52 WEEKS, 52 WESTERN NOVELS
What a treasure trove Scott Harris and Paul Bishop have
produced!
If you’re a fan of westerns – movies, TV or in print (paper
and electronic) – then you’ll absolutely love this book. If you’re curious
about what all the fuss is about regarding westerns, this will explain it. If
you’ve never read a western, then this book will show you what you’re missing.
The driving concept is original – offering recommended
western titles, one per week for a year’s worth of reading. There are quite a
few ‘best of’ book recommendation books around; one of my favourites being
Anthony Burgess’ Ninety-Nine Novels – the
Best in English Since 1939 (1984). Naturally, some of the titles were
contentious; it was his personal choice, however. With 52
Weeks the compilers haven’t fallen into the ‘best’ trap, and they’re aided
by quite an illustrious bunch of other authors and readers who have added their
own favourites to the selection.
Ranging alphabetically from .44 by H.A. De Rosso to The
Wolfer by Loren Estleman, there’s something for everyone, both male and
female reader, here.
Naturally, there is a good number of ‘classics’ – The Mark of Zorro (1919), Hondo (1953), The Day the Cowboys Quit (1971), The Big Country (1957), Old
Yeller (1956), Riders of the Purple
Sage (1912, The Searchers (1954),
Shane (1949), The Shootist (1975), True Grit (1968), Valdez is Coming (1970) and The
Virginian (1902) to more modern offerings dating as recently as 2015. While
I’ve read most of the above, the beauty of this book is that it introduces new
authors and books to consider for that always growing 'to be read’ list.
A double-page spread is devoted to each book , comprising
Book Facts (a teasing narrative without spoilers), Author Facts, and
interesting pieces in Beyond the Facts and Fun Facts, the latter two sections
sometimes providing anecdotal information, or details about the movies spawned
by the book. In addition, there’s a favourite quote; a good idea, though
sometimes I felt that the quotation wasn’t too meaningful! Many of the featured
authors have produced hundreds of books (in several genres); prolific
journeymen to be admired for their output.
Each double page is lavishly coloured with two or three covers/movie
posters.
I was surprised that Max Brand didn’t appear; his The Trail to San Triste is one of my
favourites. Three books highlighted, while interesting in their own right, are
not novels but non-fiction works. I’d have liked to have seen a Contents page,
a copyright page and dates of authors’ births and (where appropriate) deaths;
yes, I could obtain that latter information by Googling, but so could the
compilers. But these are minor quibbles.
This book is definitely a labour of love by all concerned,
including the editor Nerissa Stacey and the designer Kari Kurti: a
triumph.
Buy it, savour it, treasure it.
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