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Showing posts with label Cordoba. Show all posts
Showing posts with label Cordoba. Show all posts

Tuesday, 15 August 2023

THE LUTE AND THE PEN - Press Release

Historical fiction - 10th century Spain!

960AD. Al-Andalus.

Spirited and learned, Qamira has discarded the strictures of her life in Baghdad to travel with her grandfather to Cordoba. Here she embraces the undreamed-of freedoms accorded women. She befriends her neighbours, attractive young men and women of Jewish, Christian and Arabic faiths, all living in harmony. One of these is Zayd, a swordsman, poet and teacher from the Maghreb; they form a strong emotional attachment. Sadly, that harmony will be shattered…

Amazon UK: https://tinyurl.com/yaz96c77

Amazon US: https://tinyurl.com/545ctprh

Excerpts:

She had gone through twelve months of deep depression after her parents died horribly and swiftly of the plague that had wiped out hundreds of pilgrims on the way to Mecca. The vultures had made light work of the bodies.

When fellow travellers brought the devastating news, although a younger maiden aunt said she was happy enough to care for Qamira, Talha insisted she come to live with him. 

Since that day she had barely spoken, just sitting swaying, silent – an elective mute. She ate because she must; she said her prayers because God was watching her; she kissed her grandfather good morning and good night because it was expected; but all joy had fled her short life.

***

Talha and Qamira entered the splendid garden with the three-tiered fountain Qamira had glimpsed from above. They made their way along cobbled pathways, past myrtle hedges and a pool covered with water lilies. Jasmine clambered up the walls to reach the balconies of the upper floors and niches, pots and urns brimmed with scented roses.

They followed the colonnade that snaked round the house, passing tables and chairs, glass-fronted cabinets filled with ornaments and books.

Voices and laughter summoned them to the feast. Comfortable leather divans surrounded a convivial table in whose centre were bowls of water containing sweet-scented rose-petals and lemon peel. Soft cloths were provided to dry hands and faces. Each place had a drinking glass and ceramic plate. Ornate metal teapots and trays of food stood at the ready. Three young people sat in one corner, heads together, whispering, oblivious of the presence of strangers.

***

The gate swung open on well-oiled hinges and Yuhana and Qamira exited into glorious countryside. Qamira gasped at the view, deeply inhaling the cool morning air, scented with herbs and pine. Carobs and oaks lined the narrow winding path leading to the lake and in the distance the Dark Mountains were bathed in a ghostly white mist.

They ambled along the shady path then Qamira halted, suddenly anxious.

Yuhana grabbed her arm and lengthened her stride, pulling her past the high wall of the munyat cemetery. ‘Qamira, hurry, the lake is this way. Or have you lost your nerve, no longer daring to defy Urvan’s ban?’

‘Not at all.’ She slowed her pace. ‘Why do you let him dictate to you? Does your father also disapprove?’

Yuhana fell into step beside her. ‘Yes, he also fears for our safety and because he is my father I must obey him! Surely you obey your grandfather?’

Qamira gave her a devilish grin. ‘Most of the time. But he is always open to discussion. It is often the only way forward. Besides, he approves of swimming. This is an ideal time of day to bathe and,’ she indicated the cemetery, ‘the dead won’t talk, or harm us.’

They reached a clearing, uncultivated except for clumps of herbs. At a glance Qamira recognised borage and rosemary, comfrey and lavender. She stooped and squeezed a handful of rosemary, cupped her hand around her nose and inhaled the sweet smell. Rising, she observed a small copse of hazel and almond trees. A cluster of six beehives to her left crouched like slatted creatures from another world. ‘Whose are those hives?’ she asked.

‘Ours but no-one tends them. I stay away. I was stung once. Mother used marigold flowers to ease the pain.’

‘She was right to do so,’ Qamira said. ‘Perhaps I can take the beeswax for my creams and I must gather those herbs before the sun wilts them.’

Yuhana plucked a stem of lavender and breathed deeply. ‘Tell me about them.’

‘There are many types. Here we have thyme, parsley, sage and rosemary for cooking.’ She spun round. ‘And there are comfrey and witch-hazel for sprains and bruises, borage for fevers, lavender to aid restful sleep. There are poisonous plants too – arum, nightshade and wormwood – but they can be used safely…’ She ran ahead down the path, calling back, ‘if you know how.’

They arrived at the lake. Herons skimmed the calm surface seeking fish, a bunting hidden in the reeds called plaintively to its mate, frogs croaked unharmoniously and the reeds themselves whispered in the breeze. Along the shore-line, a row of willows stood sentry-like, a natural barrier from prying eyes. Qamira noted the trees. She must tell Grandfather.

She ran forward to the edge, removed her sandals and dipped in her toe. Glancing around, she stripped off her robe and undergarment then plunged into the rippling wavelets, naked and free. She disappeared below the surface, swam some way off then reappeared.

‘You are bold!’ Yuhana called. ‘And such a strong swimmer.’

‘It is heavenly. Come in.’

Yuhana began to wade in but Qamira called out peremptorily, ‘Your clothes? Remove them. Or walk home soaking.’

Yuhana blenched. ‘Someone may see.’

‘There is no-one. Anyway, the trees will hide us. You must, or your robe will drag you down.’

Yuhana removed her robe, threw it ashore then ducked down into the water.

***

Zayd sat beside her and eyed the poem. ‘Is that a muwashshah?’

‘I don’t know. It’s an ode.’

‘A qasidah, then, a classical ode. To…?’ the handsome Berber inquired gently.

‘Dido.’

‘Ah, the tragic Queen of Carthage.’

‘When Grandfather and I disembarked there, he recounted the sad tale of Dido and the Greek Aeneas: their love affair, his treachery, his abandonment. Her despair, her death,’ she finished with barely a whisper.

‘Please read me your ode.’

‘It’s not ready.’

‘No matter. It’s not the end-product that matters but the journey we make to achieve it. The road we pursue can enrich all things. So, may I hear it?’

She obliged, reading the poetry in a clear voice.

‘Your words are poignant. How they remind me…’

Qamira’s brow furrowed. ‘Remind you of what?’

‘Of my own land, Qamira, of El-Maghreb.’

His look was wistful, longing for something lost forever. Maybe, like her, he was a wandering soul, far from his native land, still on his own journey, accepted but apart, not quite at peace. Was this to be their common bond, then? Should she feel sorry for him, or a kindred spirit? Should she by silence demonstrate her understanding of his situation and his destiny or by questioning seek to discover more?

‘Do you miss your home?’

‘Sometimes.’ He ran his hand through his thick hair. ‘Tell me about Baghdad.’

‘It is a city of wondrous architecture: minarets, mosques. Much activity: learning, invention. Like here but bigger.’

‘And the people?’

‘Dark and mysterious.’

Zayd pursed his lips. ‘And life?’

‘Unbearably lonely. I had my dreams and I was afraid I would never achieve them, always bound by tradition and rules. A foolish desire.’

His eyes bored into hers. ‘No, Qamira. No ambition is foolish. The only rules that should bind your life are those that you yourself make. Nothing should constrain you.’

‘Easy to say.’ She turned slightly to contemplate the garden. ‘Are we not all constrained – even Nature? Do not the trees grow to their expected height, flowers bloom with their due colours, all things in their season? Dogs bark and cats mew? Unchanging? Never branching out?’

‘We are humans, not flowers. We may do as we please. You have branched out. You’re here with your grandfather, embracing a new life.’

Qamira contemplated this a while. ‘As did you,’ she agreed finally. ‘Do you have any family left in El-Maghreb?’

He gazed at the ground. ‘My parents are both dead.’

‘Mine died too – before their time. We’re both orphans, then.’

He looked up at her through long thick lashes. ‘Indeed we are.’

***

‘Do not run from me!’ His voice rasped unkindly in her ear. ‘I want you! I have made myself clear on countless occasions. I will wait no longer. You will submit to me.’

‘If Grandfather were here, you wouldn’t dare make so bold.’

‘But he is not here, and I am. Here, to fulfil your destiny.’

Then his mood changed, his voice pleading. ‘It is I who beg you, my sweet nightingale. You cannot comprehend how much I love and desire you. Not just your music–’

She turned her face away as he kissed her again, his beard scratching her soft cheek.

Remember Zayd! She sobbed, her will almost broken. Why was he suddenly so difficult to resist? Then from somewhere in her inner core she mustered the strength of mind to withstand him. ‘I cannot do this. I cannot love you as you would have me do. I do not want you!

But to no avail. He was panting now, whether from passion or exertion, she could not tell. She tried to push him away, the heels of her hands against his shoulders, but his grip tightened and he slid down to his knees, kissing her stomach, her abdomen, moving lower until his hands were raising the hem of her nightgown. His desperation revolted her yet her whole being ached with a treacherous sensation of pleasure and betrayal – and she the betrayer.

Remember Zayd! Now his fingers probed, seeking her secret warmth.

The sudden unexpected stab of bliss surprised her. She gritted her teeth, shuddered. She must not succumb.

Remember Zayd! The dim light and his lustful eagerness made him awkward, fumbling, and in that instant she came to her senses, all thoughts of pleasure fled. Her fingernails dug into the soft flesh between his shoulders and neck. She hoped she’d drawn blood. He roared in pain and stumbled away, releasing her to massage the spot.

She slid sideways and staggered towards the door.

Available on Amazon - paperback and e-book

 

 

Tuesday, 28 February 2023

ORGAN SYMPHONY - Book excerpts

 

ORGAN SYMPHONY published by Rough Edges Press

Some crime subjects don’t go away. Organ harvesting is one of them. It crops up in the news from time to time. It’s also the inciting incident that starts this Leon Cazador novel.

Occasionally, I like to book-end a tale – with a quote or image at the beginning and end of the book; for this one, I chose the word ‘heartless’:

August, 2016 - Lazzaretto Piccolo, Laguna Veneto, Italy

Gho Jun chuckled beneath his surgical mask and in his high-pitched voice joked, “Soon our rich client will be heartless, no?”

It doesn’t give anything away to reveal the book’s last line, here:

Carlota nodded. “Truly, Leon, those who ban people from listening to music are heartless.”

By no means exclusively, but in my books (and even some short stories) I attempt to feature places I’ve visited. Here, we go to Venice, Charleston, South Carolina, Cape Cod, Massachusetts, Stockbridge, Córdoba and Torrevieja in Spain and Tokyo. The story ranges from 2016 to 2022.

Nik Morton is really good at creating characters and describing action scenes.’ – a reader’s comment.

Amazon UK: https://tinyurl.com/szhr9s82

Amazon US: https://tinyurl.com/y2hdryym

Organ Symphony – a few excerpts:

By chance all three stayed together, and were trucked to South Carolina. Here, Rafael was taken away – it must have been about two weeks ago – and returned with a bandage wrapped round his body. One of the older kids showed his own operation scar, proudly displaying it as a badge of honor, and said, “They start on the bits we’ve got two of – like kidneys, eyes, lungs...” The rest was left unsaid. (p25)

***

Normally on weekdays they would exercise after waking. With Carlota sitting enticingly on his ankles, he would perform seventy sit-up crunches, alternate elbow to alternate knee, followed by seventy press-ups. Carlota did the same, though she was faster than him – but then again she was younger. After breaking a sweat, they would shower. At the weekend they would refrain and instead perform tai chi in a convenient park for a complete change.

But he’d vowed that on this mini-holiday they would give that form of physical exercise a miss. “Only that form of exercise?” she queried mischievously.

“Quite,” he answered straight-faced. (p97)

***

A mountainous landscape populated by dragons strode out of the swathes of hammam’s steam and approached Leon Cazador and Carlota.

Leon wasn’t surprised when Carlota stifled a gasp.

Hiroki Kuroda was tattooed over his entire torso and down to his wrists and calves. At a glance, he gave the impression that he was wearing long johns; instead, he was a walking exhibition of body art. Ray Bradbury’s Illustrated Man always sprang to mind when Leon saw him, but this was no fantasy. As a member of the Yakuza—a Japanese criminal organization similar to the Mafia, but much older—Hiroki as a much younger man had endured hundreds of hours of pain from a bamboo sliver simply to show that he could. He waved a greeting with his left hand. The little finger should have been missing at the first knuckle, but a shining substitute appeared grafted in place.

Sitting on the wooden slats of the bench, Leon wore light blue swimming shorts and Carlota, on his left, was skimpily covered by a dark green bikini she’d brought for use in the hotel pool but had yet had the opportunity to christen.

Hiroki adjusted the towel about his waist, acknowledged Carlota, and lowered his huge bulk on Leon’s right. (p109)

***

In the blink of an eye Leon raised the pistol and harshly whipped Okudara’s face with the silenced barrel.

The man backed against the shelving and rubbed his chin.

“Carlota,” Leon called over his shoulder, “shoot the other guy’s knees from under him if he so much as blinks!”

Leon aimed his automatic at Okudara’s left knee. “I can even things up,” he said. “You can limp with both legs.” (p167)

***

“We haven’t packed enough clothing to go gallivanting,” Carlota said. “We were only supposed to spend a couple of days in Córdoba.”

“We’re not gallivanting,” Leon corrected. “This isn’t recreation, my dear, it’s hunting.”

She kissed him. “I like it when you put on your serious face. Sends shivers down my spine.”

He hugged her and traced his fingers down her spine. “This isn’t getting the packing done, is it?”

“There’s time for that, don’t fret, my hunter.” And there was; time for everything. (p179)

***

Once they were back in their hotel room, Leon unwrapped the brown-paper parcel. Rose had managed to meet his specifications as to size, stopping power and weight. The Beretta Model 84 weighed a mere twenty-three ounces and was only six and a half inches long, suitable for concealing on Carlota’s person. Its magazine held thirteen rounds.

To fill his shoulder holster he’d opted for a Bernardelli P-018, its magazine holding fifteen 9mm parabellum cartridges. The slightly smaller and lighter Tanfoglio TA90 snugly fitted his ankle-holster; it too held fifteen 9mm parabellum cartridges. Rose had also supplied a spare clip of cartridges for each weapon. Between them they should have enough fire-power to deal with a crop of organ harvesters, he reckoned. (p199)

***

“You’re wet,” he observed. She wasn’t wearing a bra under her clinging white bandeau.

“I can see why you’re a private eye.” She grinned. “Don’t worry, I’m not going to catch my death. The sun and the warm breeze will soon dry me.”

“Hope not – catch death, I mean.” He revved the boat forward.

She stood and moved to his side. “We all die, eventually, darling.”

He hugged her with one arm while steering. “Let us not hasten the inevitable, eh?” (p213)

***

That, I hope, will provide a flavour at least...

Friday, 14 October 2022

THE LUTE AND THE PEN - Book review


 This is Jennifer Morton’s second book and both are romantic adventures set in Spain. Her first, The Wells Are Dry was a contemporary novel; The Lute and the Pen is a historical story primarily set in Al-Andalus in 960AD.

Orphaned nineteen-year-old Qamira is accompanying Talha, her grandfather on his journey to Cordoba, where they plan to start a new life away from Baghdad. The Spanish city promises much, as it is a centre of learning and religious tolerance where Qamira hopes to pursue her twin passions of music and writing. She has also learned a great deal about herbal medicines and ointments from her learned grandfather.

Talha is the guest of his old friend Solomon, a Hebrew. Here, Qamira meets his wife Rebekah, Yuhana, Mirza and Tabitha, his daughters. Their neighbour is Urvan, a Muslim, who is widowed. Urvan has two sons, Izmael and Tariq, and two daughters, Shira and Dafna. Izmael’s best friend is Zayd, a swordsman, teacher and poet from El-Maghreb.

Into the mix is another household which is run by Vevian, a Christian, a trader and friend of Solomon.

Qamira settles down and takes in the delectable sights, smells and sounds of the place and her writing and lute-playing flourish. However, she is soon aware that Urvan begins to make unwelcome advances upon her during her grandfather’s absence on medical business. Fortunately, Qamira befriends Yuhana and Dafna, and gradually falls under the thrall of the handsome Zayd. Yet the relationships are not smooth as Shira is wilfully jealous of Qamira and, plotting with Nadim, Urvan’s personal bodyguard, they intend to have Qamira spirited away.

Qamira’s abrupt absence cannot be explained. Zayd is crestfallen and, after a fruitless search, he volunteers to sail off to contend with several raiding corsairs that threaten Urvan’s trading ships. After a while, word returns that he is missing, presumed dead.

Unaware of Zayd’s fate, Qamira wakes up in an Emir’s harem!

Throughout the narrative we are treated to exotic scents and images, capturing the period and its people. There is poetry both poignant and amusing, and personal conflict between several characters. Suspense, misunderstandings, betrayal and swordplay figure in the tale as well.

The author brings alive her characters and their emotional turmoil, and I was sorry to come to the end of her heartfelt tale.

Recommended.

Monday, 23 September 2013

A holy forest

Córdoba was once the greatest city of the Arab west, rivalling both Cairo and Baghdad. Its mosque – Mezquita – is one of the world’s most beautiful Islamic buildings.

From the fifth to the eighth century Córdoba was ruled by the Visigoths. Two hundred years later, the Moors came, with the help of the city’s disaffected Jewish residents. The Islamic rule permitted the worship of other religions, so Jews, Christians and Moors lived and worked cheek by jowl. A far cry from the intolerance of the Spanish Queen Isabella and King Ferdinand who threw out of Spain not only the Arabs but also the Jews in 1492.
Cordoba - the river is often populated by cattle and goats in the height of summer!
 

It’s an intriguing fact that often beneath any place of worship you may find older hidden churches and cathedrals. Apparently, during the Visigothic period the church of San Vicente was built, only to be destroyed by the Moors who began in 785 to build on the same site their great mosque; the construction took two hundred years and the mosque was considered so important that it saved the city’s inhabitants the arduous pilgrimage to Mecca, which boasted the only mosque of greater size and importance.
 

Abd al Rahman I, inspired by the Mosque of Damascus, intended the design to include the traditional ablution courtyard – where the faithful washed before prayer – and the hall of prayer itself. His successor, Abd al Rahman II, carried out the first addition, lengthening the courtyard and the prayer hall aisles.  A minaret was constructed in the courtyard but this is now embedded in the cathedral’s 93m high bell tower, Torre del Alminar. Al Hakam II increased the splendour of the decorations, bringing Byzantine artists to provide beautiful mosaics. The final expansion of the mosque was effected under the rule of Al Mansur.

With its seventeen aisles, divided by tiers of arches spanning columns often taken from Roman and Carthaginian sites; it still has a powerful effect on any visitor entering from the Courtyard of the Orange Trees.  The profusion of magnificent arches has been called ‘a holy jungle’, which is most apt with about 850 columns creating a criss-crossing of alleys, the pillars supporting two tiers of striped arches that add height and create a remarkable feeling of space.

The mihrab – a prayer recess – is situated along the wall that faces Mecca and it held a gilt copy of the Koran. Here you can appreciate the exquisite mosaic art and interlaced arches. The mihrab is topped by a shell-shaped dome. The worn flagstones indicate where pilgrims circled it seven times on their knees – it’s now fenced-off, probably to preserve the floor.
 

The great mosque and its courtyard were places of worship, centres of teaching, of justice and here too a social life thrived.

In the eleventh century, civil war devastated the city, hundreds were massacred and much of the beautiful city destroyed. Although it remained a Muslim city for another two hundred years, its power had gone, being transferred to Seville and other petty Islamic kingdoms. Córdoba finally fell to the Reconquest in 1236 and its Muslim inhabitants fled south.

Immediately after the Christians took the city, the great mosque became their cathedral – Church of the Virgin of the Assumption – with minor architectural changes, such as placing chapels in the outer aisles. The first chapel – Capilla de Villaviciosa – was built in 1371 and its multi-lobed arches are quite stunning. In 1523 began the construction of a tall cruciform church in the centre of the mosque building. Emperor Charles V had given unthinking permission for the construction. When he saw the result, he accused the cathedral builders: ‘You have built here what you or anyone might have built anywhere else, but you have destroyed what was unique in the world.’ Part of the Mezquita was destroyed to accommodate the cathedral; much of it survived and was transformed. And with its dazzling visual effect, the great mosque is still unique.

What is surprising is that, unlike so many other times, the reconquering Christians actually let the original Islamic building stand. They razed many to the ground. This great mosque and the Alhambra palace of Granada suffered privations, but even now they’re still standing, captivating emblems of Arabic history and culture.

Now you encounter the breath-taking forest of Islamic arches then the hodgepodge of styles (Gothic, Renaissance, Italian and Baroque) that comprise the Christian cathedral.  The Christian architects created a Latin cross shaped plan, ingeniously integrating the caliphal structures. The main altarpiece is covered by a vault inspired by the Sistine Chapel, with an unusual set of stalls. Outside, the Muslim courtyard was remodelled with the cloisters. Original palm trees – imported by the Caliphate – were replaced by orange trees in the fifteenth century. It has been argued that the Cathedral administration has preserved the great mosque, which is now a World Heritage Site.