John le Carré’s novel Single & Single was published in 1999 and deals with the world of finance after the fall of the Berlin Wall and the collapse of the USSR, though of course it’s much more than that!
It begins in the present (1998) with Mr Wisner, a lawyer who worked for the finance company the House of Single & Single, facing the gun-toting Alix Hoban in Turkey. Wisner is aware that Hoban is affiliated to the Single firm and cannot understand why he is being held at gunpoint. It’s no spoiler to record that Wisner is shot dead (since it’s in the blurb!) A bit of a mystery.
Another mystery is in the form of Oliver Hawthorne. He’s is a peripatetic magic man, a conjuror, but there seems something unusual about his identity and past. He is wanted urgently by his bank manager (they had them in 1998, apparently).
Other mysteries include a Russian freighter being arrested and boarded in the Black Sea. And the disappearance of the Head of Single & Single, ‘Tiger’ Single, father of Oliver.
Mysterious Nat Brock is called in to investigate Mr Wisner’s purported suicide. He is not what he seems, a British Customs Officer...
Four years earlier, Oliver absconded from the firm of Single & Single when he discovered that his father was involved in financial chicanery with the Russian underworld, including money laundering and the dubious sale of Russian blood transfusions to America: ‘Human Blood is a Commodity – US Federal Trade Commission, 1966’) His conscience wouldn’t permit him to continue in the business, so he, ‘the idealist, the walk-in of all time’ contacts Brock...
Brock uses Oliver undercover and debriefs him when he can. ‘He had a priestly tone for these occasions. It went with a deep-felt sense of caring. When you take on a joe, you take on his problems, he would preach to his newcomers. You’re not Machiavelli, you’re not James Bond, you’re the over-worked welfare officer who’s got to hold everybody’s life together or somebody will run amok’ (p203).
‘Wasn’t that awful for you? Discovering your own dad was a crook and all?’ (p187). Reading this, I was reminded of Le Carré’s earlier masterpiece, A Perfect Spy, whose titular character, Rick Pym, was based on Le Carré’s own father, Ronald Cornwell. There’s the same love-hate relationship between father and son, and the exposure of flawed character.
Even though married with an estranged wife, Heather, and daughter, Oliver is not averse to carrying on an affair or two. His love-life might be described as ‘complicated’. ‘How is she, darling?’ Katrina cut in, with the special concern that mistresses evince for lovers’ wives’ (p213). Judging from the most recent revelations about his own affairs, the author definitely knew what he was talking about...
Oliver has returned from hiding to discover the whereabouts of his father. Not only for himself, but also to help Brock. It's a story of betrayal and redemption.
There are plenty of telling phrases and paragraphs one comes to expect from Le Carré, such as:
‘His eyes were water-pale and empty, and it was the emptiness that scared her: the knowledge that whatever amount of kindness anyone poured into them it was wasted. He could be watching his own mother dying, he wouldn’t look any different, she thought’ (p287). And: ‘Tractors sticking like slugs to their smear-trails’ (p322). And also: ‘White stubble grew where his brown hair had been, and it had spread over his cheeks and jaw in a downy silver dust’ (p3223).
And there are many varied characters to engage the reader’s attention throughout, not least Brock himself, his wing-woman Aggie, the beautiful but fragile wife of Hoban who is attracted to Oliver, the Russian dealers Mirsky and Yevgeny.
Considerable exposition is thrown into Chapter Seven, with lengthy unrealistic speech paragraphs, which slows down the narrative and causes the eyelids to drop...
Le Carré nearly always tends to play with the tenses. For this book, the narrative is past historic when detailing what is happening ‘now; for the flashbacks, he employs the present tense to depict past events and conversations!
The ending is tense and full of suspense (though not as good as The Night Manager in that regard) but I found it a little rushed. On the whole, however, it was a satisfying read.
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