The
twenty stories that appear in my version are sectioned off into ‘Dreams for
Sleepwalkers’, ‘Dreams for Insomniacs’ and ‘Dreams for the Dead’. A two-page
introduction by Ramsey Campbell says of Ligotti: ‘He belongs to the most
honourable tradition in the field, that of subtlety and awesomeness rather than
the relentlessly graphic.’
Ligotti
has a knack of suggesting terrors, most convincingly in ‘The Frolic’, a tale
that takes place in the house of a prison psychiatrist: you may guess at the
ending, but even as it hits you, you’re reeling at the sheer suspense and
audacity of the writing.
For
Ligotti is a stylist, an original voice. Even the story titles resonate with
originality: ‘Dream of a Manikin’, ‘Drink to me only with Labyrinthine Eyes’, ‘The
Lost Art of Twilight’, and ‘Masquerade of a Dead Sword’. His tales involve
madness, insanity of a subtle kind, narrators in the first person talk to you
convincingly, and then surprise you: the magician and hypnotist who can raise
the dead – almost; a horror story in the form of notes on the writing of the
genre itself; and each tale written in metaphor and with dark and light humour,
playing with words as well as emotions. An experience that stretches the bounds
of imagination and should increase Ligotti’s readership.
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