THE SEARCHERS
Alan Le May
Alan Le May
(Leisure Books)
Some fifty years after first seeing the movie, I’ve finally read the book that inspired the iconic Ford western film. Apparently, the book has been out of print for decades. Well, it was worth the wait. LeMay is an excellent storyteller, building his characters with deft touches. He employs what is now regarded as the old-fashioned style, the omniscient point of view so we get inside the feelings of more than one character within a particular scene; it works because he never loses control.
Interestingly, the John Wayne character Ethan Edwards is called Amos in the book, and is not the lead. The story is told mainly through the eyes of orphan Martin Pauley, whose father was called Ethan. Surprisingly, perhaps, the film stayed true to the story even though Wayne dominates.
Inevitably, there are grim scenes in the book, but no gratuitous gore. There’s humour too. Amos says he had no book learning. ‘To us, grammar is nothing but grampaw’s wife.’ The old ones are the best. And later, the observation is made about tequila that ‘There is a great independence, and a confident immunity to risk, in all drinks made out of cactus.’
Possibly some people haven’t seen the film. Put simply, the book concerns the Edwards family who are massacred by a Commanche raiding party; the two young daughters are abducted. Amos and Martin set out on a quest to rescue the girls and also avenge the deaths of Amos’s brother and sister-in-law, the woman he loved and lost. They track the Indians until the snows obliterate all trace. Finally, when the snows have gone, Amos and Martin resume their search, persisting for over five years. And all this time Martin fears that Amos is intent on killing his nieces because they were bound to be ‘spoiled’. The book’s ending only slightly differs from the film; both versions are moving and memorable.
The striking cover is not merely a colourful generic image – the silhouette of the tree is significant to Martin’s recurring nightmares.
As a bonus, the book has a special introduction by Andrew J Fenady, who wrote several Wayne westerns and was the actor’s pal; as he says, ‘No man was more a part of the American landscape… He was a man to match the mountains.’
Justifiably, a modern classic western: 5 stars. (Leisure books are bringing out other classic westerns later this year)
Some fifty years after first seeing the movie, I’ve finally read the book that inspired the iconic Ford western film. Apparently, the book has been out of print for decades. Well, it was worth the wait. LeMay is an excellent storyteller, building his characters with deft touches. He employs what is now regarded as the old-fashioned style, the omniscient point of view so we get inside the feelings of more than one character within a particular scene; it works because he never loses control.
Interestingly, the John Wayne character Ethan Edwards is called Amos in the book, and is not the lead. The story is told mainly through the eyes of orphan Martin Pauley, whose father was called Ethan. Surprisingly, perhaps, the film stayed true to the story even though Wayne dominates.
Inevitably, there are grim scenes in the book, but no gratuitous gore. There’s humour too. Amos says he had no book learning. ‘To us, grammar is nothing but grampaw’s wife.’ The old ones are the best. And later, the observation is made about tequila that ‘There is a great independence, and a confident immunity to risk, in all drinks made out of cactus.’
Possibly some people haven’t seen the film. Put simply, the book concerns the Edwards family who are massacred by a Commanche raiding party; the two young daughters are abducted. Amos and Martin set out on a quest to rescue the girls and also avenge the deaths of Amos’s brother and sister-in-law, the woman he loved and lost. They track the Indians until the snows obliterate all trace. Finally, when the snows have gone, Amos and Martin resume their search, persisting for over five years. And all this time Martin fears that Amos is intent on killing his nieces because they were bound to be ‘spoiled’. The book’s ending only slightly differs from the film; both versions are moving and memorable.
The striking cover is not merely a colourful generic image – the silhouette of the tree is significant to Martin’s recurring nightmares.
As a bonus, the book has a special introduction by Andrew J Fenady, who wrote several Wayne westerns and was the actor’s pal; as he says, ‘No man was more a part of the American landscape… He was a man to match the mountains.’
Justifiably, a modern classic western: 5 stars. (Leisure books are bringing out other classic westerns later this year)
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