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Showing posts with label hero. Show all posts
Showing posts with label hero. Show all posts

Thursday, 18 October 2018

Book of the film - Vanity Fair


I watched the DVD of the TV six part mini-series Vanity Fair (1998), Andrew Davies’s splendid adaptation of William Thackeray’s classic tome, mostly while reading this version in the Penguin English Library (1983) edited by J.I.M. Stewart. The series featured Natasha Little as Becky Sharp, Frances Grey as Amelia (Emmy) Sedley, Philip Glenister as William Dobbin, Tom Ward as George Osborne, Nathaniel Parker as Rawdon Crawley, and the ubiquitous Anton Lesser as Mr Pitt-Crawley, among others.

For many a year I’d been meaning to read this ‘landmark in the history of English fiction’ (says Stewart). It seemed a daunting task, all 766 pages of it. As it happens, it wasn’t onerous at all. Possibly my reading was helped by the dramatisation; it was fascinating to detect swathes of speech used by Davies in his excellent screenplay.

Vanity Fair appeared in monthly numbers of an episodic novel from January 1847 to July 1848; it was published in book form in 1848 (revised 1853). He was thirty-four when he began the book.


Vanity Fair’s sub-title is ‘A novel without a hero’. However, as Thackeray writes, ‘… at least let us lay claim to a heroine. No man in the British army which has marched away, not the great Duke himself, could be more cool or collected in the presence of doubts and difficulties, than the indomitable little aide-de-camp’s wife.’ [i.e. Becky] (p353)

The term “Vanity Fair” is adopted from Bunyan’s Pilgrim’s Progress, suggesting a never-ending fair along the pilgrim’s route, loosely a playground of the idle and undeserving rich: a microcosm of several nineteenth century lives. ‘Vanity Fair is a very vain, wicked, foolish place, full of all sorts of humbugs and falsenesses and pretensions.’ (p116)

Rebecca (Becky) Sharp is penniless, cunning and attractive: ‘Green eyes, fair skin, pretty figure, famous frontal development…’ (p235) ‘She gave a sigh, a shrug with her shoulders, which were already too much out of her gown…’ (p734) She is also ‘a hardened little reprobate’ (p763) To begin with, she is determined to make her way in society. On leaving school (under a cloud) Becky joins her friend Emmy (Amelia) and stays with her family in London. Emmy is good-natured but naïve, and ‘the consummate little tragedian’ (p765). Her brother Jos is visiting and is attracted to Becky, but the potentially fruitful courtship is stymied by George Osborne, the suitor of Emmy, after an outing at Vauxhall. George’s best friend William is secretly in love with Emmy, but appreciates that she does not consider him in any kind of romantic light; he seems doomed to sustain unrequited love.

Throughout, Thackeray intrudes as the author – or puppet-master. He can be forgiven, for usually his asides are amusing or even insightful. ‘The novelist, who knows everything...’ (p389) And sometimes he has to pull himself up – ‘… But we are wandering out of the domain of the story.’ (p453)

‘… my readers must hope for no such romance, only a homely story, and must be content with a chapter about Vauxhall, which is so short that it scarce deserves to be called a chapter at all. And yet it is a chapter, and a very important one too. Are not there little chapters in everybody’s life, that seem to be nothing, and yet affect all the rest of the history?’ (p88)

Thackeray discloses his intent more than once, sometimes blatantly, sometimes subtly: ‘Such people there are living and flourishing in the world – Faithless, Hopeless, Charityless; let us have at them, dear friends, with might and main. Some there are, and very successful too, mere quacks and fools: and it was to combat and expose such as those, no doubt, that Laughter was made.’ (p117)

Thackeray employs omniscient third person point of view and author intrusion with good effect. (Though I was surprised he used the phrase ‘thought to herself’ (p229): the ‘to herself’ is superfluous, after all.)

Having failed to land a husband in Jos, Becky takes her leave of Emmy and finds employment at the dilapidated stately home Queen’s Crawley as a governess of the two daughters of Sir Pitt Crawley, a rather crude fellow (played with gusto by David Bradley); this character is the father of two sons, the cleric Pitt (to confuse matters!) and Rawdon. ‘The elder and younger son of the house of Crawley were, like the gentleman and lady in the weather-box, never at home together – they hated each other cordially.’ (p129)

Their aunt, spinster Miss Matilda Crawley, is rich and they all lust after her wealth so seek her favour… Her favourite appears to be Rawdon, however. Unfortunately, when she discovers that Rawdon has secretly married Becky, she turns against them both.

In the meantime, Amelia’s father has hit hard times and becomes bankrupt. When Dobbin encounters him, it is a sorry sight: ‘His face had fallen in, and was unshorn; his frill and neckcloth hung limp under his bagging waistcoat.’ (p240) There are many instances where the writing evokes sympathy and empathy: ‘He covered his face with his black hands: over which the tears rolled and made furrows of white.’ (p631)

I was amused to see that there was a Mrs Captain Kirk in the story… (p320) Long before Star Trek, of course! And later, we have none other than Reverend Silas Hornblower, ‘who was tattooed in the South Sea Islands.’ [A painful area of the anatomy, I imagine!] (p392)

With the help of William Dobbin, George marries Amelia but is disinherited as a result. When called to battle, he is grateful to be gone from her side [the cad!] (p355)

With the conniving help of Becky, George lived well (from his gambling prowess and by not paying his debts). Thackeray castigates his kind, who take advantage of honest traders, always promising payment, never paying it. ‘I wonder how many families are driven to roguery and to ruin by great practitioners in Crawley’s way? How many great noblemen rob their petty tradesmen, condescend to swindle their poor retainers out of wretched little sums, and cheat for a few shillings? … When the great house tumbles down, these miserable wretches fall under it unnoticed.’ (p438)

There are many memorable turns of phrase used: ‘Time has dealt kindly with that stout officer, [Colonel Sir Michael O’Dowd] as it does ordinarily with men who have good stomachs and good tempers, and are not perplexed over much by fatigue of the brain.’ (p506) Another – ‘If sarcasm could have killed, Lady Stunnington would have slain her on the spot.’ (p601)
And he has fun with names, too: Mr Wagg, Duchess of Stilton, Duc de la Gruyere, Marchioness of Cheshire, Comte de Brie and so on… (p589) and Rev. Felix Rabbits (whose wife birthed thirteen sisters! (p697)

The relationship between Amelia and Dobbin is laid bare, finally. ‘She wished to give him nothing, but that he should give her all. It is a bargain not unfrequently levied in love.’ (p776)

Despite her ‘wild and roving nature’ (p755), Becky gave Rawdon a son (though she could not bear to be with the poor boy). Amelia too had a son, named George, whose teacher was a Mr Veal: ‘And whenever he spoke (which he did almost always), he took care to produce the very finest and longest words of which the vocabulary gave him the use; rightly judging that it was as cheap to employ a handsome, large, and sonorous epithet, as to use a little stingy one.’ (p655)

Thackeray was aware of women’s plight in the man’s world he inhabited. ‘What do men know about women’s martyrdom? We should go mad had we to endure the hundredth part of those daily pains which are meekly borne by many women. Ceaseless slavery meeting with no reward; constant gentleness and kindness met by cruelty as constant; love, labour, patience, watchfulness, without even so much as the acknowledgement of a good word; all this, how many of them have to bear in quiet, and appear abroad with cheerful faces as if they felt nothing…’ (p659) Later (p663) he alludes to the ‘women for the most part who are … hospital nurses without wages…’ – in short, family carers. Still topical today, even…

Political leaks are nothing new, either. ‘When one side or the other had written any particularly spicy despatch, news of it was sure to slip out.’ (p732)

And perhaps Thackeray was cognizant of those who are easily offended (the nineteenth century sort, not the twenty-first century snowflakes): ‘… it has been the wish of the present writer, all through this story, deferentially to submit to the fashion at present prevailing, and only to hint at the existence of wickedness in a light, easy, and agreeable manner, so that nobody’s fine feelings may be offended.’ (p738) [My italics.]

The book has endured as a true classic, for many reasons, but not least because Thackeray made his characters seem real, complete with their faults. Nobody is wholly likeable, none are actually evil, but several are driven by greed, lust, or prejudice. In effect, he has shone a light on the human condition.


Friday, 14 February 2014

Eye, eye, is that a sale I see before me?

The Crooked Cat Publishing e-book sale is still on. Their books cover an intriguing and wide range – crime, fantasy, romance, thriller, YA and historical, to name a few genres – and they’re selling at very tempting prices. Some of their authors are already prize winners, others are being listed in upcoming awards, and many are garnering very favourable reviews. Perhaps now would be a good time to try a few of their titles, at little cost…
Simply search on Amazon for 'Crooked Cat Publishing'
and be amazed at the rich choice!

Here are sample reviews found on Amazon.com for my book Spanish Eye  


E. B. Sullivan (California)
Spanish Eye is a fabulous read. In his crisp depiction of Leon Cazador, Nik Morton paints a portrait of everyone's hero. This cross-cultural character is dashing, daring, and delightful. He does whatever it takes to make good triumph over evil. While reading these twenty-one exciting stories I experienced a myriad of emotions. I laughed, cried, and became incensed. I cheered and clapped, but most of all I felt a confirmation of universal values.

D. Thorne (Bartlett, TN United States)
… His voice is so unique, and his stories are as thought provoking as they are entertaining. There are beautiful moments in the prose that never get purple or fluffy. He masters the art of taking an adventure and condensing it into short shots. If you enjoy short stories, you'll love this collection featuring the same character and exotic settings. I am a total Morton fan now and waiting anxiously for his next release!

Kay Lesley Reeves (Spain)
As an ex-pat living on the Costa Blanca, I found much that was familiar combined with an insight into a very different and darker side of Spanish life. The colourful characters and intriguing twists made these stories a really enjoyable read and one I would really recommend.

Laura Graham (Sinalunga, Italy)
Spanish Eye is a collection of short stories set in the heat and the dust of Spain. Our courageous private eye, Leon Cazador, half-English, half-Spanish, and sometimes disguised as Carlos Ortiz Santos, guides us through the action. These stories are humorous, insightful and sometimes tragic. Leon Cazador is not afraid to bring the bad men to justice, and so help to restore the balance in this world. Beautifully written, with a simple and uncluttered style, which draws you in to the heart of the story. Highly recommended!
 
George R. Johnson (Eden, NC, USA)
This book comprise some of the cases of Leon Cazador, a half-Spanish, half-English private eye working in Spain. The tales run the gamut of the usual crime stories (con men, kidnappings, car theft ring, crooked politicians) and the odd stuff (smuggling, both exotic animals and illegal aliens, terrorists). All fun stories, a bit of humour here and there, others deadly serious. One story had me grinning at the beginning, but sobering quickly as the end approached. Worth a look if you like private eyes. Or if you don't. Leon Cazador is not your typical P.I.

My thanks to all reviewers; your efforts are greatly appreciated!
 
Purchase the e-book from Amazon.com here
 
Purchase the e-book from Amazon.co.uk here

Thursday, 28 November 2013

Saints alive!

To most of us, it seems that Simon Templar, the Saint, has been around all our lives.  Which is probably quite true, since the fictional character created by Leslie Charteris debuted in 1928. He’s had quite a track record. Charteris wrote 14 novels between 1928 and 1971 (the last two co-written), 34 novellas, and 95 short stories featuring Simon Templar. Between 1963 and 1997, an additional seven novels and fourteen novellas were written by others.
My bookmarks drawn in 1964

Certain fictional prose* characters survive through the decades because their appeal touches some chord in us. For Tarzan, perhaps it’s the noble savage, for Bond, it’s his determination to overcome all obstacles, even those seemingly implacable, for Simon Templar, it’s his constant fight against ‘the ungodly’, as he terms the criminal element.

The early Saint stories reveal a different character, insouciant but deadly, compared to the later more cynical versions. But one thing they have in common is the desire to vanquish felons of all stripes.   

This Robin Hood of crime functions as an ordinary detective in some stories, while in others he out-cons vanity publishers and other rip-off artists, corrupt politicians, warmongers, greedy bosses who exploit their workers, liars and other low life.

The style of the stories is often tongue-in-cheek, knowing, and from the narrator’s point of view, not necessarily the Saint’s. Yet we don’t particularly mind Charteris demolishing the ‘fourth wall’ from time to time, because these capers are fun – and rarely without a moral, it should be added. Some writing purists might opine that this style of writing wouldn’t get published today; that kind of comment is pointless. They’re written of and for their time, and can still be enjoyed. (Indeed, Charteris toyed with rewriting the early books to bring them up to date for modern readers – 1930s transposed to the 1960s, for example – but decided, rightly, against it; the task would have been fraught with pitfalls, too.)

 
You have to be aware of alternative titles, too. For example, The Last Hero has been retitled The Creeping Death, Sudden Death, The Saint Closes the Case (current in the US), The Saint and the Last Hero. Wikipedia (naturally) has a helpful breakdown that will help avoid duplicate purchasing: here
 
In the early novels, each chapter is headed with a sentence or two explaining what will transpire, without giving away anything, such as ‘How Simon Templar sang a song, and found some of it true.’

Omniscient, humorous, Charteris teases:

Meet the Saint. His godfathers and his godmothers, at his baptism, had bestowed upon him the name of Simon Templar; but the coincidence of initials was not the only reason for the nickname by which he was far more widely known. One day, the story of how he came by that nickname may be told: it is a good story, in its way, though it goes back to the days when the Saint was nineteen, and almost as respectable as he looked. But the name had stuck… p7, The Avenging Saint (Knight Templar, 1930)

‘Put up your hands, Herr Saint.’
‘Bless my soul!’ said the Saint, who was never profane on really distressing occasions. (p120, The Avenging Saint).

‘The art of crime,’ said Simon Templar, carefully mayonaising a section of truitea la gelée, ‘is to be versatile. Repetition breeds contempt – and promotion for flat-footed oafs from Scotland Yard…’

Patricia Holm fingered the stem of her wineglass with a far-away smile. Perhaps the smile was a trifle wistful. Perhaps it wasn’t. You never know. But she had been the Saint’s partner in outlawry long enough to know what any such oratorical opening as that portended; and she smiled. – (p39, The Brighter Buccaneer, 1933)

The Saint has had many partners, though none last throughout the series. For the first half until the late 1940s, the most recurrent is Patricia Holm, his girlfriend, who was introduced in the 1928 novel in which she shows herself a capable adventurer. Holm appeared erratically throughout the series, sometimes disappearing for books at a time, and vanishing completely in the late 1940s. A pity, because up to that point many readers thought that Holm was where the heart is... Templar and Holm cohabited; one wonders if the librarians felt as affronted as they showed over Tarzan and Jane (actually, the latter pair were married, though those offended never read that book).

Capture the Saint (1997), not counting a novelization of the 1997 film, The Saint, both written by Burl Barer, was the first original Simon Templar book published since 1983. It was issued by The Saint Club, a worldwide fan club for the series which Charteris established in 1936. Capture the Saint is the 52nd Saint book published since 1928 and can now be obtained as an e-book; it faithfully captures the flavour of the early Saint adventures, in style and language.

Now, in paperback and e-book format, the Saint adventures are being re-released (Mulholland books), all with stylish covers. Some books are not available until December 2013 or early 2014; still, you could start collecting now: here   If you select the book/e-book from this website, a small donation (via Amazon associates program) goes to the Saint Club.

The Saint Club was founded by Charteris in 1936. Before the war it donated its profits to a London hospital; after the national health service was established, profits were donated to the Arbour Youth Centre in Stepney. Now, the tradition is continued, with donations going to the Red Cross and different children’s charities.

The Club acts as a focal point for anyone interested in the adventures of Simon Templar and the work of Leslie Charteris and offers merchandise and various Saint related publications. All profits are donated to charity. Annual subscription £3.50, lifetime £30. See the website here

 

* Footnote. I’m stipulating prose here. There are plenty of superhero comic-book characters who have bridged the decades and have become household names.
 
[Leon Cazador is a modern day Saint character, fighting injustice on behalf of the innocent and the weak. See him in action in Spanish Eye, on release 29 November (Paperback) here [Amazon.co.uk] (Paperback) here [Amazon.com] - Kindle links tomorrow!