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Showing posts with label East Germany. Show all posts
Showing posts with label East Germany. Show all posts

Sunday, 18 December 2022

DAY OF JUDGMENT - Book review


 Vintage Jack Higgins! Day of Judgment was published in 1978. This is the third and final Simon Vaughn novel, as originally written under the pen-name Martin Fallon.

It’s 1963. The story mainly centres on Berlin and East Germany. Father Sean Conlin, a survivor of the concentration camps Sachsenhausen and Dachau, was responsible for smuggling people out of Communist East Germany. Unfortunately, on one such mission he was betrayed, captured and taken to the nearby Schloss Neustadt. The Communists intend to employ a rogue American, Harry Van Buren to brainwash the old priest so he could reveal he was working for the CIA; he would announce this publicly at the time of President Kennedy’s visit to Berlin, thus creating massive embarrassment and public humiliation for the West.

Secret agent Vaughn, ‘the beast of Selangor’, is tasked with rescuing Father Conlin from the seemingly impregnable schloss before the president’s visit in a few weeks’ time. Vaughn brings together a formidable team, including Lutheran monks, an American Jesuit, an ex-Luftwaffe ace, a Jewish undertaker, and the ex-SS caretaker of the schloss itself.

The method of penetration into the schloss is imaginative, quite unique and particularly unpleasant and fraught with danger. The map provided actually gives away the means of access, but does not detract from the actual drama and difficulties encountered.

Towards the end there’s a poignant sequence involving Father Hartmann, a man who has found his purpose in life at last.

Higgins effortlessly creates the claustrophobic communist environment the characters have to contend with; as Kennedy remarked at the time: ‘Freedom has many difficulties and democracy is not perfect, but we never had to put up a wall to keep our people in.’ 

Sadly, even now, freedoms we take for granted were – and are – crushed or perverted in certain communist states.

Day of Judgment is An exciting, fast-paced page-turning adventure. (But this copy has a very poor dust jacket.)

Editorial comment.

Oddly, in the text ‘judgement’ is spelled with an ‘e’ – unlike the book title.

A female character ‘wore a man’s trench-coat and a scarf tied peasant-fashion round her head’ (p12). I’ve lost count of the Higgins books where the ‘scarf worn peasant-fashion’ is used.

Sunday, 10 November 2019

Remembering the Berlin Wall

In 2004 this story was published in a magazine; it concerns the fall of the Berlin Wall. It seems appropriate to resurrect it on the thirtieth anniversary of that historic event. The story is now featured in my collected short stories volume four, Codename Gaby which contains 18 previously published short stories with historical themes - here.


ONE DAY, WE’LL WALK THROUGH



I waited and waited. And the memories flooded back, bringing the heartache as well as the joy, the short-lived joy...
***
‘Berliner Weise mit Schuss?’ the blond young man asked as I came over to his table with a damp cloth.
I smiled. ‘Just a moment, while I clean this away.’ I wiped pastry crumbs from the Formica surface.
Bringing the white beer injected with raspberry syrup, I noted his thin angular frame in ill-fitting worn overalls. His long dirty fingers prompted me to think of artistic hands.
‘Thank you, fraulein,’ he said, and smiled sheepishly, sipping the drink. His eyes were a beautiful slate grey, but they tended to avoid mine.
The restaurant was not busy, even though it was lunchtime. Most of the factory workers gathered in the bars or brought sandwiches. Few could afford Western prices for food, even sixteen years after the war.
‘I've not seen you in here before,’ I observed pleasantly.
He said, defensively, ‘No, I – I only – I promised myself this drink, my father said he used to–’
‘I’m sorry, I only meant I would have noticed you. I meant nothin–’
Mollified, he shrugged narrow shoulders, seeming unsure of himself.
‘Was it worth the wait?’
‘Wait?’
‘The drink.’
He sipped at the liquid, nodded. ‘Yes, it’s very nice.’ He turned, to eye Heinz drying dishes behind the counter. ‘Did you make it?’
‘No. I’m the cook around here, not the barman!’
‘Oh.’
He looked unkempt, as if the clothes of a manual worker were totally unsuited to him. Impulsively, I said, ‘Do you paint?’
He couldn't be more than twenty, I thought as he creased his brow in confusion. ‘No, I’m a machinist,’ he explained.
‘My hobby’s drawing, and I just wondered–’
‘Oh, I’m sorry. Yes, I draw,’ he smiled, ‘whenever I can.’ He pulled out a few scraps of paper from his torn pocket. Carefully, he spread them on the Formica, and gazed up, clearly seeking reassurance.
If the sketches of the ruined Reichstag and the Schoneberg district’s Rathaus had been inept, lacking depth or any artistic merit, I would still have praised him. He seemed so lonely, so timid and vulnerable, in need of warmth. I flushed at these thoughts and said, truthfully, ‘They’re wonderful. I can only draw people. I’m hopeless when it comes to buildings!’
I glanced at Heinz, who was preoccupied with watching the passers-by in the street. Nothing spoiling, so I sat on the empty wooden chair opposite the customer and asked, ‘May I?’ and held the crumpled sheets as he nodded. ‘You’ve drawn these straight lines free-hand–’ I looked up, to see his eyes shining, alight, his lips smiling.
***
I waited, and waited.
The restaurant had changed beyond all recognition in the intervening twenty-eight years. I used to count the days, before that terrible night.
Shaking off the melancholy, I stepped inside, smiled at the headwaiter. With commendable alacrity, he rushed forward and pulled out a chair at the table by the window.
The scene outside had altered, too. Now, West Berlin was affluent. ‘A coffee and cognac, please, Hans,’ I ordered, and allowed more memories to sweep over me...
***
His name was Dieter. He crossed daily from East to West Berlin to work in the factory opposite the cafe. His parents were old before their time, incapable of crossing to the West; he was devoted to them, and wouldn’t leave them though he had heard that many had passed through the reception centres last week.
Rumours were rife. The Soviets seemed in a belligerent mood: the tension was palpable. Some said it was like the Berlin Blockade all over again. He couldn’t remember that, though.
To take his mind off the rumours, I would pack a sandwich lunch for us both and we would walk down Ku-damm with its wonderful shops and rich colours.
His eyes opened wide in amazement every time we walked down Kurfurstendamm: ‘We have nothing like this in our sector.’ The ghost of a war-torn Europe still stalked the streets there. Unlike the eastern sector, restoration had moved fast. I proudly told him that my mother was one of the famous rubble ladies – a trummer frau – who dug the city out of its wreckage with her bare hands, brick by brick. There were enormous rubble mountains, now landscaped, to testify to their efforts.
My mother took to Dieter immediately, but typically expressed concern about his gaunt appearance. But no amount of potato dumplings and pork, cooked with fried fruit and rich gravy, put so much as an ounce on him. ‘He uses up too much nervous energy, dear,’ she observed kindly.
Another time, while drawing the ruins of the Kaiser Wilhelm Memorial Church, Dieter remarked, ‘I really feel we are all part of history, even now...’
I wondered if our stroll down the Strasse des 17 Juni had affected him. The street was named in memory of the Germans shot down by Russian tanks in 1953 – when Dieter was only eight – when the East Berlin construction workers laid down their tools in protest over greatly increased work ‘norms’. Near here, at the Grosse Stern, too, he had been anxious to sketch the sixty-four-meter column of dark red granite, sandstone and bronze, surmounted by a gilded figure of Victory: Siegessaule, as it is called, was raised in 1873 to commemorate the Franco-Prussian War.
The following day, we had embarked on the tiring climb of steps up the column, and the view had taken away what little breath he had left!
‘Berlin’s heart!’ he said, eventually, trying to take it all in.
I pointed out the Philharmonic Orchestra’s building, the Kustgewerbemuseum, the Natianalgalerie and the Staatsbibliothek, the latter with its ‘three million volumes, the largest library of its kind in the world,’ I concluded proudly.
Perhaps the altitude made us light-headed. We embraced, and kissed then frantically broke away in a mad dash to save his drawings that had blown free! Laughing, we chased the sheets of paper.
Breathless at the column’s base, Dieter checked the rescued sheets, shrugged, ‘Only one missing, Olga,’ he said, taking my hand. ‘Brandenburg Gate.’
‘We’ll go there again tomorrow, then.’
He shook his head. ‘No, I can’t. I’ve been given the day off, because my mother is very ill... I’ll be with her, in the hospital.’
I was sympathetic. ‘Another time, then. The gate’s not going anywhere, is it?’
As we descended the stairs, I thought on what he had said when he confronted the Brandenburg Gate, the statue turned round to face east, underlining the tragic sundering of the city. His tone had been sombre, yet tinged with hope: ‘One day, we’ll walk through there, a free people again.’ For one so young, he could be very serious.
That night, he telephoned, briefly. His mother had died, his father was adamant that he should find a better life, elsewhere. He spoke guardedly, but I understood. After the funeral, when he returned to work, he would seek asylum. My mother prepared the spare room and I counted the days, anxiously.
Then he telephoned again. ‘I’ll be returning to work tomorrow,’ he said. That was all. I didn’t sleep that night.
Next morning, August 13, 1961 I hurried to work early.
The news trickled in gradually. East Germany had closed the Berlin border, unravelling barbed wire, delivering prefabricated concrete blocks. The train services between the sectors were halted. The news revealed that 50,000 East Germans who worked in West Berlin had been turned back. The S-bahns and U-bahns were blocked.
My heart sank as I watched the television newsreel. There were no pictures, but the hazy unsubstantiated reports were enough: East German police used hoses, truncheons and teargas on crowds milling round the closed crossing points. Some bold ones had chanted, ‘Hang old Goat-beard’, referring to Herr Walter Ulbricht. But they too were brutally repulsed.
Mayor Willy Brandt appealed for calm and broadcast to the East: ‘You cannot be held in slavery for ever.’
Every spare moment, I stood at the Brandenburg Gate, watching, waiting.
Within two weeks, the Berlin Wall was erected. In the pouring rain, I whispered, ‘We’re all part of history, even now.’ And I could feel warm droplets on my cheeks, but their source was not the sky but my heart.
I tried telephoning, but the plugs had been pulled.
The weeks stretched interminably. Then, as various networks sorted themselves out, and brave people escaped, through old ruins, gardens, backyards, tunnelling, before the barriers became too formidable, I received a scribbled note on the back of a sketch of the Brandenburg Gate from the eastern side:
‘I’ll come to you on the 10th. I love you. D.’
Mixed with the heady anticipation was fear, for as I had anxiously paced the Wall I often heard shouts and shots, and been blinded by soulless searchlights.
***
How many nights had I paced the Wall? I wondered, sipping coffee in the cafe window. Too many. Eventually, I stopped. But I had never forgotten. Dieter was one of many brave men who had dared to make their bid for freedom and failed.
But I held close to me the thought that they hadn’t failed. Every sacrifice kept the hope burning, the light ever stronger. Thomas Jefferson’s words echoed down the years: ‘The tree of liberty must be refreshed from time to time with the blood of patriots and tyrants.’ History was harsh, I thought.
I was sure I had heard the shots. The news report had been brief, the next morning. A young man had been shot trying to cross the Wall. No further information reached me.
Then, years later, as Glasnost took hold, some relaxation was permitted. I owned a string of restaurants by this time. I’d been married, for three years, then divorced. Depressed and lonely, I made enquiries concerning that fateful night. And learned the truth and received letters from the eastern sector.
***
Now, I finished the coffee and left my restaurant, clutching Dieter’s old sketch with its faded message.
Crowds were milling, as they had done for day after unbelievable historic day.
I had watched with tears streaming as people clambered on top of the hated, reviled Wall and chipped at it, unmolested. I thought of all the dead: perhaps they were looking down now, and smiling, at last!
The opening of the Brandenburg Gate was a solemn moment. Herr Kohl walked through, and I strained to see.
There were so many people!
Eyes streaming, I rushed into the crowd.
Surging forward, the East Berliners were laughing, cheering, singing, holding some people aloft in their infectious joy. Their future was uncertain, probably full of privations, but at last they were free! Amazingly, some held up a wheelchair, and I recognised the occupant from his recent photographs: he laughed, tears streaming. ‘Dieter!’ I called, waving his drawing.
Obligingly, they lowered him in his chair and uncannily an opening in the crowd permitted me to run to him.
Those letters had prepared me for his disability: the bullets had deprived him of the normal use of his legs.
I was about to step forward, to hug and kiss him when he held up a hand, peremptorily. ‘No, Olga, wait, please.’ And he struggled with both hands on the chair arms, and raised himself with great effort to his feet. Gripping a stick in each hand Dieter slowly, mechanically shuffled each foot forward, and walked into my arms.
For those precious few moments we could not hear the shouting and singing of the crowd.
After we had kissed, he said, softly, ‘Let’s walk through Brandenburg Gate. I have a drawing to finish, no?’
And, slowly, we walked through.

Olga Jager, November 1989

also in Kindle here...



Monday, 7 July 2014

That's torn it

Having just viewed again after many years Hitchcock’s Torn Curtain (1966), I found it was instructive to watch the ‘Making of’ feature.

The film stars Paul Newman and Julie Andrews. Briefly, Newman is Michael Armstrong, a world-famous scientist and Andrews is his fiancée and assistant, Sarah Sherman. They’re attending an international congress of physics in Copenhagen. Sarah discovers that Michael is defecting to East Germany and follows her heart and him.

Occasionally, I confuse this film with Newman’s other movie set in Scandinavia, The Prize (1963), based on Irving Wallace’s novel. (Wallace’s literary autopsy of writing this novel, over a period of sixteen years, makes fascinating reading: The Writing of One Novel.)

From the critics’ viewpoint, Torn Curtain wasn’t great Hitchcock; yet, at the box office, it did well. It was filmed at the height of the first Cold War (as opposed to the new one that seems to be just blossoming…)

The movie was broken into three acts; classic film narration. The first act was from the viewpoint of Sarah. The second act was Michael’s POV. And the third act covered both their viewpoints, as appropriate.

Switching the POV works here. We’re involved in Sarah’s puzzlement and heartache as Michael defects.

All of the trademark Hitchcock elements are present. Mystery and puzzlement revolving round the protagonist, Michael. Is Newman playing against the usual heroic type, actually being a traitor to his character’s country? Suspense mounts as revelations explain Michael’s purpose – combined with the oppressive regime of East Germany that meant that paranoia was a normal way of life at the time. We see Sarah and Michael arguing, but are not privy to their words – a standard technique Hitchcock employed in his films. The ‘ticking clock’ is used in the form of an underground group’s escape route being compromised. Seemingly irrelevant characters at the outset prove to be crucial at the denouement. The Hitchcock McGuffin is a formula that Michael needs to obtain…

There’s a prologue and epilogue – both have Sarah and Michael under a blanket – which neatly bookends the story. The fact that the pair were not married caused concern on moral grounds in certain religious and secular quarters. How times have changed…

The fight with and murder of an East German agent is a deliberately prolonged scene. Hitchcock intended making it grim and difficult, eschewing the usual spy characters who kill so easily, unlike in real life. To make such an observation, Hitchcock might not have seen From Russia With Love (1963); there’s nothing easy about the death of Red Grant on the Orient Express. The realism makes for uncomfortable viewing, certainly.

The studio insisted on using the stars Newman and Andrews. Julie Andrews was only available for the film for a few months, so the pace of the filming was rushed – moreso when Hitchcock decided that the original screenplay (by novelist Brian Moore) needed beefing up and hired Keith Waterhouse and Willis Hall to inject more life into it (both uncredited).
 
Overall, the pace is slow in sections, but there are plenty of occasions where the suspense is cranked up by Hitchcock. And the supporting actors perform brilliantly. Worth viewing.