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Showing posts with label #Venice. Show all posts
Showing posts with label #Venice. Show all posts

Tuesday, 28 February 2023

ORGAN SYMPHONY - Book excerpts

 

ORGAN SYMPHONY published by Rough Edges Press

Some crime subjects don’t go away. Organ harvesting is one of them. It crops up in the news from time to time. It’s also the inciting incident that starts this Leon Cazador novel.

Occasionally, I like to book-end a tale – with a quote or image at the beginning and end of the book; for this one, I chose the word ‘heartless’:

August, 2016 - Lazzaretto Piccolo, Laguna Veneto, Italy

Gho Jun chuckled beneath his surgical mask and in his high-pitched voice joked, “Soon our rich client will be heartless, no?”

It doesn’t give anything away to reveal the book’s last line, here:

Carlota nodded. “Truly, Leon, those who ban people from listening to music are heartless.”

By no means exclusively, but in my books (and even some short stories) I attempt to feature places I’ve visited. Here, we go to Venice, Charleston, South Carolina, Cape Cod, Massachusetts, Stockbridge, Córdoba and Torrevieja in Spain and Tokyo. The story ranges from 2016 to 2022.

Nik Morton is really good at creating characters and describing action scenes.’ – a reader’s comment.

Amazon UK: https://tinyurl.com/szhr9s82

Amazon US: https://tinyurl.com/y2hdryym

Organ Symphony – a few excerpts:

By chance all three stayed together, and were trucked to South Carolina. Here, Rafael was taken away – it must have been about two weeks ago – and returned with a bandage wrapped round his body. One of the older kids showed his own operation scar, proudly displaying it as a badge of honor, and said, “They start on the bits we’ve got two of – like kidneys, eyes, lungs...” The rest was left unsaid. (p25)

***

Normally on weekdays they would exercise after waking. With Carlota sitting enticingly on his ankles, he would perform seventy sit-up crunches, alternate elbow to alternate knee, followed by seventy press-ups. Carlota did the same, though she was faster than him – but then again she was younger. After breaking a sweat, they would shower. At the weekend they would refrain and instead perform tai chi in a convenient park for a complete change.

But he’d vowed that on this mini-holiday they would give that form of physical exercise a miss. “Only that form of exercise?” she queried mischievously.

“Quite,” he answered straight-faced. (p97)

***

A mountainous landscape populated by dragons strode out of the swathes of hammam’s steam and approached Leon Cazador and Carlota.

Leon wasn’t surprised when Carlota stifled a gasp.

Hiroki Kuroda was tattooed over his entire torso and down to his wrists and calves. At a glance, he gave the impression that he was wearing long johns; instead, he was a walking exhibition of body art. Ray Bradbury’s Illustrated Man always sprang to mind when Leon saw him, but this was no fantasy. As a member of the Yakuza—a Japanese criminal organization similar to the Mafia, but much older—Hiroki as a much younger man had endured hundreds of hours of pain from a bamboo sliver simply to show that he could. He waved a greeting with his left hand. The little finger should have been missing at the first knuckle, but a shining substitute appeared grafted in place.

Sitting on the wooden slats of the bench, Leon wore light blue swimming shorts and Carlota, on his left, was skimpily covered by a dark green bikini she’d brought for use in the hotel pool but had yet had the opportunity to christen.

Hiroki adjusted the towel about his waist, acknowledged Carlota, and lowered his huge bulk on Leon’s right. (p109)

***

In the blink of an eye Leon raised the pistol and harshly whipped Okudara’s face with the silenced barrel.

The man backed against the shelving and rubbed his chin.

“Carlota,” Leon called over his shoulder, “shoot the other guy’s knees from under him if he so much as blinks!”

Leon aimed his automatic at Okudara’s left knee. “I can even things up,” he said. “You can limp with both legs.” (p167)

***

“We haven’t packed enough clothing to go gallivanting,” Carlota said. “We were only supposed to spend a couple of days in Córdoba.”

“We’re not gallivanting,” Leon corrected. “This isn’t recreation, my dear, it’s hunting.”

She kissed him. “I like it when you put on your serious face. Sends shivers down my spine.”

He hugged her and traced his fingers down her spine. “This isn’t getting the packing done, is it?”

“There’s time for that, don’t fret, my hunter.” And there was; time for everything. (p179)

***

Once they were back in their hotel room, Leon unwrapped the brown-paper parcel. Rose had managed to meet his specifications as to size, stopping power and weight. The Beretta Model 84 weighed a mere twenty-three ounces and was only six and a half inches long, suitable for concealing on Carlota’s person. Its magazine held thirteen rounds.

To fill his shoulder holster he’d opted for a Bernardelli P-018, its magazine holding fifteen 9mm parabellum cartridges. The slightly smaller and lighter Tanfoglio TA90 snugly fitted his ankle-holster; it too held fifteen 9mm parabellum cartridges. Rose had also supplied a spare clip of cartridges for each weapon. Between them they should have enough fire-power to deal with a crop of organ harvesters, he reckoned. (p199)

***

“You’re wet,” he observed. She wasn’t wearing a bra under her clinging white bandeau.

“I can see why you’re a private eye.” She grinned. “Don’t worry, I’m not going to catch my death. The sun and the warm breeze will soon dry me.”

“Hope not – catch death, I mean.” He revved the boat forward.

She stood and moved to his side. “We all die, eventually, darling.”

He hugged her with one arm while steering. “Let us not hasten the inevitable, eh?” (p213)

***

That, I hope, will provide a flavour at least...

Wednesday, 24 February 2016

Book review - Alibi



Joseph Kanon’s Alibi is set in 1946 Venice.  I’ve been to that fabled city and through his descriptions I saw it again, careworn through time, yet timeless.

American Adam Miller has left the US Army and is visiting his widow mother who has returned to Venice. He used to interrogate German war criminals but is now retired.

Kanon’s style sucks you into the first person narrative with ease, and all the while you're sensing with disquiet that something momentous is about to happen: in page 9 Adam meets the beguiling Claudia Grassini, who has an uncomfortable past and a reputation; and by page 24 they are lovers. His mother is going to marry Dr Gianni Maglione. Apparently, there’s a connection between Claudia and Gianni – involving her father’s death during the Nazi occupation – and this taints their relationship.

As the tagline – ‘Murder has its price – and so does the perfect alibi’ – and the blurb forewarn us there will be at least one murder, the reader is expecting it, and when it comes it’s grim stuff, realistic and brutal. Yet it doesn’t occur until page 146 (in a 400 page book). From that moment on, the tension builds, a cat-and-mouse affair with the local police and vying guilt and conscience. 

One review on the book cover calls this a thriller, but it doesn’t have the pace of a thriller. It’s more of a psychological suspense novel about morality, justice and insidious unexpected consequences.

A fine twist ending, too.