs Wycherly's arms and began artificial respiration.

Mrs Wycherly's desperate act convinced him: their greed was irresponsible and dangerous. How many old folk would be callously scared out of their wits by Hinton?

At last, satisfied she'd live, he phoned Hinton. "I'm quitting," he declared, and thought sod the consequences.
 
A sharp angry intake of breath at the other end. Then, finally: "Wait there!" Hinton demanded.

***
From his own upstairs front bay-window he watched Hinton dashing along the deserted street.  The roadside lamp provided a perfect view of the ajar door.
 
Panting on the threshold, Hinton pushed the door.
 
"No!"  Jeff's eyes widened in alarm. "No!" But Hinton couldn't hear him.  Jeff stared, transfixed by fear.  In his moment of shock he'd forgotten to turn off the gas - while he saved Mrs Wycherly's life his nostrils had become used to the faint smell up here.  But Hinton wouldn't notice the fumes because of his cold, and was striking a match to a dangling cigarette -
 
Jeff grabbed the window-frame as the floorboards shuddered under him. 
 
The explosion shook the whole building.  Lights went out. He caught a hazy impression of door, glass and Hinton bundling across the starkly illuminated street.
 
All three emergency services arrived in record time.
 
The blast demolished the hallway, kitchen and the front box bedroom adjacent to his own.
 
Surprisingly, at the rear of the house, Mrs Wycherly slept through the pandemonium.

***
"You might as well talk," Detective Inspector Stokes said, steely eyes glaring at Jeff in his multiple bandages.  At the private ward's door was an anxious nurse and a policeman in uniform.  "We've been checking on a number of pensioners' complaints over inflated gas-bills," Stokes continued, fanning himself with a tattered notebook.  "This was on Hinton's body and it clearly fingers you as the scheme's mastermind..."
***

Previously published in Costa TV Times, 2009.

Copyright Nik Morton, 2014

If you liked this story, you might like my collection of crime tales, Spanish Eye, published by Crooked Cat, which features 22 cases from Leon Cazador, private eye, ‘in his own words’.  He is also featured in the story ‘Processionary Penitents’ in the Crooked Cat Collection of twenty tales, Crooked Cats’ Tales.

 
Spanish Eye, released by Crooked Cat Publishing is available as a paperback and as an e-book, see below:





 

Tuesday, 14 October 2014

Crooks bested

Inspired by Leslie Charteris’ Simon Templar, The Saint, I conceived and wrote a series of short stories about Leon Cazador, a private eye who was not averse to bending the law to ensure that members of the criminal fraternity get their just deserts. Dessert = sweet revenge?

He evolved almost whole after the first tale in 2005. Half-English, half-Spanish, he served in the forces and the secret service, roaming the world. This meant that he built-up an enviable selection of contacts he could call upon for help from time to time. As with our real-world private enquiry agents, who are not permitted to get involved in a murder investigation, he couldn’t go there; well, providing he wasn’t caught doing so, perhaps.

The tone is sometimes light, sometimes dark – because life is like that.

Victims really do need more champions; the criminals have had it their own way for too long. I wouldn’t suggest that Leon Cazador is a vigilante – that role is reserved for my protagonist in Sudden Vengeance. But he certainly strives to bring his kind of justice to the unrepentant ungodly.

For a taster, here’s the beginning of the story ‘Off Plan’:

I was wearing a false moustache, grey coloured contact lenses, and my hair was dyed black. My brother, Juan, wouldn’t recognise me. In fact, I had difficulty recognising me. I was no longer Leon Cazador but Carlos Ortiz Santos. Sometimes it was necessary to wear a disguise and take on a fake name to hoodwink the ungodly. This was one of those times.

“If you can’t come up with the €75,000, Alonso,” I said, “then I will make the offer to the other two developers.” I tapped the regional map impatiently with a forefinger. “The mayor wants the money soon, so it can all be settled.”

Alonso Vargas was slim and appeared urbane in his smart suit. He was convincing in his tone and words. The perfect conman, it seemed. “It is difficult, Carlos. That is a great deal of money.” He was toying with me, playing for time, and debating whether I would bargain. His dark eyes glinted. I knew it wasn’t with humour but greed. He rubbed his pointed chin, pretending to think. He needed a kick.

I sighed resignedly and started folding up the map.

“No, no, Carlos,” he said and urgently gripped my forearm and halted my retiring action. “I have the money, as promised.” He eyed the Mercadona supermarket bag at his feet.

“That’s good, Alonso.” I smiled and left the map half-folded.

He cocked his head to one side. “I suppose it would be foolish of me to ask for a receipt?”

I grinned and nodded. “That would be foolish, yes. The mayor has to pay several anxious people to adjust various documents. Others, they need financial incentives to keep their mouths shut.” I shrugged. “You know how it is.”

“Ah, yes.” His eyes glimmered with the prospect of four hundred acres of re-designated land, all his to build upon. “I know how it is.” His foot gently moved the plastic bag over the tiled floor towards me.

Leaning down and picking it up, I asked, “So, you can bring me the final instalment next week, as agreed?”

“Cash flow is difficult, times are not so good since the building boom has slowed down, you know.” He shrugged pronounced shoulders. “The crisis, it bites deeply.”

Shaking my head, I quickly finished folding the map. “If you cannot honour our agreement, then I must go elsewhere. We agreed you would pay me two instalments.” I slid the bag across the table, in plain view.

Anxiety was written all over his face. He glanced left and right, but nobody seemed to be paying us any attention.

“I’m not one of your clients, Alonso. Delay is not an option.”

“No, no,” he said hastily, pushing the bag towards me. “Please, take this now. It is difficult, but not impossible. I will have the rest of the money.”

“You’re sure?”

He nodded and offered the same smooth trusting smile he turned on for his clients. “You have my word,” he said.

I stood up. “Your word is good enough for me, Alonso,” I lied and shook his offered hand. I turned and left the bar with the bag of money under my arm.

***

To find out how Alonso – and quite a lot of other crooks – gets his comeuppance, please purchase or otherwise obtain a copy of Spanish Eye, published by Crooked Cat. The e-book is really good value – and reviewers on Amazon UK and Amazon COM seem to think so too.
 
 
Amazon UK here
 
Amazon COM here
 
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Friday, 11 April 2014

FFB - Spiderweb

Robert Bloch' Spiderweb was published in 1954; this book was one of a double offer from Hard Case Crime (2008), hence the bar-code on this image and the strapline ‘Two complete novels!’ The other Bloch novel was Shooting Star. Hard Case Crime brings to a modern audience old out-of-print classic crime novels plus new writing, with covers harking back to the golden age of pulp paperbacks.


Bloch’s novel is an enjoyable crime noir about Hollywood’s dark side. Eddie Haines is a washed-up radio jockey who can’t get airtime in LA. Then he’s befriended by Professor Otto Hermann who promises to make Eddie rich. All Eddie has to do is pretend to be a gifted self-help guru to the stars. It seems that Hermann has access to many secrets of the film stars and by using Eddie in his new guise of Judson Roberts, they can fleece unsuspecting pigeons. When Eddie meets Ellen and falls in love with her, he can’t get out of his deal with Hermann – because he too was being cunningly blackmailed…

Bloch gives away some of the conman’s secrets, which should be enlightening and educational. His characters use the psychological studies of the day to good effect to work subtle and convincing scams.

There are some great one-liners in this book. As the Professor explains about one film star hooked on astrology: ‘But she won’t so much as sleep with an assistant producer without consulting the stars.’

Bloch’s horror writing style is in evidence as well: ‘Poinsettias pressed myriad bleeding mouths to a garden wall.’

And he always likes to play with words – as evinced by some of his book and short story titles. Here, he goes all alliterative: ‘I eyed elkskin and surveyed suede.’

Of course he’s a master of the hardboiled style too; this is a great description: ‘She gave a look that would have made her a fortune as a glass cutter…’

Stephen King writes of Bloch, ‘Perhaps the finest psychological horror writer.’ [He’s keeping his options open, I guess, using ‘perhaps’.]

King’s writing pal Peter Straub says, ‘Robert Bloch is one of the all-time masters.’

I wouldn’t disagree with either of these gentlemen. Bloch is worth reading.