Search This Blog

Showing posts with label Poetry. Show all posts
Showing posts with label Poetry. Show all posts

Tuesday, 15 August 2023

THE LUTE AND THE PEN - Press Release

Historical fiction - 10th century Spain!

960AD. Al-Andalus.

Spirited and learned, Qamira has discarded the strictures of her life in Baghdad to travel with her grandfather to Cordoba. Here she embraces the undreamed-of freedoms accorded women. She befriends her neighbours, attractive young men and women of Jewish, Christian and Arabic faiths, all living in harmony. One of these is Zayd, a swordsman, poet and teacher from the Maghreb; they form a strong emotional attachment. Sadly, that harmony will be shattered…

Amazon UK: https://tinyurl.com/yaz96c77

Amazon US: https://tinyurl.com/545ctprh

Excerpts:

She had gone through twelve months of deep depression after her parents died horribly and swiftly of the plague that had wiped out hundreds of pilgrims on the way to Mecca. The vultures had made light work of the bodies.

When fellow travellers brought the devastating news, although a younger maiden aunt said she was happy enough to care for Qamira, Talha insisted she come to live with him. 

Since that day she had barely spoken, just sitting swaying, silent – an elective mute. She ate because she must; she said her prayers because God was watching her; she kissed her grandfather good morning and good night because it was expected; but all joy had fled her short life.

***

Talha and Qamira entered the splendid garden with the three-tiered fountain Qamira had glimpsed from above. They made their way along cobbled pathways, past myrtle hedges and a pool covered with water lilies. Jasmine clambered up the walls to reach the balconies of the upper floors and niches, pots and urns brimmed with scented roses.

They followed the colonnade that snaked round the house, passing tables and chairs, glass-fronted cabinets filled with ornaments and books.

Voices and laughter summoned them to the feast. Comfortable leather divans surrounded a convivial table in whose centre were bowls of water containing sweet-scented rose-petals and lemon peel. Soft cloths were provided to dry hands and faces. Each place had a drinking glass and ceramic plate. Ornate metal teapots and trays of food stood at the ready. Three young people sat in one corner, heads together, whispering, oblivious of the presence of strangers.

***

The gate swung open on well-oiled hinges and Yuhana and Qamira exited into glorious countryside. Qamira gasped at the view, deeply inhaling the cool morning air, scented with herbs and pine. Carobs and oaks lined the narrow winding path leading to the lake and in the distance the Dark Mountains were bathed in a ghostly white mist.

They ambled along the shady path then Qamira halted, suddenly anxious.

Yuhana grabbed her arm and lengthened her stride, pulling her past the high wall of the munyat cemetery. ‘Qamira, hurry, the lake is this way. Or have you lost your nerve, no longer daring to defy Urvan’s ban?’

‘Not at all.’ She slowed her pace. ‘Why do you let him dictate to you? Does your father also disapprove?’

Yuhana fell into step beside her. ‘Yes, he also fears for our safety and because he is my father I must obey him! Surely you obey your grandfather?’

Qamira gave her a devilish grin. ‘Most of the time. But he is always open to discussion. It is often the only way forward. Besides, he approves of swimming. This is an ideal time of day to bathe and,’ she indicated the cemetery, ‘the dead won’t talk, or harm us.’

They reached a clearing, uncultivated except for clumps of herbs. At a glance Qamira recognised borage and rosemary, comfrey and lavender. She stooped and squeezed a handful of rosemary, cupped her hand around her nose and inhaled the sweet smell. Rising, she observed a small copse of hazel and almond trees. A cluster of six beehives to her left crouched like slatted creatures from another world. ‘Whose are those hives?’ she asked.

‘Ours but no-one tends them. I stay away. I was stung once. Mother used marigold flowers to ease the pain.’

‘She was right to do so,’ Qamira said. ‘Perhaps I can take the beeswax for my creams and I must gather those herbs before the sun wilts them.’

Yuhana plucked a stem of lavender and breathed deeply. ‘Tell me about them.’

‘There are many types. Here we have thyme, parsley, sage and rosemary for cooking.’ She spun round. ‘And there are comfrey and witch-hazel for sprains and bruises, borage for fevers, lavender to aid restful sleep. There are poisonous plants too – arum, nightshade and wormwood – but they can be used safely…’ She ran ahead down the path, calling back, ‘if you know how.’

They arrived at the lake. Herons skimmed the calm surface seeking fish, a bunting hidden in the reeds called plaintively to its mate, frogs croaked unharmoniously and the reeds themselves whispered in the breeze. Along the shore-line, a row of willows stood sentry-like, a natural barrier from prying eyes. Qamira noted the trees. She must tell Grandfather.

She ran forward to the edge, removed her sandals and dipped in her toe. Glancing around, she stripped off her robe and undergarment then plunged into the rippling wavelets, naked and free. She disappeared below the surface, swam some way off then reappeared.

‘You are bold!’ Yuhana called. ‘And such a strong swimmer.’

‘It is heavenly. Come in.’

Yuhana began to wade in but Qamira called out peremptorily, ‘Your clothes? Remove them. Or walk home soaking.’

Yuhana blenched. ‘Someone may see.’

‘There is no-one. Anyway, the trees will hide us. You must, or your robe will drag you down.’

Yuhana removed her robe, threw it ashore then ducked down into the water.

***

Zayd sat beside her and eyed the poem. ‘Is that a muwashshah?’

‘I don’t know. It’s an ode.’

‘A qasidah, then, a classical ode. To…?’ the handsome Berber inquired gently.

‘Dido.’

‘Ah, the tragic Queen of Carthage.’

‘When Grandfather and I disembarked there, he recounted the sad tale of Dido and the Greek Aeneas: their love affair, his treachery, his abandonment. Her despair, her death,’ she finished with barely a whisper.

‘Please read me your ode.’

‘It’s not ready.’

‘No matter. It’s not the end-product that matters but the journey we make to achieve it. The road we pursue can enrich all things. So, may I hear it?’

She obliged, reading the poetry in a clear voice.

‘Your words are poignant. How they remind me…’

Qamira’s brow furrowed. ‘Remind you of what?’

‘Of my own land, Qamira, of El-Maghreb.’

His look was wistful, longing for something lost forever. Maybe, like her, he was a wandering soul, far from his native land, still on his own journey, accepted but apart, not quite at peace. Was this to be their common bond, then? Should she feel sorry for him, or a kindred spirit? Should she by silence demonstrate her understanding of his situation and his destiny or by questioning seek to discover more?

‘Do you miss your home?’

‘Sometimes.’ He ran his hand through his thick hair. ‘Tell me about Baghdad.’

‘It is a city of wondrous architecture: minarets, mosques. Much activity: learning, invention. Like here but bigger.’

‘And the people?’

‘Dark and mysterious.’

Zayd pursed his lips. ‘And life?’

‘Unbearably lonely. I had my dreams and I was afraid I would never achieve them, always bound by tradition and rules. A foolish desire.’

His eyes bored into hers. ‘No, Qamira. No ambition is foolish. The only rules that should bind your life are those that you yourself make. Nothing should constrain you.’

‘Easy to say.’ She turned slightly to contemplate the garden. ‘Are we not all constrained – even Nature? Do not the trees grow to their expected height, flowers bloom with their due colours, all things in their season? Dogs bark and cats mew? Unchanging? Never branching out?’

‘We are humans, not flowers. We may do as we please. You have branched out. You’re here with your grandfather, embracing a new life.’

Qamira contemplated this a while. ‘As did you,’ she agreed finally. ‘Do you have any family left in El-Maghreb?’

He gazed at the ground. ‘My parents are both dead.’

‘Mine died too – before their time. We’re both orphans, then.’

He looked up at her through long thick lashes. ‘Indeed we are.’

***

‘Do not run from me!’ His voice rasped unkindly in her ear. ‘I want you! I have made myself clear on countless occasions. I will wait no longer. You will submit to me.’

‘If Grandfather were here, you wouldn’t dare make so bold.’

‘But he is not here, and I am. Here, to fulfil your destiny.’

Then his mood changed, his voice pleading. ‘It is I who beg you, my sweet nightingale. You cannot comprehend how much I love and desire you. Not just your music–’

She turned her face away as he kissed her again, his beard scratching her soft cheek.

Remember Zayd! She sobbed, her will almost broken. Why was he suddenly so difficult to resist? Then from somewhere in her inner core she mustered the strength of mind to withstand him. ‘I cannot do this. I cannot love you as you would have me do. I do not want you!

But to no avail. He was panting now, whether from passion or exertion, she could not tell. She tried to push him away, the heels of her hands against his shoulders, but his grip tightened and he slid down to his knees, kissing her stomach, her abdomen, moving lower until his hands were raising the hem of her nightgown. His desperation revolted her yet her whole being ached with a treacherous sensation of pleasure and betrayal – and she the betrayer.

Remember Zayd! Now his fingers probed, seeking her secret warmth.

The sudden unexpected stab of bliss surprised her. She gritted her teeth, shuddered. She must not succumb.

Remember Zayd! The dim light and his lustful eagerness made him awkward, fumbling, and in that instant she came to her senses, all thoughts of pleasure fled. Her fingernails dug into the soft flesh between his shoulders and neck. She hoped she’d drawn blood. He roared in pain and stumbled away, releasing her to massage the spot.

She slid sideways and staggered towards the door.

Available on Amazon - paperback and e-book

 

 

Friday, 7 August 2015

FFB - Spectrum of a Forgotten Sun


Fifteenth in E.C. Tubb’s ‘Dumarest Saga’ is a splendid fast-paced science fiction novel.

Earl Dumarest covers a lot of ground – and space – in this one! Fighting as a mercenary on the planet Hoghan, he ends up on the losing side and is captured. However, his abilities are recognised and he is offered a way off the planet, if he can assist in a little bit of interplanetary smuggling. And one of the main looters is the Lady Dephine (not Delphine as shown in the blurb and on Amazon). Some sci-fi writers can’t write good female characters; Tubb can: ‘Life alone is never enough. Always there is more, for unless there is, we are no better than beasts in a field. Our senses were given us to use; our ambitions to be fulfilled. How well you understand, Earl.’

The pace never lets up: there’s betrayal, a deadly plague on the spaceship, landfall on Emijar, a planet controlled by strict codes of conduct where transgressors can expect to be challenged to fight to the death, and here too are the olcept, nasty critters that are hunted for trophies and attaining manhood. The dead are mummified and deified, though it’s no comfort to them: ‘Time enough for the chemicals to penetrate the tissue, to harden soft fibres and dissolve points of potential corruption. To seal the flesh in a film of plastic, perhaps, or to petrify it, to protect the body against the ravages of time. To produce monuments to the dead.’

And there’s a grand passion between Dephine and Earl. Love: ‘Sweetness and pain, the ineffable joy of affection and the haunting fear of loss. The vulnerability of total surrender. The willing discarding of all defences and the embracing of the unknown…’

Not forgetting another possible clue to the whereabouts of the long-lost planet Earth. ‘Stowing away as a boy… The captain allowed him to work his passage and kept him aboard until he died. When alone, the boy had moved on, ship after ship, world after world, always deeper and deeper towards the heart of the galaxy. To regions where even the very name of Earth had become a legend.’

And the story has a neat twist at the end, too.

As always, Tubb provides us with glimmers of prose that is almost poetry: ‘Her faith had been strong and she had died happy. Now she would drift for eternity or be drawn by gravitational attraction into a sun and disintegrate in a final puff of glory. A minute flame which would, perhaps, warm some future flower, grace some unknown sky.’ And then we’re brought down severely with: ‘Fanciful imagery which had no place in a ship which had become a living tomb.’

And Dumarest’s philosophy, usually within a single paragraph, helps paint a picture of the man: ‘… No human being, no matter how insignificant, can safely be demeaned. Always there is present the danger of restraints snapping, of self-control giving way beneath the impact of one insult too many. Of pride and the need to be an individual bursting out in a tide of relentless fury.’
 
Over the years commentators have wondered why the saga has never been taken up as a TV series. Particularly these days; the CGI wizards could do a great job. Perhaps it’s because TV series have moved away from the lone protagonist – now it seems a series involves a number of regular characters, it’s an ensemble piece, rather than a one-man show with guests.

Sunday, 16 March 2014

Noir mix - Crime fiction and tattoos


Noir Nation 4 - International Crime Fiction is now out in Kindle; paperback due to follow.

Noir Nation is the only crime fiction journal in the world that combines international crime fiction and tattoos. It's content is often dark, hard-boiled, sometimes creepy, but because it embraces crime fiction in all its forms, readers can also find the occasional humorous story or cozy mystery.

Noir Nation No. 4 -- The Canada Issue -- has over 20 entries from some of the very best literary crime fiction writers in the international scene, among them Lauren Cahn, Marina Perezagua, Richard Godwin, Jonathan Sturak, Melodie Campbell, Bianca Bellova, Joseph Lepis, Neliza Drew, Rob Brunet, Nik Morton, Chloe Evans, Bruce H. Markuson, Jeffery Hess, Tony Haynes, Mike O’Reilly, Gerald Seagren, Edward McDermott, Ryan Priest, Peter Anderson, Al Cerda, Joseph Trigoboff, and Mary Agnes Fleming. (Official blurb)

This issue is dedicated to Kofi Awoonor (1935-2013), Ghanaian poet, who was murdered by terrorists in the attack on the Westgate shopping mall in Nairobi, September 2013. Men with guns may end lives, but they can't silence the words that live after the victims.

My story 'Sleep Well, My Darling' has gained the subtitle 'Buying a bed can land you in deep water' which appeals to me, I must admit, considering the noir subject...

The story begins:

Graham Turner first suspected his brother John’s death wasn’t accidental when he attended the funeral.

Each article, short story or poem is interspersed with colourful tattoo art.

Friday, 27 September 2013

FFB - Catching the Light

Friday's Forgotten Book:

CATCHING THE LIGHT – The entwined history of light and mind
Arthur Zajonc



Professor Zajonc, a physicist, sets out on a journey of discovery, to answer What is Light? He does not simply employ physics but also poetry, philosophy and art. On the way, we encounter: the ancient Greeks, who apparently had no words for green and blue; India’s Bhagavad-Gita featuring a bard who sings to a blind and worldly royalty; the Arab Alhazen’s improvement on Euclid, supposing ‘the eye, once the site of a sun-like, divine fire, fast became a darkened chamber, awaiting an external force to lighten it.’; and Kepler, Copernicus, Descartes, Goethe, Milton , Twain, Galileo, and Einstein to name but a few. The duality of lights, as both a wave and a particle (as I recall from my Open University course) is echoed in Zajonc’s theme, the duality of the two sides of the brain interpreting the artistic and the mathematical views of light, and is explained clearly and insightfully, with Zajonc mustering some quite poetic prose in the process.
Illustrations are not complex and kept to a minimum; this is not a text-book, more a detective adventure story.
Arthur Zajonc


Kepler
 
The dangers of scientists reducing everything, including beauty, to cold passionless data was long-ago appreciated by many ‘natural philosophers’ such as Faraday and poets like Keats, and every effort was made to retain a sense of wonder at the new discoveries; even the late Richard Feynman said that his appreciation of the beauty of nature was enhanced, not diminished, by his knowledge of physics.
This, then, is a celebration of Light, and of our tentative, often frustrated, fumbling in the dark for that understanding. Light is as much a part of our mind-set as it is an external phenomena. For example, Zajonc cites a patient blind from the age of ten months receiving cornea transplants when he was fifty; when his sight was restored he could not see as his brain had not learned to see: the process of learning was slow and never fully completed.
 
Straddling the scientific and artistic cultures, Zajonc may end up satisfying neither; which would be a pity, as this is an enlightening book for the scientist and the poet, for the layman and the artist.

Published in 1995.

Tuesday, 27 August 2013

CELEBRATIONS IN AN OSSUARY - and other poems by the late Kyle J.Knapp, 23


Kyle J. Knapp (September 1, 1989 – June 18, 2013) was a poet, musician, and short story writer from Freeville, New York. His debut collection of prose, Pluvial Gardens, was released in 2012. He studied Social Sciences at Tompkins Cortland Community College and worked for the school as an English tutor. Kyle enjoyed nature, fishing, and playing guitar. Kyle passed away in a house fire this past June. He was twenty-three years old and just coming into his own as a writer. He was a prolific artist, who, at the time of his passing, had written enough material for two additional collections of poetry and a near-complete novel.

Kyle's Professor of English states in his introduction: ‘An ossuary is a place for bones of the dead, oftentimes many dead. But . . . Kyle Knapp offers a celebration. In the ossuary! And what sort of celebration might we expect in a storage container for bones? Paradoxically, it is a celebration of life. In “Camping” we see the joy of nights in the woods, so pleasant that for the rest of the year “nothing at all seemed to matter.” Or it is a perfect day composed of simple pleasures and ending with “her laughter.” . . .But it is an ossuary, and these poems capture the loss, the regret, the acknowledgement of ultimate doom. There is an edge to the celebration, the clear sense that much of what brings pleasure brings pain as well.’

Amazon UK
http://www.amazon.co.uk/Celebrations-Ossuary-Kyle-J-Knapp/dp/098337757X/ref=sr_1_1?ie=UTF8&qid=1377596977&sr=8-1&keywords=CElebrations+in+the+ossuary


Amazon US/Europe
http://www.amazon.com/Celebrations-Ossuary-Kyle-J-Knapp/dp/098337757X/ref=sr_1_1?ie=UTF8&qid=1377597133&sr=8-1&keywords=celebrations+in+an+ossuary

Kyle was the nephew of David Cranmer (creator of the Cash Laramie series of stories). Celebrations is the first of three posthumous collections that will be released over the next few years. David explains a little more in the book's poignant afterword: ‘The memories of moments spent in his home along Fall Creek discussing our mutual reading passions are what I’ll cherish most, and, I will do my best not to be sad when I recall these memories, because, as Kyle says in these very pages, “Those days will come again, They were eternal, after all …”. And he has a post devoted to Celebrations on his blog
 http://davidcranmer.blogspot.com/ 

 Also, Kyle will be the Pulp of the Week http://beattoapulp.com/  September 1st, his birthday.
 

 
Like all writers, Kyle was a writer who wanted to be read. As David says, he just wanted his words out there. In his blog, David says, 'It saddens me Kyle didn’t conquer his alcoholism, but he touches on that in his poetry, and maybe, just maybe, it will help someone else.'

All profits will go to his family and the college he attended.


Rest in Peace, Kyle.

(My title heading should be in THE ossuary, if I'd only checked! Editors are the worst offenders, I find... I've left it like that since the link has been passed on elsewhere!)