Frederick Forsyth’s
collection of five stories, The Veteran
(2001) is definitely worth reading. [Beware that there is a single story with this title on offer too, and some readers have been caught out by this.]
If you haven’t read his
breakout novel The Day of the Jackal
(1971) or any of his other works, you might not appreciate his writing style.
He’s an ex-journalist, so his tales – long and short – are mostly ‘tell’ rather
than ‘show’ from a writing perspective. That doesn’t matter, however, as he’s
an engrossing storyteller (that is,
not a storyshower!)
Whatever profession he writes
about – the law, espionage, customs and excise, piloting an airbus etc. – he provides
a wealth of insider information that puts you there. It’s as if we’re reading a
slightly intimate documentary.
‘The Veteran’ is about an old
soldier who is mugged on the street in London. The police are fortunate: they
have an eye-witness and soon arrest the alleged culprits, who are to be
defended by the lawyer Slade at the expense of the tax-payers. It looks like an
open-and-shut case; they’ll get banged up for some years, at least. And then a
high-flying barrister gets wind of the case and offers his services pro bono. Although
the subject matter is grim, we’re given plenty of amusing authorial asides,
too: ‘… two local men who were “helping the police with their inquiries.” This
is one of those much-used phrases comparable with hospital bulletins that
describe people in absolute agony as being “comfortable”. It means the opposite
and everyone knows it.’ (p34) Forsyth’s writing, despite being omniscient,
generates anger at the thugs who attack the old man and evokes frustration at
the slipperiness of practitioners of law. This is an excellent twist-ending
story.
‘The Art of the Matter’ was
previously published as a single Original story (2000), the title playing on
words. We soon get to the heart of the matter when we realise that the impecunious
bit-part actor Mr Gore and the knowledgeable art assistant Benny Evans are
taken for a ride by the duplicitous Peregrine Slade at the auction firm of
House of Darcy. Here, too, we have an artwork blurb being broken down into
layman’s terms: ‘… would include phrases like “charming”, meaning “if you like
that sort of thing”, or “unusual”, meaning “he must have done this after a very
heavy lunch”.’ (p95) There must have been a fixation on the surname ‘Slade’
since this also features that moniker. A superb twist-ending con artist scam
story.
‘The Miracle’ takes place in
Siena in 1975 during the famous horse race. (The Stewart Grainger 1962 film The Swordsman of Siena depicts this
well, in colour!) Two American tourists are accosted by a stranger who relates
a compelling and poignant tale of the siege of the city at the close of the
Second World War, and the miracle that occurred in the courtyard where they
find themselves. This is virtually all narrative from the stranger,
interspersed with journalistic descriptive observation of the horse race that
has no bearing on the tale. I found this moving yet ultimately unsatisfactory;
the ending left me feeling cheated, as one might feel when a tyro writer ends
with ‘and then I woke up, it was all a dream’. A magical story, spoiled by a
cynical manipulative ending. (It would have worked with a double-twist ending,
I reckon…)
‘The Citizen’ gives us an
insight into the life of an airbus pilot and a Customs officer. The twist
ending didn’t quite work, I felt, as the author had blatantly misdirected the
reader with one character. Interesting, nevertheless.
The fifth story is a novella,
‘Whispering Wind’ and this too was published separately as an Original single
(2000). Forsyth tells us about frontier scout Ben Craig, 24, who survived the
massacre of the Little Bighorn on 25 June, 1876. Intriguing. It begins
realistically enough, with in-depth reportage of the events leading up to
Custer’s defeat, introducing Ben, who witnesses the indiscriminate slaughter of
an undefended Indian village. Ben is instrumental in saving the life of a
squaw, Wind That Talks Softly. Forsyth’s realisation of the situation, his
description of the cavalry and the characters is, as you’d expect, well
researched. It would be unfair to relate more, save that though history tells
us that there were no survivors at the battle, Ben survived to live another day
– and that phrase is significant, as the tale has fantasy elements. This is a
bitter-sweet love story, handled with aplomb, and is suspenseful right up to
the end. Worth the purchase price of the book on its own.
If you like short stories,
these fit the bill. If you prefer longer pieces, then ‘Whispering Wind’ will
serve very well.
Since this release Forsyth
has published four more novels and an autobiography.
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