Today, my blog guest is Jane Risdon, who
has led a well-travelled and fascinating life. She has had a successful
career in the International Music Industry, getting involved in Rock, Thrash
(and probably all other sorts of) Metal, R&B/Pop music and even Chinese
Opera!
Her first novel Only One
Woman (jointly written with Christina Jones) has just been released as an
e-book and Kindle paperback by Accent Press; the paperback and audio for stores
and libraries etc is due out May 2018.
Jane Risdon Christina Jones
Hi Nik, thanks so much for hosting me on your blog, it is a great
pleasure to share my writing life with you and your readers here.
Q & A
You’re
very welcome! How did you and Christina hook up for this novel?
Christina Jones is an established award-winning, best-selling romance
author but when we first got to know each other, in the late 1960s, she was a
rock/pop journalist writing for Pop magazines as well as writing short stories
for Teen magazines. My then boyfriend’s band needed a fan-club secretary and
their manager asked her to take the job after she met them at one of their
gigs. I didn’t meet her in person for some years because I went to live
overseas for several years, although my boyfriend remained based in the UK
(when not on tour); however, but Christina and I corresponded and had an
instant connection.
We always said we’d like to write together but my dreams of writing
were on hold during my (by then) husband’s musical career, and later when my
husband and I went into management of recording artists, song-writers, record
producers and actors, there was never time. Besides, my interest in writing was
in the genre of Crime/Thrillers and Espionage, and Christina was writing what she
calls ‘Bucolic Frolics,’ romantic comedy. How and what on earth we’d write
together was a mystery to us both.
Once life in the music business had calmed down a lot and we moved
back to the UK from Los Angeles, Christina and I chatted about writing but were
still unsure what we could write about. Also we no longer lived in the same
county – although in the past my husband and I kept a home near her, even
though we lived in America and S.E. Asia most of the time. She got on with her
books and I started writing short stories, flash fiction, and had begun working
on four crime novels. Worlds apart genre-wise.
Another house move (2012) and I was going through all the stuff
we’d accumulated over the years and came across some old diaries from the 1960s.
They were mostly the scribblings of a young teenager, but there were some gems
too. I also had years and years of diaries covering life on the road in the
late 1960s right up to the present day. I found old photos, touring schedules,
chart positions, fan-mail, names of bands of the era, venues and TV programmes,
radio shows we listened to, not to mention what we ate, wore, and how we
reacted to world events – the Cold War was still raging. I began to make notes,
mainly to remind me of things to show my husband later. After a while it dawned
on me that there was enough material for the basis of a book (about those times)
and I mulled it over for a while, thinking about murder and how to fit one in
to a story set in the late 1960s.
A couple of days later I got the idea for Only One Woman. I sat and wrote Renza – a fictional young teenager
who meets and falls in love with a lead guitarist, Scott. Before I knew it I’d
completed (so I thought) her side of the story, but it needed balance and
having never written anything remotely romantic before I knew it needed
something else, perhaps another character.
Try as I might I couldn’t put a murder in the story, which was
taking on a life of its own… and it wasn’t a crime story! And that is where
Christina came in. I sent her what I had written and she loved it and set about
writing Stella. We have shared experiences and knowledge of the music scene
back in the late 1960s, so it made sense that this would be THE book we’d write
together.
We sent the novel to our publisher in 2014 – I was signed with
Accent Press some months earlier in 2014, for short stories and novels – so it
made sense to offer them Only One Woman. They loved it and I won’t bore
you, but we have had many editors come and go and several publication dates set
and postponed. It came out November 2017 for e-pub and print on demand
paperback editions, and the paperback proper is published in May this year for
stores, libraries and in audio, worldwide.
At the time of writing it has garnered twenty-eight 5-star
reviews. So we are both very happy.
By the way, the title is taken from The Marbles’ 1968 hit single of
the same name and was written by the Bee Gees. I hope to be able to share some very exciting news about this
connection just before May…so keep ’em peeled!
That’s
fascinating, Jane. It proves that persistence pays! I’m sure many readers (and
writers!) will be interested to know how you approached and shared the writing
chores.
As I mentioned earlier, I wrote most of Only One Woman before sending it via email to Christina. I started
it in diary format and she picked this up to write her character, Stella.
We emailed and sent text messages and used Facebook messages to
ensure we both had facts correct; dates, times, places and general historical
facts, even though our story is completely fictional. We fitted it into life
back on the road with a band and what happened to them and the girls in their
lives.
Our editors all worked with us via email so everything was done
without any paper copies at all. After numerous publication dates being
postponed we were set to publish in May 2017 but our editor (yet another) left,
having already asked us to write several more diary entries. The book already
ran to 130,000 words and we were shocked, but managed to bring it up to over
160,000 words at publication. So May came and went as we wrote and we settled
on November 2017. Only One Woman is
almost 500 pages long, but we are told it is a fast read and our readers tell
us they find they cannot put it down. Every one of them in touch with us has
asked if we’d write a sequel. Christina and I couldn’t ask for a more positive
reaction.
That’s
praise, indeed. You’ve sketched something about Only One Woman but can you give us any more detail?
Only
One Woman could be called a love triangle set in the late 1960s UK Music
Scene, but that misses the point of the book totally. It’s about life in the
closing years of the grooviest decade of the 20th century. It tells
the story of huge world events at the height of the Cold War, social changes,
and family tensions, through the eyes of two very different young girls in love
with the same lead guitarist. It’s full of music (there are YouTube playlists
to go with the book), fashion, and the vibe of those heady days, which shaped
all their lives. It tells the story of a young band from Jersey, in the Channel
Islands, coming to England to break into the blossoming UK music scene at a
time when the British Invasion of the USA (and the world) was in full swing. We
follow them on tour, recording and starting to make waves in the industry.
Scott, the lead guitarist, has the love of both Renza and Stella.
He meets Renza first who is still at school when his band moves to her village.
She is preparing to move to Germany with her parents for three years. They fall
in love and become secretly engaged. After she has gone Scott meets Stella at
one of their gigs in another village. Stella is convinced she is to die on the
operating table on the following Monday, and so decides to live in the moment
when she sees Scott on stage for the first time. Her friend introduces them and
the attraction is instant and intense. We follow Stella and Renza’s
relationship with Scott through the ups and downs of their complex lives until
Scott has to make a decision. There can be Only
One Woman.
Fans of the music and the era of the late 1960s can relate to the
book in so many ways, especially if they lived through those times, although
younger readers have said that the story has made the 1960s come alive for them
in ways they never imagined. Even men have loved reading it.
As
you mentioned, some readers are asking about a sequel to Only One Woman. Is there one on the horizon?
We have been asked this many times and I cannot give an answer at present.
Our readers will have to wait and see. The story obviously doesn’t end where
the novel leaves off… So who knows what might happen? Perhaps they should write
and ask our publisher for a sequel!
We’ll
have to wait and see, then. Do you use the foreign places you’ve been to in
your fiction?
Yes I do try and set stories I write in different locations and
countries. Only One Woman is set all
over the UK, in Jersey, Germany, France and on a Mediterranean cruise with many
ports of call visited in the story. Many of my stories are set in Hollywood or
where I’ve worked in the music business. I also worked – when much younger – in
various government departments and sometimes my crime stories reflect this in
their settings.
I have been included in thirteen anthologies to date; not all my
stories are crime related. I’ve been challenged by being asked to write ghost
stories. I have written a time-shifting pirate/smuggling story too. And
sometimes my stories in these collections are both crime and with a
supernatural bent.
The
Ghostly Writes Anthology 2017 is set in Jersey, Channel
Islands. In an ancient farm house in St. Lawrence, close to where the carnation
nurseries used to be. Entitled ‘As Cold as Ice’ it’s the tale of a newly
widowed young mother and her experiences with her late husband’s family in
their Jersey farmhouse. The house exists and is not a ‘comfortable’ place to
spend time.
In A
Word: Murder is set in both the London and Hollywood. I have two stories
included in this fab anthology set in the world of book and music publishing.
My first story is called ‘Dreamer’ and
is set in London, and is about a rock band in the late 1980s on the brink of a
huge recording and publishing contract and a contract with a super-star manager
from America. Only problem is, the manager does not want the lead guitarist who
happens to be the songwriter. The rest of the band will stop at nothing to
ensure they get a crack at the big-time; huge advances and earning potential
can be an enormous motivation for murder….
My second story in this collection is ‘Hollywood
Cover Up’ and is set in Hollywood in Beverley Hills with the movers and shakers
of the publishing industry and a presidential candidate doing anything to stop
a ‘tell-all’ book being published. Drastic measures are called for and soon the
writer is on the run in fear of her life and not just from the Secret Service.
The Cons,
Dames and G-Men anthology is set in the Golden Age of Detection. Perhaps
most crime writers have written tales in the style of the gritty PIs of the
1930s. My story ‘Cue Murder’ is set in the Hollywood movie studio system of
late 1939 and concerns the apparent suicide of a young star being investigated
by her leading man who is convinced she was murdered. My husband’s great aunt
was a Hollywood movie star and I got my inspiration from her co-stars. It was
fun writing in the style of the 1930s detective novels!
As with most of my writing it is
influenced by my career in music and by my life when working whilst my
husband’s band were building their career. Someone had to earn the money and I
worked at the Foreign and Commonwealth Office and many other government
agencies. It was while working in this environment I discovered my love of all
things espionage. Mix music with espionage and the organised crime potential in
Hollywood – power and money corrupt – you can see where I get my ideas! You
only need to read the news to see what happens in Hollywood when there is power
to wield.
As
you’ve just said, you have had a good number of short stories published in
anthologies, mostly in the crime genre. (Alongside Caroline Dunford, I see; I
edited and published her non-crime humorous fantasy novella Brimstone and Treason way back in 2003!)
Can we expect a new crime novel from you sometime soon?
Yes I touched on some of my crime writing above. I began a series
of novels around the time I began Only
One Woman – I often have several projects on the go at once and this is
just one of several other books I’m working on. It’s called Ms Birdsong Investigates – and I had
hoped to have had this published by now. Book one is with my publisher but they
are not publishing new titles for some time to come so it sits and waits.
Lavinia Birdsong is a forty-something former MI5 Officer,
‘voluntarily’ retired when a joint operation with MI6 goes wrong. In book one (Murder in Ampney Parva), she moves to
The Vale of The White Horse in Oxfordshire and tries to come to terms with
living an ordinary life in a rural community, whilst harbouring hopes that one
day she will be allowed back into the fold of the Secret Intelligence Service.
She finds herself being asked to look for a missing woman and
during the course of her investigations she discovers Russian Mafia people
traffickers, Ukrainian gun-runners and drug dealers operating locally. She also
bumps into her former lover and MI6 partner who is working with various other
crime agencies to track down and bring these criminals to justice.
Lavinia Birdsong is not Miss Marple: she is a martial arts expert
and a highly trained operative in surveillance, investigation and
interrogation. She is not a private eye but she is inquisitive and highly
suspicious by nature, and she cannot just rot in a small village waiting for
MI5 to beg for her return, and old habits die hard. She may be beautiful to
look at but don’t be fooled…
Book two is almost ready (Ms
Birdsong Investigates: Murder at the Observatory).
Book three is also nearly completed: Ms Birdsong Investigates: The Safe House.
Other novels I am writing are in various stages of completion. I
never work on one thing at a time.
That’s an impressive workload, Jane. How long have you been writing?
I started writing at school, English Literature being my favourite
lesson next to History and all three Sciences. I won prizes for my writing and
I’ve always wanted to be an author. When I was managing bands and singers etc I
would help write their biographies and press releases (with their record
company marketing departments) and have often written articles on what obtaining
a record and/or publishing deal would entail and how to go about it, articles
about song-writing… things like that. I’ve been called upon by other authors to
give advice and the benefit of my experience to them with their novels as well.
I seriously began writing with a view to being published about six
years ago. It feels longer.
I
know what you mean. My ‘overnight success took 42 years! Switching from
articles and factual pieces to fiction is not a simple transition. What
influenced you to start writing fiction?
As I said, I have always wanted to
write fiction. I have a vivid imagination and as a child I lived in my head. I
didn’t have friends and as we as a family travelled all the time, I never got
to settle long enough to get to know people and places, so my life was inside
my head. Putting it on to paper in story-form was my way of coping.
As
an only child, I can empathise there. How do your family/friends feel about
your writing?
I really don’t know. They have never
expressed the slightest interest. I mentioned – to my mother – some years ago
that I wondered what it would feel like to walk into a book store or library
and see my books on the shelves. She said she’d be long dead before I was ever
published! – she is 88 this year and this was about seven years ago. I think
she knows I realised my dream, but she has never mentioned it and neither do I.
That’s
a pity. From what you’ve said, it’s obvious you’re very excited about your
ex-MI5 character, Ms Birdsong, a private investigator. Can you give us a taste
of the first novel in her series?
Yes, indeed, but she is not a private investigator in the accepted
sense, she is a retired MI5 Officer who keeps her new community under
surveillance out of habit. She notices things and can read people. Something is
‘off’ in Ampney Parva and she cannot help herself, she has to find out.
Here Ms Birdsong has managed to gain entry to the estate of
solicitor Linden Payne in her pursuit of the missing woman Ali Yelling. She is
headed for the main house where she also suspects trafficked girls are being
held prior to ransom on the Internet.
She was about to come out from the shadows when she caught a
glimpse of something out the corner of her eye. Holding her breath she slowly
turned her head towards what she thought she’d seen. Yes, there it was above a
horseshoe set into the stable wall – the red blink of an operational CCTV
camera almost totally hidden by ivy except for lens - recording everything. Bugger,
she thought, crouching down making herself as small as possible, another trip
for a deep cleanse facial would need to be scheduled. Carefully and silently
she opened her back-pack, rummaging until she found a small tin. Removing a
glove she took the top off the tin and dipped her fingers into the khaki
substance. She smeared her face and neck, totally covering any white skin,
before wiping her fingers on a tissue and putting it in her backpack with the
almost empty tin. She put a pair of black gloves on. Her body tingled with
excitement and adrenaline. She felt pumped, just like the old days; vital,
alive. This is what she’d missed and longed for so badly since moving to Ampney
Parva. The old Lavinia was back and ready to rock.
Thank
you. That sets an intriguing scene. I like the humour, too. You mentioned
you’ve written ghost tales, too. Do you find it easy switching from one genre
to another?
Believe it or not I have never read a ghost story. In fact I have
never read a romance either. When I was asked to contribute towards two
Halloween anthologies for my publisher I nearly fainted. I almost said no. But I am not a quitter. I imagined
it couldn’t be any different to writing a crime story – well, convinced myself
actually. I set about writing a modern smuggling story, worrying myself to
death how to introduce a ghost or something ghostly to it as it unfolded, and
then suddenly it all came to me.
I set one story ‘The Haunting of Anne Chambers’ (Shiver) - in Paul, Cornwall, and it
straddles modern day and the 17th century, flitting back and forth
between the two eras. Modern day drug smugglers and 17th century
privateers smuggling anything they can take from ships off the coast of
Ireland, Spain and anywhere they can sail.
I was chuffed to bits to receive a review from an Irish author of
some repute who compared my writing to that of the author of The French Lieutenant’s Woman and the
great Gothic novels! Needless to say I have read neither.
My second ghost story, ‘Merry Christmas Everybody’ (Wishing on a Star), was set in a
recording studio in 1989 and is based on actual events with a lot of poetic
licence. Believe it or not recording studios often pick up ghostly goings-on
when recording.
I’ve written several ghost stories since then. I admit I do have
to think longer and harder when writing a ghost story. Whereas crime stories
write themselves. I just hit the keys.
A
tall order, I know, but what is your favourite book? And why?
I’ve thought hard about this question and I’m at a loss. I’m a
voracious reader. I could read before I started school. I love Agatha Christie,
Daphne Du Maurier, John Le Carre and Kathy Reichs, Peter James and similar
authors. But I cannot pick one book or author. Recently two authors have really
captivated me and both have been guests on my blog: David Videcette and Roger
A. Price – both former police detectives. I love their books and am hooked.
I
sympathise there, too. I couldn’t settle on even ten ‘favourites’! When not
writing, how do you spend your time?
I am a curious and interested person addicted to politics and so
watch and listen to anything political. I don’t belong to a party and if I had
my way…
History and Science are major interests, and when I am not
watching programmes about anything to do with these subjects, I’m visiting
churches, cathedrals, stately homes, gardens, and the gorgeous villages and
countryside we have in this country. I’ve lived overseas for a long time so it
is great to reconnect with Great Britain. Being a keen photographer I love to
take photos of all the places I visit and I usually blog about my ‘jollies’
with photos. I enjoy walking and always have a camera or my phone with me, just
in case.
If you’re interested in my ‘jollies’ out and about, then pop over
to my blog where there are photos and details of my visits as well as author
interviews and more.
Where
do you hope to be in 5 years?
Still upright
and breathing I hope. I take every day as it comes, nothing is guaranteed and
I’ve had my fill of working like a crazy woman. I am in control of my own time
and that is wonderful!
Where
can readers find you?
I contribute to numerous online magazines
and newsletters regularly and I’m often guest author on blogs as well as
hosting gusts on my blog.
Only One Woman – blurb
Two women, one love story.
Stella thinks it's her last night alive, while Scott believes
she's having a sex-change operation on Monday. Renza is moving overseas and
worries Top of the Pops won't be on TV there. She is heart-broken at leaving
Scott; he is confused - he loves them both - but is excited to be in the UK
with Narnia's Children, touring and recording with top record producers and
living the life of a 1960s rock god. Russia invades Czechoslovakia, Bobby
Kennedy is assassinated and there are student riots
in Paris...Only One Woman is set in 1968/69 in the UK Music Scene and is an
authentic trip into nostalgia from the POV of two girls whose lives are shaped
by massive world changing events in the grooviest decade of the 20th century.
Written by friends who were 'with the band,' back then, it is published by
Accent Press in Paperback and e-book and has its own playlists on YouTube.
It’s being read by guys and gals.
Links:
Only
One Woman Accent Press on Amazon UK, USA, Australia in e-pub and Kindle
Paperback.
Only One Woman for
stores, libraries, and audio worldwide is published May 2018.
Only
One Woman Facebook
Renza and Stella
have their own YouTube Playlists:
Stella:
Anthologies
where Jane’s stories appear:
Shiver (Accent Press)
A
selection of spooky, scintillating, and scary stories from some of Accent
Press’s best-loved authors. Featuring gruesome crime from Bill Kitson and
Andrea Frazer, a frighteningly modern fairy tale from Helena Fairfax, ghostly
goings-on from Christina Jones, David Rogers and Jane Risdon, Marie Laval and
Tricia Maw, a twisted take on a national pastime from Car Cooper, and the
supernatural side of reality TV from Caroline Dunford.
Telling
Tales anthology 2012
I
am Woman anthology, 2013
In
a Word: Murder anthology, 2014
Wishing
on a Star anthology, 2014 (Accent Press)
Ghostly
Writes anthology 2016
Madame
Morvara’s Tales of Terror anthology 2016
Ghostly
Writes Valentine’s anthology 2017
Midsummer
anthology 2017
Cons
Dames and G-Men anthology (Stab in the Dark Writers Circle) 2017
Christmas
Capers anthology (Stab in the Dark Crime Writers Circle), 2017
Ghostly
Writes anthology, 2017
Ghostly
Writes Valentine’s anthology 2018 (to be published Feb 2018)
Many thanks for being my guest, Jane.
I wish you every success with your future projects, and particularly with Ms
Birdsong!
