Harlan Coben’s thriller Hold Tight (2008) is up to his usual standard of convoluted mysteries that hold tight onto the reader, willing them to turn the pages.
It isn’t great writing from a literary standpoint, but it is
virtually unputdownable.
Briefly, Tia and Mike Baye have two children, Jill, 11 and
Adam, 16. They’re busy professionals. Then shortly after one of Adam’s friends,
Spencer Hill commits suicide, their son Adam goes missing. These events may be
connected.
Their lives are unknowingly linked to several other
characters as the events unfold. There’s Nash, a psychologically damaged
widower and his zombie-like helper, Pietra. Nash wants something badly and is
willing to inflict pain and ultimately a gory death on those who obstruct him.
Chief Investigator Loren Muse has to combat a resentful
subordinate and solve the death of a woman whose face has been battered beyond
recognition.
Betsy and Ron Hill are reeling from the suicide of their
son, and they’re growing apart, unable to offer comfort or answers.
Susan and Dante Loriman are neighbours of the Baye family;
their son is dying but could be saved if the correct blood-type person can be
found.
Over a few days we get to know all these people, their
troubles and their broken dreams. Cleverly, Coben slowly establishes links.
Even at the end, when a bloody resolution is disclosed, there is one final
little twist to reveal.
The title Hold Tight
stems from a time of remembrance: ‘Mike remembered now sitting in the coaster,
waiting for that ride to start, heart pumping. He turned to Adam, who gave him
a crooked smile and said, “Hold tight,” and then, right then, he flashed back
more than a decade, when Adam was four and they were at this same park and
there was a crush of people entering the stuntman show, a total crush, and Mike
held his son’s hand and told him to “hold tight”, and he could feel the little
hand dig into his, but the crush got bigger and the little hand slipped from
his and Mike felt that horrible panic, as if a wave hit them at the beach and
it was washing his baby out with the tide. The separation last only a few
seconds, ten at the most, but Mike would never forget the spike in his blood
pressure and the terror of those few brief moments.’ (p98)
Of course the Bayes wanted to hold tight to their children,
yet they must grow up and eventually make their own way. How to do it was the
problem. Freedom with safety. Not possible.
A number of moral dilemmas are presented.
Coben uses sparse description, but when he deploys it, you
notice: ‘The area would be kindly described as seedy. There were more windows
boarded up than containing anything resembling the glass family.’ (p131) And ‘The
women… wore outfits that were so sheer they seemed more like sausage casing
than clothing.’ (p134)
Definitely one of those books you won’t want to put down
until you’ve finished it. A satisfying thriller.
***
Editorial comments:
A continuity glitch occurred. On p24 ‘In the corridor Tia
stopped and took out her mobile phone.’ Fine, but then she didn’t do anything
with it. And on the next page , she ‘took out her cell phone and put in…’ Intrigued
how the cell phone became a mobile phone; as if an English editor put that in.
On p54 ‘she could barely get the mouse on the image.’ Here,
it should be the cursor, not the mouse.
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