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Showing posts with label #genre. Show all posts
Showing posts with label #genre. Show all posts

Saturday, 10 September 2016

Writing – word-count – progress


From time to time, we hear writers talking about how many words they’ve written ‘today’. 
Some writers say that a book has taken months or even years to write. But in all probability it hasn’t. The writer wasn’t spending all hours on that book. The work was interrupted by ‘life’ – family, friends, work that pays the bills, holidays, and a multitude of other commitments that get in the way.

Writing a novel, I feel, is work, not play. Enjoyable work, granted. But it should be treated the same as ‘work’. 

The normal working day consists of eight hours. Yes, I’m sure that many writers spend eight hours in any particular day working on their book – that is, thinking, researching, juggling words and phrases, tweaking, and even writing new material.

For quite a while now, I’ve advocated that it’s helpful to keep a record of progress, and one of the ways to do that is by using a spreadsheet.

I write in ‘sessions’ – they may be for an hour, 2 hours, or even 30 minutes. I record each time period session. When the sessions add up to 8 hours, I call that a ‘day’.

For interest, I’ve looked back on my latest work, The Khyber Chronicle, which has just hit 45,000 words (about 35,000 to go!)

For the last 5 days of work (that is, 5 x 8-hour sessions), the word-count came out thus:

Day     word-count
1          5895
2          4816
3          5189
4          4975
5          8231

I go into this aspect of calculating word-count on pp18-19 in Write a Western in 30 Days – with plenty of bullet points! (Suitable for not only writers of westerns, but writers of all genre fiction). There are a few good reasons to apply this method. It isn’t the only method, it may not be the best, but it works for me.

Naturally, writing the requisite number of words is only the beginning. Then comes the self-edit, the checks for logic, plot holes, lack of description and all the rest. But getting the words down in the first place is the most important part. Something to build on, to hone thereafter.


Good luck!

Wednesday, 10 August 2016

To Be King - cover reveal

Knox Robinson have released the cover for the upcoming paperback To Be King (Book Two of the Chronicles of Floreskand).  The artist has captured the essence of the story, we feel.






To Be King - sequel to Wings of the Overlord




TO BE KING

When Ulran and Cobrora Fhord left Lornwater on their quest to resolve the mystery of the red tellars (Wings of the Overlord), the city was ripe for rebellion against King Saurosen, holder of the Black Sword.


In charge of the Red Tellar Inn, Ulran’s son Ranell is drawn into a conspiracy with nobles to support Prince Haltese, the king’s heir, to overthrow the tyrant. Inevitably, as a mining disaster and a murder in a holy fane stoke the fires of discontent, open rebellion swamps the streets.

Conflict turns into civil war, where the three cities’ streets become a battleground. Conflict is not confined to Lornwater, however. There’s fighting below ground in the mysterious tunnels and caves of the Underpeople, and within the forest that surrounds the city, and ultimately in the swamps and lakes of Taalland.

Subterfuge, betrayal, conspiracy, intrigue, greed, revenge and a thirst for power motivate rich and poor individuals, whether that’s Lord Tanellor, Baron Laan, Gildmaster Olelsang, Lord-General Launette, ex-slave-girl Jan-re Osa, Captain Aurelan Crossis, Sergeant Bayuan Aco or miner Rujon. 

Muddying the fight are not only bizarre creatures – the vicious garstigg, the ravenous lugarzos or the deadly flensigg – but also the mystics from the Sardan sect, Brother Clen, Sisters Hara, Illasa and Nostor Vata.

At stake is the Black Sword, the powerful symbol that entitles the holder to take the throne of Lornwater. 
 

Thursday, 19 November 2015

Writing - Catalyst for a series

If we’re to believe the experts, books in series are very popular and ‘sell’. This makes sense. Look at the popular TV and movie series that draw viewers in the millions. The audience – the readers, the viewers – like the familiar world of the characters, even though they still want to be stretched by a constantly moving story with twists and turns.

Writing a series is not easy, and sometimes the original writer might not have even intended to pen a series. There are perhaps two approaches:

1.     A character or set of characters cry out for more treatment, more adventures, so a series is born – perhaps extending from a sequel

2.     The writer plans a situation or a number of plots and creates characters who have the longevity to span more than one novel

I suspect that Bernard Cornwell’s Sharpe didn’t begin as a series, no more than C S Forester’s Hornblower. But their characters demanded more – including books harking back to their past. The back stories of both Hornblower and Sharpe were novels written some time after the first book in the series was published. The Richard Bolitho novels by Alexander Kent (Douglas Reeman) also followed this pattern, written out of chronological sequence. [Interestingly, Reeman’s first book was published in 1958 and his latest was in 2011; he’s now 91].

Unintended series
Usually, these begin with the nagging requirement to write a sequel. Sequels tend to demand to be written because the hero or heroine has unfinished business. In actual fact, the author has invested time and emotion in the character and it is painful to leave that ‘person’ in limbo (even if it was ‘happy ever after’). And of course in the writing of the sequel, more story lines insinuate themselves into the author’s psyche. This kind of series can present the biggest problem for the author, because sometimes the first book has presented a kind of strait-jacket, a constriction that has to be broken to allow for more free rein in the future. That strait-jacket might be a job or a spouse; either of which may have to be jettisoned for the series to continue.

Intentional series
A series can be rewarding not only for the reader, but also for the author. Naturally, to begin with salient points have been mapped in the main character’s life, to progress the series. But it’s the putting on of flesh that makes the project so intriguing. I’m a great believer in planning a book, but within that plan there’s still scope for diversions that might provide material for later adventures. These diversions may be caused by new characters being introduced or by unexpected events precipitated by the plot device.

The planned series begins with a central idea. A mission for the hero or heroine. A goal or a quest. The black magic series Night Hunter by Robert Faulcon (Robert Holdstock) began with black magicians kidnapping the hero’s wife, daughter and son for nefarious purposes, leaving him for dead. He survived and began delving into the supernatural, seeking clues to the whereabouts of his family, his quest sustained for six books (1983-1987). Pick a genre and you’ll find hundreds of series books in that genre: crime, science fiction, fantasy, and horror, for example. You can search for series and get some surprises too.
 
This site is quite interesting. I was surprised at the dominant series titles – but bear in mind that the more books in the series, the more votes/readers that series is likely to get:
http://www.fictfact.com/most-popular-by-genre/cozy

I’m dipping my toe in the series concept with two strands: The Tana Standish Spy Series and the Avenging Cat series.

The ‘Avenging Cat’ begins with:
 
  
Catalyst – which introduces Catherine (‘Cat’) Vibrissae who is on a mission of vengeance against Loup Malefice, CEO and owner of Cerberus, a global company of dubious ethics.

“Yes,” Avril said. “I get a small retainer from one of the anti-pollution groups, DOSE - Defenders of Sacred Earth. Not much. But they want me to continue, just in case anything goes amiss. They keep quoting PCB pollution at me. I point out that the stuff’s banned, but they insist I carry on checking. Distrustful lot…” She shrugged. “But they pay.”

Len tapped his fingers on the desk. “PCBs?”

Polychlorinated Biphenyls,” Cat said. “Highly toxic, used in the manufacturing processes of paints, adhesives, polish, electrical equipment. Firms were pretty cavalier with it…”

Len chortled. “Is this the chemist in you coming out now?”

“You’re a chemist?” Avril said.

“Yes…”

Avril leaned forward, in interrogator’s mode. “But I thought you were a model.”

“I’m both. Modelling pays better – and my hours aren’t so regular.’

Avril narrowed her eyes, faced Len. “Cathy’s right. PCBs were banned in the late 1970s, early 80s.”

“Well,” Len said, “that’s all right, then, surely?”

“No, not really.”

Cat explained, “What Avril means is that PCBs can remain in seawater for a thousand years…”

 
 Catacomb – continues on Cat’s vengeance trail, this time taking her from Nice to Morocco.

That evening, they all sat at a long table, Gerard on her right, Rick on her left. Opposite were Howard and Abdel. The walls of the dining room were adorned with oil paintings, landscapes, views of Tangier, and seascapes, all executed by Gerard. “You’ve captured the light perfectly,” Cat said. “Your style reminds me of the Orientalists.”

            “Why, thank you, my dear. I simply adore Delacroix.” Gerard wore a cravat, a red silk shirt and loose flannel trousers with open-toed sandals. Quite the Bohemian, she thought.

            Glad to be free of trousers and shirt this evening, she’d chosen a simple black dress. But out of respect for Abdel, she’d draped her shoulders with a wispy black lace shawl that covered the enticing generous ‘v’.

            Howard nursed his Volubilia Gris, a white wine he recommended, and stared away into memory. “I remember you wearing that black ensemble, it seemed more like mourning clothes – except for the revealing décolletage, I might add.”

            “And no visible panty line, as I recall,” chimed in Gerard with glee.

            “Because,” Cat replied, “I wasn’t wearing any.”

            Howard guffawed.

            “I’ve been to some of Cathy’s fashion shows,” Rick said. “I’m sure she’d appear elegant even in a bin-liner!”

            She closed her hand over his and squeezed it. “Thank you, kind sir.”

            Gerard chuckled. “I agree. Elegant even in glitzy tat!”

            Howard whooped loudly. “Sheer dress, sheer wantonness!”

            “Remember that wedding dress with the see-through top?” Gerard chortled. “A few eyes popped at that!”

            “I can imagine,” Rick said.

            Shaking his head, Howard moaned. “The new trend seems to be to expose what is usually covered and to cover what used to be exposed. I can’t say I like it much. It loses the allure.”

            Cat smiled at Abdel, who appeared uncomfortable, his face slightly flushed, as if unsure where to rest his gaze. “The pendulum will swing, as it always does. Ignore these critics, Abdel, they’re only baiting me.”

            “I know, Cathy. But it is–”

            “Unseemly,” chimed in Howard. “You’re right. We should behave better with our guests.” He winked at Gerard.

            “Consider us both chastised.” Gerard coyly lowered his lids.

            “Now, tell us,” Howard said, leaning close to her, “why are you really here?”

            “Am I that transparent?”

            “Utterly see-through, my dear.”

            Keeping to only a few details, she explained about Loup Malefice’s machinations and her discovery that he’d had her father killed.

Cataclysmis due out next month and sees Cat in China, determined to confront Malefice once and for all in Shanghai. But complications arise before she can achieve that goal…
 
Madrid
After so long apart, Cat and Rick fell into each other’s arms when they got inside the city apartment. No sooner had the door shut behind them, their cases shoved to one side in the hall, than they began undressing each other on their way to the bedroom.

            Afterwards, as they snuggled close on the bed, she said, “It still hasn’t sunk in. All the money I’ve been bequeathed.”

            “You can do almost anything, go anywhere.”

            “I’m not going anywhere without you, Rick.” She hugged him, kissed him on the lips.

            “You don’t have to continue with your crusade, you know.”

            “I sort of promised. You were there.”

            “Yes, but it can be all done legally – no more abseiling down buildings!”

            “We’ll see – after Shanghai.”

            “All right, I’ll settle for that.”

            “I hope we can get the paperwork sorted and find a seat for you on the plane.”

            “Me too. I hated us being separated. I know it was for a good reason…” His voice choked off.

            “I know, darling. I feel awful.”

            “It’s sad, Cathy. But it also makes you grateful to be alive… You never know how long you’ve got left, do you?”

            “Live for the moment?”

            “Yes.” He kissed her. “Something like that.”

            “I told you about Daddy’s great affection for Marcus Aurelius’ Meditations.”

            “Yes, you did. So?”

            “He wrote, ‘In the life of a man, his time is but a moment, his being an incessant flux, his senses a dim rushlight, his body a prey of worms, his soul an unquiet eddy, his fortune dark, and his fame doubtful’. Long or short, our lives should be lived for the ‘now’, not dwelled upon in the past, nor blindly yearning for an unknowable future.”

            “That’s quite a philosophy. Seize the day?”

            “I’ve seized something, I think…” she purred playfully.

            “Hmm… so you have…”

 
The Tans Standish Spy Series is about Tana, a psychic who works for the British Intelligence Service, and begins with:

 
The Prague Papers – which finds her in Czechoslovakia, 1975, some seven years after her last mission there during the Soviet invasion. This time, she has to identify a traitor and in the process loses some friends.
 
The Tehran Text – takes Tana to Iran in 1978, having recovered from the trauma of the Czechoslovak mission. She needs all her psychic powers and guile to evade the Shah’s secret police, while attempting to preserve the life of friends.

I hope you can join me in these series, and enjoy the ride!
 
If you’re keen on spy fiction series, then drop by here

 
Randall has amassed a phenomenal amount of information – 800+ series comprising some 5800+ books as well as covering 200+ movies and 1200 TV shows).  I’ll be featuring a blog post about Randall soon.

Tuesday, 17 November 2015

Crime Tyne


CRIME ON TYNE

If you're in the Newcastle Upon Tyne area on 23 November, it would be a crime to miss this evening event. [If you can't make it, you can still enjoy the books!]
 
Crime-thriller author Frank Westworth will host an evening’s discussion about telling the truth through lies, as part of the Books On Tyne literary festival this month.

Crime writers have always used fiction to tell the truth and Frank Westworth, author of the Killing Sisters novels and JJ Stoner short stories, is no exception. His gritty, no-holds-barred neo-noir books feature hard as nails hitmen, ice cold killers, intimate encounters on sleazy backstreets, manipulated men and bewildering women.

Surely it’s all made up? Then again, maybe it isn't…

'A Last Act Of Charity' is the first book in the Killing Sisters series and received widespread critical approval when it was published last year. 'Charity' was selected by crime genre guru Maxim Jakubowski for his end-of-year recommended reads, and was short-listed by Wordery for their Best Independent Books of 2014. (Paperback and e-book)

 
'The Corruption Of Chastity' was published in September and already has 10 good reviews (how did he do that?) 'The story explodes into life with astonishingly graphic violence and an almost surreal eroticism,' said Crime Fiction Lover. 'The writing is stylish, clever, razor-sharp and we are left in awe of the Killing Sisters, with all their murderous skills and their sexual savagery.'
 
Confessions Of A Reviewer said 'Frank Westworth has an undeniable talent for writing thrillers and packing a story full of all the punches it needs.'

Author Simon Duke commented; 'stylistically, the book’s certainly got something cool going on,' while author Eden Sharp applauded Westworth's 'true talent for creating a rich cast of characters who genuinely pique the interest; an original set of henchmen, Chastity the assassin plying her tradecraft like a badass, and JJ Stoner himself, an aging, whisky-soaked, blues-loving alpha male rendered all the more interesting because of his maturing years.'

The  JJ Stoner short stories are published as e-books.

‘True Lies’ with Frank Westworth starts at 6pm on Monday 23rd November 2015 at the City Library, Newcastle Upon Tyne. Tickets £3 from:


The Corruption of Chastity is available as an ebook or paperback, along with Frank’s other Stoner stories and the Killing Sisters series: www.amazon.co.uk/Frank-Westworth/e/B001K89ITA/

Friday, 17 April 2015

FFB - The Testament of Caspar Schultz

Real name, Harry Patterson, Jack Higgins' early novels were written under his own name as well as under the pseudonyms James Graham, Martin Fallon, and Hugh Marlowe. One of the reasons for several names is that he was prolific and publishers are reluctant to bring out too many books by a single author. His early books were thrillers that typically featured hardened, cynical heroes, ruthless villains, and dangerous locales. He published thirty-five novels of this type (sometimes three or four a year) between 1959 and 1974, ‘learning his craft’. Then he wrote The Eagle Has Landed

A number of his books feature several recurring characters – Nick Miller, Sean Rogan, Martin Fallon (no less!), Liam Devlin, Sean Dillon and Paul Chavasse.
 
The Testament of Caspar Schultz was first published as by Martin Fallon in 1962. It was republished in 1979 under the name Jack Higgins; my copy is the 2011 edition. The book was originally entitled The Bormann Testament but, for various reasons and at the publisher’s behest, the character of Martin Bormann vanished from the book and Patterson created a fictional Nazi leader, Caspar Schultz.  As with some of his other books, Higgins re-released an early version with updates, and so in 2006 this book was republished as The Bormann Testament (thereby restoring much of the earlier version, and adding more too.) I have not read this updated version.

Reading this, you have to bear in mind that it was set in 1960 – only fifteen years after the end of the Second World War. There were plenty of Nazis hiding in the woodwork, succulent meat for thriller writers’ plots. And some ex-Nazis were in reality in positions of authority and trust in the world of commerce and politics.

This is Higgins’ first Paul Chavasse novel. Half-French, half English, Chavasse works for a branch of British Secret Intelligence, the Bureau. The book begins very much like many of that period, the super-spy being called in by the nameless Chief to undertake an assignment.

Chavasse is tasked with tracking down a former Nazi, Schultz, and the man’s recently completed manuscript that explosively names ex-Nazi people currently in high places. Certain neo-Nazis are reluctant to see that manuscript published and are willing to kill to ensure its destruction.

This is early Higgins, with its attendant word-repetition, and yet the seeds of his subsequent thrillers can be glimpsed – pace, humour, a brave heroine, dastardly loquacious villains, not too graphic violence (but enough of it), a McGuffin (the manuscript), suspense, swift scene-change, betrayal and morality.

If you want a fast-paced read, then this will satisfy.
 
The other five Chavasse thrillers are:

Year of the Tiger (1963), The Keys of Hell (1965), Midnight Never Comes (1966), Dark Side of the Street (1967) and finally A Fine Night for Dying (1969).