Search This Blog

Showing posts with label Writers' Forum. Show all posts
Showing posts with label Writers' Forum. Show all posts

Wednesday, 4 November 2015

Writing – research – Writers’ Forum

On 8 September I looked at sources of advice for budding writers and mentioned the UK’s Writing Magazine. The other major periodical in the UK for writers is Writers’ Forum.  This is a monthly glossy also. Their strapline is ‘How to write; what to write; where to sell it.’ Its cover price is £3.60 (12-issue UK subscriptions are available; also elsewhere, varying for Europe and rest of world).


In the 68 pages of a recent issue (October) you will find articles from published authors, writing groups, writing exercises, insight into aspects of the publishing industry, freelance markets, a story competition and results of an earlier competition, readers’ letters, and a competition calendar, among other things! So there’s plenty to peruse and much that can offer advice, solace, encouragement and even target markets.

I have had a couple of articles accepted in the past, though the majority of features are provided by regulars; still worth a try, though.

Also, if you send them short news items for their pages, either researched directly by you or sourced from press released or publications and rewritten for the magazine, and in return you’ll get a byline and the best will win a free year’s subscription. Items should be under 200 words, useful, interesting or amusing to writers: news@writers-forum.com.

The featured author interview is with Tarn Richardson who, after 20 years of trying, finally found his voice with his horror novel, The Damned, selling it to Duckworth Overlook, an independent publisher of long standing. Worth bearing in mind that Duckworth published World War Z, which was made into a riveting movie starring Brad Pitt.

There’s advice on polishing your work. Believe me, many writers spend too little time on self-editing. Some simply expect that the publisher’s editor will do that editing bit; well, only if there are no glaring errors or inconsistencies in the original submission, otherwise that will get rejected.

Another writer explains that when writing his pocket novel, the last part to be written was the beginning. Note that he wrote this under a female penname. This is a useful tip: don’t get bogged down with your beginning – it just might change or be shunted into chapter two once the book is finished! I’ve written often about beginnings as they’re important. The primary purpose is to hook the reader; how you do that will depend on the type of story you’re telling.

Yet another article tackles ‘how to break into vampire tales’ and the writer talks to three authors about this: Suzanne McLeod, Mark Jackman and Amanda Grange. A while back, the same writer asked me how I broke into westerns, along with two other authors.
 
Della Galton, a highly respected multi-published writer of short stories and novels runs a regular advice page; one of her tips to a writer is: read the target magazine you’re aiming at. She also pines for the old marketplace, when there were about 80-plus women’s magazines featuring fiction; now, there are about seven open to the freelance!
 
The short story competition is not expensive to enter: £6 or £3 per story for subscribers. The prizes are £300, £150 and £100. Enter by going to www.writers-forum.com or post a coupon from the magazine. The three winning stories are all published in a subsequent magazine with the judge’s comments on the winners.
 
There is also a poetry workshop and a competition - £4 per poem. Regular contributor Phil Barrington always ends the magazine with a first-person piece from a writer – ‘Where I write’.

More than enough to get your teeth into every month!

Good luck with your writing.

 

 

 

 

 

Tuesday, 15 July 2014

Writers’ insider information

Under the heading ‘Insider information’, the latest issue (#154) of Writers’ Forum (UK) features an article (pp 46/47) by Phil Barrington who interviews three writers of westerns – Diana Harrison, Jill McDonald-Constable and yours truly: he asks about the rapidly changing world of writing and how it affects this genre.

In the article I mention the UK stalwart Robert Hale, but also Piccadilly Publishing, Western Trail Blazer, Prairie Rose Publications, and Beat to a Pulp.

Coincidentally, my book Write a Western in 30 Days is again in the top 100 for the category Kindle Store>Books>Education>Education & Reference>Publishing & Books. So, many thanks to all those people who purchased it – and I hope it proves useful. Reviewers say it’s of benefit to writers of all genre fiction, not only westerns.

***
The Old West was not tamed solely by men, of course. Women played their significant part and are often major characters in modern versions of the Old West. Women in the western represent the alternative to violence. There’s a paradox here, as civilization depends on there being men who will not choose the seductive comforts the woman offers: it’s as though a society without violence, a society indeed fit for women, can only come into being through violence.

Western writing is not the domain of male writers alone, and never has been; a number of female writers have produced memorable work in the field, among them Annie Proulx, Janet Dailey, Dorothy M Johnson, Amy Sadler, and Gillian F Taylor (the latter is a Mastermind finalist). Some use male pennames, such as Amos Carr, used by writer Jill McDonald-Constable, Terry James used by Joanne Walpole, Tex Larrigan, used by Irene Ord, and Terry Murphy used by Theresa Murphy. Others have opted for unisex pennames, such as M.M. Rowan and D.M. Harrison.

Every genre needs new blood, since the readership has a voracious appetite for more of the same. As it says on the cover, this guide seeks to encourage new writers to tackle the western and do so within a limited time period.

The western can cover all manner of storylines relevant to today’s readership. Dysfunctional families, domestic strife, racism, greed, crooked business, and even supernatural elements are all grist to the mill for modern writers of westerns.
 
Essentially, the western has a broad canvas, rich in history and imagery, a period from the 1860s to the 1890s, where myth and history intermingled. The Old West was a melting pot of nationalities, of religions, and of morality. The human condition can be examined using the mores of the western archetype. New stories of the Old West can move readers just as effectively, if not even moreso, than competing genres. The only limitation is the skill of the writer.
- Write a Western in 30 Days, pp 4/5