NOBODY TRUE - Book review

James Herbert’s 2003 novel Nobody True is another excursion into ‘life after death’ with a similar dark tone to his earlier book, Others (1999).

It begins intriguingly with the sentence ‘I wasn’t there when I died’ – which echoes his epigraph at the front of the book: ‘It’s not that I’m afraid to die. It’s just that I don’t want to be there when it happens – Woody Allen’.

As he grows up the narrator, James True, realises that he can induce an ‘out-of-body experience’. This is akin to remote viewing. Apparently, he was absent from his body when he was murdered in a hotel. He now finds himself a floating soul, able to fly and view but not able to touch or feel anything in a physical sense.

His back-story is interesting. He studied graphic art and went into advertising. In one of several footnotes he mentions those adverts which are so clever yet the brand name goes unnoticed. Herbert was writing from experience as he studied at Hornsey College of Art and went into advertising.  Eventually, True starts his own agency with his friend Oliver and marries Oliver’s ex-girlfriend Andrea, and they have a daughter Primrose. The firm and their marriage seem successful.

After about seven years of marriage, the city is alarmed by a vicious serial killer who, when we encounter him, proves quite terrifying. The killer is blamed for James True’s murder, apparently.

True has to take time to adjust to his new life as an invisible non-physical entity. Gradually, he gets on the trail of the killer. Along the way in this page-turning book there are many twists and turns, littered with broken trust, guilt and greed.

Herbert brings to the fore much of his esoteric knowledge about the supernatural, including Kirlian auras. Long before the end, James True is belaboured with dreadful and hurtful revelations, to the point where he asks, ‘Was nobody true to me?’ (p482).

Classic Herbert and with an ending as poignant yet strangely as uplifting as that of Others.

Editorial comment:

‘Andrea kept her voice low, only the gravity of its tone reaching Prim and I on the sofa’ (p158). Of course that should read ‘Prim and me’.

MOON - Book review

 

The last James Herbert book I read was Fluke in 2012. So it was about time I read some more of his impressive output, starting with his 1985 novel Moon.

Moon begins dramatically with a boy tormented in his bed; this is ‘before’. The rest is ‘after’. A particularly gruesome evisceration of a dead woman is followed by a diver experiencing a waking nightmare that almost threatens his life. Jon Childes survives, being hauled out of the sea by Amy, a fellow teacher. Both work on a Channel Island; Jon teaches IT, Amy teaches French and English.

It appears that Jon had fled the mainland – England – after being instrumental in tracking down a serial killer. Reluctant to admit it, Jon somehow possessed a weird psychic ability that enables him to get into the killer’s mind and pinpoint where the bodies were buried. Unfortunately, the sensational press and sceptical police cast suspicion on him. That was three years ago. Since then, he has not received any psychic imagery or suffered grisly nightmares. Until now.

Herbert’s success is partly due to his ability to create an atmosphere of dread – usually surrounding innocuous individuals who find it difficult to cope with the supernatural. ‘The mourners were grouped around the open grave, dark clothes struck grey by the sunlight. Stained white crosses, slabs, and smiling cracked angels were dispassionate observers in the field of sunken bones. The mushy cadence of traffic could be heard in the distance…’ (p42)

During a meal with Amy’s family and other guests, Jon briefly discusses computing. ‘You’re talking of an ideal situation where the computer is a normal household item, a regular piece of furniture like the TV or stereo unit. We’re a long way off from that situation’ (p48). How times have changed since 1985! Envisioning video-calls on mobile phones must have seemed like Star Trek then.

Complications arise when Amy’s influential father takes a disliking to Jon and institutes an investigation into his past…

Even nowadays, there are plenty of people who still retain an open mind about extra sensory perception and other related phenomena. So perhaps it is not unusual for Amy to accept Jon’s talent – or curse. Amy says: ‘It isn’t stupid at all; it makes a weird kind of sense. Strong emotions, a sudden shock, can induce a strong telepathic connection between certain people, and that’s well known’ (p79).

The moon begins to evince significance for Jon: ‘He was aware of what was happening to him and dreaded what images were to be further unveiled. He experienced a desperate need to be safe inside his home, feeling terribly exposed, vulnerable to the luminescent night, the moon’s stark glare causing the surroundings to appear frozen, the trees oddly flat as if cut from cardboard, the shadows deep and clear-edged’ (p111).

Jon enlists the help of Detective Inspector Overoy, who had been involved in the cases three years ago. Overoy is a rarity, a believer in Jon’s ability. The case almost cost Jon his sanity, but it did ruin his marriage, though he remains on speaking terms with his ex-wife Fran and fairly regularly sees his daughter Gabby.

Inevitably, this new killer becomes aware of Jon while Jon sees through the killer’s eyes. Now it is a battle of wills, and the killer taunts him, threatening all Jon holds dear, and more tragedy and deaths are to follow before the grim climax.

A fast read. A page-turner. Suspend disbelief in the supernatural and enjoy the ride!

#Writing - Spine-chilling fiction writing competition

Spine-chilling fiction writing competition 

http://creativecompetitor.com/creative-writing-competitions/creative-writing-competitions-2016/haunted-writing-competition/

Length - maximum 1,000 words (including title)

1st Prize: £500

2nd Prize: £300

3rd Prize: £200

4th Prize: £100

Closing date: 31 October 2016

 (plenty of time!)

Entry fee: £3.50 

[Payment must be made via PayPal.]

Do you love writing spine-tingling fiction and have a fascination for horror stories? If so, enter this new writing competition from the Creative Competitor. You can use the above photo for inspiration but they welcome imaginative interpretations of the theme. They recommend that 'to be in with a chance of winning, make sure you have a strong opening and you hold our attention throughout.'

Your story must be unique and previously unpublished.

You must be aged 18 or over

Open to writers worldwide

You may include reference to the above photo

You may enter multiple submissions providing the correct fees are paid

You must enter on or before the closing date

Submissions must be pasted into the body of the email (unless otherwise specified) and sent to: info@creative-competitor.co.uk

Please mark the email subject line with the name of the competition i.e. Spine-chilling Fiction Writing Competition 

Good luck!

Writing – research – Psychic-01

Research for my third Tana Standish novel (The Khyber Chronicle) has re-introduced me to one of my old books, Psychic Discoveries Behind the Iron Curtain by Sheila Ostrander & Lynn Schroeder (1970) my copy 1976.

As a writer of fiction, one doesn’t have to believe everything, particularly where the so-called pseudo-sciences are concerned. A significant proportion of the population (US, UK, elsewhere) believe in the existence of some form of supernatural or psychic phenomena, though it does seem difficult to prove under strict laboratory conditions.  The writer’s mission is to suspend disbelief, and in this case that requires a certain amount of research in the literature on the psychic subject.

When creating my psychic spy, Tana Standish, I realised that she couldn’t attempt to utilise too many abilities, only a few, otherwise she'd be 'superwoman', and these 'talents' could not always be called upon at will. Emotions and environment play a part in receptiveness, as we know.

In the 1970s I had amassed a fairly large collection of books on the supernatural; this decade seemed to be the heyday of paranormal phenomena, and it was the ideal period to set my psychic spy series. 

One interesting example from the Ostrander-Schroeder book was Wolf Messing, a Jew. 

In a Warsaw theatre in 1937 in front of a thousand people he predicted, ‘Hitler will die if he turns toward the East’. 

At least one psychic had been murdered by the Nazis for ‘knowing too much about their plans’.

Hitler, apparently a believer of the occult, heard of the prophecy and put a price of 200,000 marks on Messing’s head.

The German Army invaded Poland on September 1, 1939 and Messing hid but he was captured and identified. He was beaten up, losing six teeth, and then taken to a police station. Here, he used all his powers of mind to compel all the police to go to one room where he locked them in, and he escaped to the Russian border. His father, brothers and his entire family were slaughtered in the Warsaw Ghetto.

At Brest Litovsk he was among many refugees fleeing the Nazis. His telepathy convinced the manager of the Ministry of Culture to give him a job.

People’s thoughts came to him as pictures, he explained, visual images of a specific action or place. If he touched the person, the thoughts were clearer, stronger, but touch wasn’t essential.

Later, Wolf Messing trained NKVD officers and had a number of encounters with Stalin.

He seemed able to telepathically project his thoughts into another person’s mind, to control or cloud them… In one test, he penetrated Stalin’s dacha, got past the many guards and servants by mentally suggesting to them he was Beria (Lavrenti Beria was the feared head of the Soviet secret police). He didn’t look like Beria, either!

Messing died in 1974, aged 75. 

***

Some aspects of Messing's ability would be employed by Tana. She was a child of five when she escaped the Warsaw Ghetto with her brother. Her psychic powers were slight at this time, but growing, despite the hunger and fear - or perhaps because of those life-threatening stimuli. She would have a psychic link with anyone she'd touched. As an adult and a spy, she would not balk at shaking hands with the devil; all the better to slay him...

Tana Standish can be found in The Prague Papers and TheTehran Text.

Believe in ghosts

In recent years interest in paranormal fiction has burgeoned, though of course the genre is by no means new.

Many young readers who have discovered vampires through Twilight and its successors probably never heard of Bram Stoker’s Dracula when they first gained an interest in the saga of Bella Swan.

Ghost stories are one sub-genre of the paranormal and these have a long and respectable tradition, penned by a good number of great authors, among them Charles Dickens, M.R. James, Henry James, Washington Irving, Edgar Allan Poe, Edith Wharton, Fritz Leiber, Shirley Jackson, Ramsey Campbell, Stephen King, Dean Koontz and Susan Hill.

Medieval ghost - wikipedia commons

There are two types of ghost stories. In the first, it is obvious from the outset that the story relates to ghosts – usually to be found in an anthology. There, the author is striving for effect, the crawl of chilled fingers up the spine, the anticipation of incipient doom, the tragedy of history repeating itself, etc. The second type is not defined as ghost story, and may be a romance, a mystery, or a suspense tale and its ending is often the twist that reveals the ghost aspect; naturally, these stories cannot be contained in a ghost anthology, or the plot ultimate device is destroyed.

In my time I’ve written both kinds, and enjoyed writing them.

Interestingly, a 2014 YouGov poll reveals the findings concerning British people and their belief in things that go bump in the night.

Apparently, only 23% of British people say they are religious. I think that despite the low percentage who consider them religious, a higher percentage actually believes in God (in one form or another).

According to the poll, 1 in 3 holds the belief that ghosts exist; that is 34%. And of that number, 9% state they have communicated with a ghost.

39% believe a house can be haunted.

28% have felt the presence of a supernatural being.

The poll states that women are 10% more likely than men to believe in ghosts.

And, finally, 17% are likely to believe in life after death.

Touch wood, like all poll results, these figures may need to be taken with a pinch of salt (thrown over the shoulder if spilled), since we all know that statistics can prove anything.

Writing - serious about series

Fellow blogger and author Liz Harris recently posted her disenchantment with series books, prompted by Linwood Barclay’s novel Broken Promise (see her blog). She’s a fan of Barclay (I believe his writing style needs work, yet despite this he has the knack of drawing the reader in to keep turning the pages). But she was disappointed to find the book was the first in the Promise Falls series – some covers say this, some don’t, the latter being misleading, perhaps. Even so, Liz found the end of the book akin to ‘continued next book’ which can be deflating for a reader. Many readers, and Liz among them, want a resolution at the end of each novel. Yes, the series can present new challenges for the protagonists in later books, but some issue should be resolved in the current volume.

Series books by their nature are difficult to categorize for readers. For one thing, there are different kinds of series, all of them having their advocates.

Types of series

(not exhaustive)

1) Main character(s) engaged in solving crime/mystery/fighting common enemy. These are probably the most popular, because there is usually no continuity between books, yet they do supply the reader with familiar characters and environment. Police procedural and some historical books fall into this category. Ed McBain’s Precinct 87 and Bernard Cornwell’s Sharpe, for example.

2) Main character(s) have intertwined stories to tell, which eventually define a resolution at the conclusion for all concerned. Nora Roberts is adept at these – quartets and trilogies, and even sometimes duets, relating to families (no pun intended).

3) Main character(s) in a dynasty/exotic location combat threats from outside, which can be warlike, business, personal or even supernatural. These can be interlinked sagas as penned by Barbara Taylor Bradford, A Song of Ice and Fire by George R.R. Martin, et al.

4) Main character roams the land and becomes involved in murder, mystery or mayhem. Each tale is stand-alone; the character rarely changes through experience. Lee Child’s Jack Reacher and E.C. Tubb’s Dumarest Saga, for example.

Why read/write a series anyway?

Regular characters in a series have been around in genre fiction for decades, which proves the popularity of the concept. TV and film franchises benefit from series productions, again emphasizing the attractiveness to the audience.

Readers feel comfortable meeting again familiar characters who encounter variations on a theme – murder, mystery, etc.

Writers build up a ‘bible’ for their characters, which includes their past, the current situation, and often where they’re going. The writer is familiar with the characters. I don’t believe it’s lazy writing, because you still have to present obstacles for the protagonist, and these difficulties must be overcome according to the character’s known traits.

Will the series end?

Depending on the type of series, it’s possible that some readers will not tackle the first book in the series until they know the last one is published or imminent.  This hasn’t prevented The Game of Thrones books amassing a vast readership (before the TV series, in fact), or Archer’s ‘Clifton Chronicles’. Fans of popular authors will buy in, regardless. It’s tough for relative unknown authors to gain this readership until they’ve amassed several books in a series.

A finite series I’ve recently read is Night Hunter by Robert Faulcon (six books published between 1983 and 1987; all reviewed in this blog). It’s a supernatural quest series, with a resolution published three years after the penultimate book.

Certainly, you’d think that before the author could ‘sell’ the series idea to a publisher, they’d have some appreciation of the conclusion.  J.K. Rowling’s Harry Potter books are in effect one novel in seven parts. I imagine the resolution was conceived at the outset, even if much of the glorious detail that runs throughout was not.

Of course, some series don’t need a final book, because they’re not a continuing saga but individual incidents in the main protagonist’s life (indeed, some characters don’t age though their authors do!) The character simply fades away – Charteris’ The Saint and Simon Brett’s Mrs Pargeter, to name two.

Series where the protagonist ages and evolves through his experiences are especially popular in crime fiction, because their back stories of family schisms affect the protagonist – Peter Robinson’s DCI Banks, for one; there are plenty of others.

I read all types of series and certainly don’t feel deprived if I haven’t reached ‘the end’. As in life, we enter other people’s lives, sometimes stay around, and at other times move away, not always consciously, but it happens. Art imitates life – so some stories will remain incomplete. I can live with that.

Having said as much, I do prefer to attain a resolution in the series books I write, though there always has to be an exception (see Floreskand below)!

The Avenging Cat series

Contemporary thrillers. Catherine Vibrissae has set herself the task of destroying the man who was responsible for her father’s death. To begin with, she sabotages his dubious business interests, but over time it seems to get more personal – on both sides. Each tale has a conclusion, though it promises more to come, for her vendetta is not complete.

#1 – Catalyst

#2 – Catacomb

#3 – Cataclysm

Work-in-progress - #4 – Cat’s Eye

The Tana Standish psychic spy series

Set in the 1970s/1980s, this features Tana Standish, a psychic British secret agent, who as a child survived the Warsaw ghetto of 1942.  Her credo is simple: fight evil. Unfortunately, she soon learns that the Soviets have a special secret unit in Kazakhstan that is employing psychics to spy on the West, and they have targeted her as well…

#1 – The Prague Papers (Czechoslovakia, 1975)

#2 – The Tehran Text (Iran, 1978/1979)

Work-in-progress - #3 – The Khyber Chronicle (Afghanistan, 1979/1980)

The Chronicles of Floreskand

‘by Morton Faulkner’

Co-written with Gordon Faulkner, the creator of mythical Floreskand, this series spans a fantasy continent that has been evolving for forty years. These stories have resolutions at the end, yet a great deal is left hovering for later books, with recurring characters and unintended consequences from earlier events.

#1 – Wings of the Overlord

#2 – To Be King

Work-in-progress - #3 – Madurava

Love them or loathe them, series books will be around for a long time yet. Long may that be so!

To play fair with the reader, however, publishers should make it clear that a book is part of a series.

FFB - The Ghost Dance

The Ghost Dance, the third in the sequence of six paranormal 'Night Hunter' thrillers by Robert Faulcon (Robert Holdstock) begins in the American west, where Mary Jane Silverlock, an attractive Indian has reluctantly agreed to undergo an esoteric transformation.  Why becomes clear later – but we know it has something to do with Dan Brady in England…

Dan is struggling to communicate with dead American, Ellen Bancroft. Her message is worrisome: Danger. From the west. Over the sea.

Mary Jane travels to England by arcane means, carrying within her an evil force destined to join with Arachne, the entity responsible for abducting Brady’s family (#1, The Stalking).

Dan Brady is drawn to Cumbria, specifically Maron Tor, and the town of Casterigg. Here he encounters a young girl, Kelly, her father Simon and her Uncle William – all of whom seem trapped in the town. Only he is capable of effecting their release.

And all the while, the evil contained within Mary Jane gets closer… and pyrotechnics are inevitable!

Another fast-paced tale, delving into the mysteries of shamen, black magic and supernatural elementals.