Megan Abbott’s third novel, Queenpin (2007) surpasses her excellent
previous books, The Song Is You (2005) and Die A Little (2007). She has since
published another six crime novels.
The Queenpin of the title is
a mob moll called Gloria Denton, who’s ice-cold, calculating and exceedingly
good at her business, having been at the top of her game for a couple of
decades, reliably transporting stolen diamonds, race-track winnings, fixing the
odds, all for the bosses.
Maybe because age or the business is catching up with
her, Gloria takes the narrator, an unnamed young woman under her wing, rescuing
her from hum-drum book-keeping in a lowly nightclub and trains her as a
go-between.
As we’ve come to expect by
now, Abbott gets under the skin of the narrator with ease. This is all so
believable, almost like a confessional, with plenty of wisecracks and slick
one-liners and period description.
Slowly, Gloria’s tuition pays
off and our narrator looks, sounds and acts like a younger version of the
Queenpin. But then things start to slide into noir territory as the protégé
falls heavily for a loser, a guy who is never going to win the big score, no
matter how often he tells himself he will. From there, the tension mounts.
Then there’s a shocking murder,
a disinterment, and more than one betrayal along the way, told with grim
precision and word-economy.
Riveting, page-turning stuff.
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