Long gone are the days when authors could simply spend their time writing novels. Yes, maybe some authors with the big publishers (five, six, a number that’s shrinking as I write?) can leave it to the PR machines – Cusslers, Archer, and Child, among a few hundred others. The rest have to fend for themselves and get their books noticed.
Why?
Because
there are a lot of books out there, and the number shows no sign of reducing.
In
2013 (latest figures) the US traditional publishers produced just over 300,000
titles. And for independent publishers it’s perhaps three times as many.
Readers
have never had it so good – so long as they can tell the wheat from the chaff,
of course. Selection by genre can help, but not every book that’s available is
necessarily a good book. At least with e-books, and the majority of online
offerings, you have the opportunity to read the first chapter or so as a sample
so you can get a feel for the story – do you want to read on? The online
version of browsing in a bricks-and-mortar bookshop (remember those?)
Not
so good news for readers is that market forces seem to be affecting book prices,
too. A recent report from the Office of National Statistics says that the price
of books rose by 12.8% in the third quarter of 2014, and an average of 7.4%
over the whole of that year – the highest rise since their records began about
17 years ago.
Some
pundits opine that these figures – which include hardbacks, paperbacks and
e-books at online and high street outlets – suggest that book buyers are
returning to the printed page in preference to the e-book. Hardbacks are selling
well from bookstores, apparently; though I suspect only since they’re heavily
discounted from the high cover price. I can’t understand the surprise. Avid
book readers probably buy both print and e-book, and maybe have more on their
shelves or in their reader than they can hope to read in a lifetime. Certainly,
e-books reduce the imperative for yet more book-shelves; my e-reader has at
least 180 items (several are book collections) so that’s a big saving on shelf
space.
Talking
of shelf space, most bookstores have only so much room in their emporiums. New
books keep arriving, so the older books have to be shunted to the back store,
or returned to the publisher. This fate doesn’t apply to books by best-selling
names, of course, because they’re always in demand and create turnover of cash
for the shopkeeper. So, should it appear on a shop shelf, your new book may
have a short few weeks of glory. At least in the online stores, it’s visible ‘forever’
after an appropriate search.
Competing?
As hinted above, most book readers have only a finite amount of time to read. Their choice in the marketplace is already too large, and that applies to all genres. So, if authors want to be read, they really need to grasp the nettle and get their book noticed – it has to stand out from the crowd.
And that’s the conundrum. How to get your book noticed. [We’re not talking about how to make lots of money from sales. We’re talking about enlisting readers to your cause, your words, so they will come back for more (when you’ve written it, of course)].
Giveaways for reviews is a tried and tested method, and it might work. Nobody is forced to provide a review, however, and feedback suggests that giveaways do not generate great volumes of reviews.
Reviews.
This is precious feedback from readers, and I'm always grateful for them! Usually, the reviews from friends can
be spotted a mile off – ‘I love this book. I can’t wait for the next book from
this author.’ There’s nothing wrong with friends reviewing honestly, seriously,
of course. If you do get reviews, try to thank the reviewer on social media –
they’ve made the effort, after all.
Approach local newspapers. Forget the nationals and glossy magazines; they’re already inundated with thousands from the big publishers every week. Perhaps offer a copy of your book as a prize.
Blog
and guest blog are two ways to spread the word.
Twitter
can be used to plug your book.
FaceBook
can be used selectively in appropriate focus groups.
Pinterest
might generate interest (no pun intended).
Goodreads
– offer the book as a prize or giveaway.
Give
talks, at the end of which, plug your book or better still sell a few copies.
Book
signings – if it’s a print version – worth a try, but if you’re an ‘unknown’
don’t dream of multiple sales (though some are fortunate enough to shift over a
half-dozen copies!) Beforehand, you need to prepare a PR sheet and perhaps bookmarks to
hand out.
Wherever
you post online, ensure you have quoted the appropriate buying links.
All
of the above takes time, dedication and eats into that creative writing time
that’s already quite scarce.
Whatever
method you employ to find readers, try to make your approach sincere,
reasonable and not an ‘in-your-face’ shoutout. If you intend to repeat any of
the above, try to vary the text and approach to maintain interest and avoid being categorised as 'spam' which turns people off. You want
readers to be drawn to your prose – use that prose to generate that interest in
your appeals.
Now,
I must get back to writing that sequel…
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