Sleuths, Spies and Sorcerers

This alliterative title covers three episodes concerning Andrew Marr’s Paperback Heroes on BBC4. Last week we had Sleuths, this week we had Sorcerers (which is repeated tonight on the same channel), and next week it will be Spies.

Within the limited time of an hour, Andrew Marr attempts to deconstruct these popular genres; you know those books that never seem to win prizes, that the literary snobs decry and dismiss, those books that sell in their millions.

Sleuths was patchy, giving over many minutes to the genius of Agatha Christie, leaving less time for other practitioners. We had the John Dickson Carr’s locked room mysteries, Ian Rankins’ Rebus, Chandler’s Marlowe, Dashiell Hammett’s The Continental Op and Sam Spade to name a few. Interviewees comprised Val McDermid, Ian Rankin, and Anthony Horowitz, among others.

The psychology of the sleuths was examined, and the times they lived in obviously affected them. A long time ago, a reviewer of John D. McDonald said the author didn’t need to write The Great American Novel (a holy grail for American authors at one time), since he was doing that in his installments of Travis McGee and his other crime novels. That’s more or less the conclusion Marr makes concerning the crime writers, whether of the past or the present: they reflect the society from which they sprang, a rich trove to delve into for future archaeologists and historians.

Logically, Spies should have been next but for some reason Sorcerers followed. Here we entered the realms of fantasy.  While fantasy has been around throughout the ages, in many cultures, Marr suggests that its modern popularity probably stemmed from the publication of The Lord of the Rings books. One of the prime attractions of fantasy is the world-building that is required; that means multifarious aspects of life in the fictional world, all logically fitting.

Besides Tolkien, Marr touched upon George R.R. Martin’s A Song of Ice and Fire sequence of  novels, now filmed as Game of Thrones. Apparently, Martin was inspired to write the series when visiting Hadrian’s Wall and studying medieval English history and also the Wars of the Roses. The books contain ambivalent characters, people who are not wholly good or completely bad, as in life, perhaps, with conflict caused by ideology, greed, lust and a thirst for power. Other fantasists mentioned include Ursula K. Le Guin (Earthsea series), C.S. Lewis (Chronicles of Narnia), J.K. Rowling (the Harry Potter phenomenon) Alan Garner (The Weirdstone of Brisingamen), Philip Pullman (His Dark Materials trilogy), Neil Gaiman (American Gods), and of course Terry Pratchett (Discworld novels et al).

This episode seemed more coherent and covered a wide range within the genre.

As with Sleuths, however, there are bound to be many favourite authors omitted from this genre. It is now impossible to read all books within any single genre (nor would that be a good literary diet anyway), because there is so much choice.

Next, Spies. I can guess that certain names will crop up, among them Deighton, Le Carré, and Fleming, but who else? I’ll be tuning in to find out.

Besides being about books and authors, this series touches upon several genres I enjoy to read and write: Spanish Eye (Sleuths), Wings of the Overlord (Sorcerers), and ThePrague Papers (Spies).

FFB - Good Omens

Good Omens was co-written by Terry Pratchett and Neil Gaiman, and originally published in 1990. It may seem apt to post this review since Sir Terry Pratchett has recently died. I reviewed this in 1990 when it came out in paperback:

‘I’ve enjoyed Gaiman’s writing for DC Comics, and of course love Pratchett’s Discworld books, and pleasure of pleasures, the combination works well.

‘It’s an Omen spoof, where the anti-Christ child ends up with the wrong parents. Aziraphale is the sort-of good angel (and part-time rare-book dealer who teams up with the sort-of bad Crowley (‘an angel who did not so much Fall as Saunter Vaguely Downwards’). They get together to prevent the imminent Armageddon (next Saturday, apparently) because they like the status quo just as it is.

‘There are many amusing scenes, from the absent-minded evil nuns at the baby hospital to the Four Apocalyptic Horsepersons vying with some Hell’s Angels no less. The humans are an even stranger lot, which is to be expected, I suppose.

‘It’s daft, lovely, full of compassion and cleverly done Just Williamesque kids whose logic is priceless. If William Brown had ever been considered the son of the devil by all those poor folk who suffered in his books, then they’d be surprised at how his alter ego (Adam, the anti-Christ!) turns out.’

This was Gaiman’s debut as a novelist, though he had already gained a large readership through the medium of comics. Since then of course he has written seven books, some collaborations and won several awards.

 

 

Leap of Faith - Book review

Richard Hardie’s YA novel, Leap of Faith, the first in the Temporal Detective Agency series, is great fun. Narrated by Tertia, it brings to mind Jasper Fforde’s Thursday Next novels and Terry Pratchett’s Discworld, as the same kind of wry and dry humour is in evidence.

Teenage Tersh and her cousin Unita (Neets) are apprentices of Merlin. The famous wizard is actually a woman, wouldn’t you know? Well, now you do. Keep up. These nearly-wizards are Merl’s Girls (hoping that the BBC doesn’t ban this term!), members of the Temporal Detective Agency (along with Marlene, the sister of the more famous Merlin), that is time travellers who happen to have the odd handy nifty time portal. Beats commuting. Zzzzzzzp.

When the duo investigate the missing statue of Nelson, having vanished off his column, they end up on the Welsh coast in the past; Port Eynon, 1734. They meet up with Bryn; as Tertia muses,  ‘… he wasn’t all that bad looking for a boy. If he played his cards right he stood a chance of a date, I reckoned, even if I was a thousand years older than him. Maybe he liked older women.’

Hardie never lets up with the pace, thrusting Neets into one predicament after another. There is quite a bit of history behind her, obviously! And it now, perhaps predictably, turns up to haunt them in the guise of the Black Knight, who escaped his due comeuppance at Camelot. Problem is that Sir Galahad isn’t interested in chasing bad knights, he’d rather attend to his new restaurant, the Olé Grill, not to be confused with the Holy Grail, which he purportedly found...

Zzzzzzp.

Thrown into the mix is police inspector Smollett, with his illegal truncheon; he was snatched into the time portal and his life was never the same again: ‘water poured from his shoes onto the carpet and added to the pool I’d created earlier. Of course his feet were several times larger than mine so he dripped longer and more thoroughly.’

 
The most calming thing is a cup of Merl Grey, apparently. And we need bucketsful as the pace quickens. We soon learn that Bryn’s father isn’t quite who he seems… Mystery and plot thicken, though the Merl Grey remains digestible and drinkable. There are a few likeable characters to meet too, notably Mrs Jones, a fantastic cook and marvellous eater. Not to be confused with Miss Jones, the head teacher, who employs Tersh briefly to mesmerise the children with her tales of derring-don’t do this at home stuff. There’s romance in the air, too, but not too soppy – this is a YA book, after all, and there are more serious things to write about, like swordfights and betrayal and hidden ill-gotten treasure…
 
Temporal paradoxes are acknowledged too – ‘One of Neets’s temporal anemones…’ Tersh observed knowingly.

Zzzzzzp.

 
The title relates to the cliff-top – from where people can make a leap of faith… and die… Very significant, that. Won’t say more on the subject, save that the ending is moving and the imagery works very well. I liked the sentence and sentiment – ‘Time for a group smile, then.’
 
I felt that maybe some of the chapter headings gave away too much about what was to happen; or perhaps they were intended to reassure the reader. Minor quibble.
 
Recommended. Please zzzzzzzzp it into your e-reader  or buy the book and enjoy.
 
[A shorter version of this review will appear on Amazon…]
 

 

FFB – MOVING PICTURES by Terry Pratchett

Sad to learn that Terry Pratchett can no longer type but dictates his books. He has a faithful assistant who has been with him twelve years who transcribes his words. His publishers have great faith in him, having contracted a further ten books. His daughter will carry on the Discworld, he says, “when I am gone.” He was made an OBE in 1998 and was knighted in 2009. In 2007 he announced he was suffering from early-onset Alzheimer’s disease.

I met Terry way back in 1995 when he judged a One Day Novel Writing competition (written over two days, 12 hours per day). I was placed joint fourth with my book Silenced in Darkness. He was charming, soft-spoken and generous with his time. He said “I was very impressed with the book. Sister Hannah is a deeply felt character.”

 

Moving Pictures is his ninth book in the Discworld novel sequence (1991). For the uninitiated, Discworld is a flat disc balanced on the backs of four elephants which, in turn, stand on the back of a giant turtle, Great A’Tuin. The book series, begun in 1983, is fantasy and sci-fi mix, crammed with humour and a lot more besides.

Moving Pictures is a hilarious and touching homage to Hollywood, sending it up as well as loving it.

Alchemists discover film: they get little demons to paint the images seen through the camera lens and string them all together… Simple, really – except for the fact that some dread evil is wanting to break free of its prison in Holly Wood. And the fledgling film industry seems the determining factor.

That, briefly, is the rationale. Here can be seen the Discworld version of Gone With the Wind called Blown Away, which they made in three days: here is a neat reversal of the climax of King Kong and many other in-jokes for cinema buffs.

The jokes fall thick and fast, some of them flat: “Bullfrogs croaked in the rushes”, followed by the footnote, “But they were edited out of the finished production”; or, “Who are all these people?” she said. “They’re fans,” said Dibbler. “But I’m not hot!”

Films are called clicks: “The whole of life is just like watching a click, he thought. Only it’s as though you always get in ten minutes after the big picture has started, and no one will tell you the plot, so you have to work it all out yourself from the clues. And you never, never get a chance to stay in your seat for the second house” sums up the humorous yet touching wisdom displayed by Pratchett.

This is one moving picture you must see: seeing is believing!

The 'Dark Side' - Interview with crimewriter Frances di Plino

I’m pleased to have Frances di Plino as my guest today. She is the author of the crime thrillers Bad Moon Rising and (just launched) Someday Never Comes, published by Crooked Cat Publishing. Both books feature DI Paolo Storey [I’ve got them on my Kindle and I’m looking forward to reading them - Nik] Frances di Plino is the pseudonym of columnist, editor, non-fiction author and writing tutor, Lorraine Mace. Writing as Frances di Plino gives her the opportunity to allow the dark side of her personality to surface and take control. As Lorraine Mace, she is a gentler creature, being humour columnist for Writing Magazine and a deputy editor of Words with JAM. She writes fiction for the women's magazine market, features and photo-features for monthly glossy magazines and is a writing competition judge for Writers' Forum. She is a fiction and non-fiction tutor for the Writers’ Bureau, and is the author of the Writers’ Bureau course, Marketing Your Book. She is also co-author, with Maureen Vincent-Northam, of The Writer's ABC Checklist (Accent Press).

http://www.amazon.co.uk/Bad-Moon-Rising-Frances-Plino/dp/1908910402/ref=pd_sim_sbs_b_1

NM. Tell me a little about DI Paolo Storey. It’s an interesting name. What’s his background?

FDP. Detective Inspector Paolo Storey owes his roots to my own Italian ancestry. My great-grandfather was an Italian immigrant to Britain in the late 1890s. He settled and married an English woman, but that Italian blood lives on in his descendants. So, when it came time to create my main character, I decided to give him a similar background to mine. His mother was Italian, but his father Scottish. He’s tenacious and uncompromising when it comes to his own conduct, but compassionate and understanding when dealing with others.

 

http://www.amazon.co.uk/Someday-Never-Comes-Frances-Plino/dp/1909841137/ref=sr_1_1?s=books&ie=UTF8&qid=1377522242&sr=1-1

NM.  The release of Someday Never Comes just occurred. Is this another Storey thriller to follow Bad Moon Rising?

FDP. It is. It’s the second in the series. The blurb on the cover reads as follows:
Has Detective Inspector Paolo Storey come up against a criminal he cannot defeat? Paolo is determined to shut down the syndicate flooding Bradchester’s streets with young prostitutes. When a child is murdered, Paolo becomes aware of a sinister network of abusers spread across Europe, and spanning all levels of society. But Joey, the shadowy leader of the gang, always seems to be one step ahead in the chase.
                   “dark and uncomfortably believable.” JJ Marsh, author of the Beatrice Stubbs Series

NM. What are you currently working on?

FDP. The third in the Detective Inspector Paolo Storey series, Call it Pretending. After the harrowing crimes in Someday Never Comes, Paolo is once again dealing with murder. This time it is a murderer with an agenda. He isn’t killing to feed any dark desires, as in Bad Moon Rising, but to get revenge on those he feels wronged him in the past.

NM. How long have you been writing?  What influenced you to start?

FDP. I had my first short story published when I was twelve and then didn’t write another thing for (cough, cough number of) years. I started again in 2002 and had a short story published in a women’s magazine. That was enough to get me fired up and I decided to take the Writers Bureau comprehensive course. I’m glad I did because I learned how to write non-fiction and I’ve been a columnist and regular contributor to glossy magazines for over a decade. In 2007, I was appointed as a Writers Bureau tutor. I now run my own critique and mentoring service for writers.

NM.     How do your family/friends feel about your writing?

FDP. My husband is ridiculously proud and a bit of a bore at social gatherings. If he’s on the other side of the room and I find people staring at me, I know he’s been leading with the line: did you know my wife is an author? My children just seem to accept that it’s what Mum does for a living. My sister amuses me. She reads my books and loves them, but won’t tell anyone I’m her sister. She sent me an email after reading Bad Moon Rising saying I need to wash my mind out with soap and water. So far, she’s only read the blurb for Someday Never Comes, but her response to that was that I needed therapy – followed by the question: when can I get my copy?

Frances/Lorraine

 

NM.     Where do you hope to be in 5 years?

FDP. Doing exactly what I’m doing now, which is writing part of the day and providing writing services the rest of the time (critiques, author mentoring and teaching creative writing). I love my working life and wouldn’t change it. Well, maybe a small change. I’d love to see Paolo on television. A number of readers have said they think Bad Moon Rising would be perfect for the small screen.

NM.    I believe you’re also writing outside the crime genre. Do you want to tell me about that?

FDP. Under my own name of Lorraine Mace, as mentioned above, I write mainly non-fiction, but I have my first children’s novel coming out in the USA next April. It was accepted by an American publisher and I’m really excited about it. I’d love to tell you more about it, but the publishers have asked me to keep the title and plot to myself for now as they want to make a big splash with it pre-launch. Maybe I could come back nearer the time? [Of course you can! – Nik]

NM.     A tall order, I know, but what is your favourite book? And why?

FDP. Wow, only one? That’s so hard. If I’m pushed into a corner and have to choose, it would be Terry Pratchett’s The Night Watch. It is clever and funny, as well as showing every aspect of human nature. It has a cracking plot, the pace never lets up and the circular nature of the tale succeeds in a way few time travel stories actually do. Most of them leave unanswered questions or unresolved issues, but not this one.

NM.    How do you cope with writing under two names? Is the division of work easy?

FDP. It’s interesting, to say the least. I find I sign off emails under the wrong name, which is fine with those who know I’m Frances di Plino and Lorraine Mace, but I have had a few replies from bewildered people wondering who this Frances person was and how she’d come to intercept a personal email addressed to Lorraine.

When sitting at my computer, it doesn’t matter which persona I am writing under. I get completely immersed in whatever I’m doing. Online, it’s a different matter. I confuse myself sometimes and once nearly thanked myself for retweeting one of my other persona’s tweets! That way madness lies.

NM.  Where can readers find you?

FDP. Here are my websites
Frances di Plino Website
Frances di Plino Blog
Frances di Plino Twitter

Frances di Plino Facebook

Lorraine Mace Website

Lorraine Mace Blog

Lorraine Mace Twitter

Lorraine Mace Facebook

Many thanks, Frances/Lorraine!