W.P. Kinsella’s 1982 novel Shoeless Joe was filmed as Field of Dreams (1989).
This fantasy story is preceded by a quotation from Bobby Kennedy: ‘Some men see things as they are, and say why, I dream of things that never were, and say why not’.
Ray Kinsella runs a corn farm in Iowa with his wife Annie; they have a five-year-old daughter Karin. Three years ago, ‘when the sky was a robin’s-egg blue and the wind as soft as a day-old chick’ (p3), Ray heard a voice state ‘If you build it, he will come.’
For most of his life Ray has been obsessed with the history and game of baseball, and notably the Black Sox Scandal of 1919 World Series. Eight players, including Ray’s hero Shoeless Joe Jackson, were blamed for throwing the game. Ray stopped playing baseball with his father when they fell out some years ago, and now his father was dead... Another of the players is Moonlight Graham – ‘Nicknames are funny, they just land on you, like waking up one morning with a tattoo. You don’t know how you got it, but you know it’s gonna be with you forever’ (p159).
Ray is drawn by the voice to build a baseball field in the midst of the corn crop and surprisingly Annie agrees – ‘If it makes you happy, do it’ (p4).
So the field is built – at financial risk to the already precarious state of their funds. And, eerily, one night a figure appears on that field – Shoeless Joe Jackson, a young man dressed in his old-time baseball outfit. Ray, Annie and Karin see him and speak to him. Shoeless Joe admires the field: ‘This must be heaven,’ he says. ‘No,’ Ray replies. ‘It’s Iowa’ (p19).
A fan of the writer J.D. Salinger, Ray notes some coincidences in the famous author’s books – even naming characters Kinsella. He is drawn to meet Salinger, who he believes has an interest in baseball. (Salinger was not pleased to feature in the book and the film-makers prudently decided to rename the character for the film). The Salinger character says ‘Other people get into occupations by accident or design, but writers are born. We have to write. I have to write...’ (p109) ‘I dream of things that never were’ (p253) Salinger says, echoing Bobby Kennedy.
Despite Ray’s enthusiasm – ‘I’ll pierce a vein and feed him the sounds, smells, and sights of baseball until he tingles with the same magic that enchants me’(p39) – Salinger is dubious about Ray’s ‘field of dreams’ but gradually comes round to joining him on his return journey home.
Annie’s brother Mark is big in land-deals and presses to buy the farm, even threatening to foreclose. So we have conflict as well as ghosts.
Of course this is more than a story about baseball – and indeed much of that aspect went over my head. It’s about redemption, realising dreams, love, and the poetry of the natural world. ‘The cornstalks are now toast brown in the orangeade sunshine of October, and ball-park smells of burning leaves and frost. The ever-listening corn rustles like crumpling paper in the Indian-summer breeze’ (p28).
As can be seen in these few excerpts from the text, Kinsella has a way with words. ‘You’re terrible,’ says Annie, mischief crackling like static electricity in her eyes’ (p41). ‘I lean my head against the window and look up, noticing a few lamblike clouds in a chrome-blue sky (p94).
Both
the book and the film are poignant and never mawkish. Kinsella’s writing style
reminds me of Ray Bradbury’s – another Ray! – in the way the author perceives
the world.
I recommend
you enter this ‘baseball park for a rendezvous with stalled time’ (p221).
