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Showing posts with label cosmetics. Show all posts
Showing posts with label cosmetics. Show all posts

Sunday, 3 September 2023

HANNAH - Book review

 


Paul-Loup Sulitzer’s saga Hannah was published in 1988 – translated by Christine Donougher. This is one of those sprawling novels that cover many years, taking the heroine from childhood to old age; a book to get lost in and enjoy. It’s narrated from an omniscient point-of-view.

It begins in Poland in 1882. Hannah is a seven-year-old Jew. While playing in the fields with her brother Yasha and a friend Taddeuz, a young Polish Catholic, she learns of the attack by Cossacks on her village. Then the pogrom reaches them; Hannah hides but her brother is burned to death and Taddeuz betrays her by running away.

She was a precocious child and her father Reb Nathan taught her to read and talked of the wonders of the universe. ‘There was between the two of them an extraordinary closeness that she would know with no other man’ (p5). ‘He would declare: Nothing in the world is more mysterious than a little girl’ (p5). Her father was killed in the raid.

The drayman Mendel Visoker was twenty-four when he discovered Hannah alone in the fields and took her home. She was traumatised, but did not cry. A phrase Mendel uses is: ‘One of two things is possible…’ which Hannah hijacks several times in the narrative, to comic effect.

The years passed and Hannah continued her learning in several languages, borrowing books from Mendel when he visited. She would always be of diminutive stature and had enchanting grey eyes. When she was fourteen Mendel agreed to take her to a relative of the village rabbi in Warsaw as Hannah was plainly stifled in the little village. She stayed in the Klotz household; the woman Dobbe was the power in the marriage, Pinchos was ‘only a suggestion of a husband’. There are many amusing and colourful character descriptions in the book; this one stands out: ‘The couple were nearly sixty and had never had any children. In fact, they had not spoken to each other for some thirty-odd years, united in one of those silent bonds of well-maintained hatred that only a perfect marriage can achieve’ (p77). ‘She was truly colossal, as tall as Mendel, and the look she shot him would have terrified a lesser man. Her small keen eyes were tucked away beneath heavy eyelids that fell, like the rest of her face, in folds’ (p77). However, Dobbe is no match for the wilful Hannah.

While working in the Klotz shop, Hannah sets about improving things and strikes a deal with Dobbe to earn a percentage of the takings. Eventually, she strikes out on her own, achieving considerable success – until she is attacked and robbed. Mendel learns of this and metes out his own revenge but is then on the run and arrested, sent to Siberia. Hannah is given his boat-ticket to Australia, where she is taken in by the Mackenna family. ‘… this sudden immersion in a real family came as something new and surprising; she had not experienced the same since she was seven… Their average height alone was impressive… She felt like a fox terrier invited to share a meal with an assembly of St Bernards’ (p206).

Hannah was a quick study and soon turned her hand to developing scented cream lotions. She scoured much of Australia for the ingredients and quickly understood commerce: ‘she knew that the less cream she included in each pot the more highly priced – and prized – the contents would be’ (p284). All the time she desired to find and reunite with her childhood love, Taddeuz…

‘She was not going to remain in Australia for twenty years, and she was already getting old, nearly eighteen. Taddeuz would not wait half a century for her, nor would Mendel, in the event he had not already escaped…’ (p292).

By the turn of the century, Hannah is a rich and successful woman, head of a cosmetics empire with establishments in London, Paris and Vienna. And yet she seems unfulfilled unless she can find Taddeuz…

This is a completely engrossing novel with a wonderful and memorable heroine in Hannah and plenty of other fascinating characters, not least Mendel, her protector who possesses an unrequited love for her.

The book ends on a reasonably high note; however, there appears to be a sequel, The Empress, dubbed Hannah Tome 2, but it is hard to come by. I’m quite content to leave Hannah at the end of this book.

Apparently, Sulitzer used a ghost writer for many of his books: Loup Durand. I don’t know if Durand wrote this one.

Sulitzer is a French financier, and was a self-made millionaire by the age of seventeen.

It has been postulated that Hannah’s story is a fictional account of Helena Rubinstein. True, both originally came from Poland, and both took the cosmetics and fashion industries by storm at the start of the twentieth century. Quite a number of authors have used real larger-than-life people as templates for their fiction. Whatever the story behind the book, that should not detract from a well-told and affecting tale.

 

 

 

Friday, 11 December 2015

Writing – research – argan oil

When I was researching Morocco for my second novel in the ‘Avenging Cat’ series, Catacomb, I came across argan oil. I was aware of this anyway, as it has become a popular ingredient in shampoos, shower gels and skin creams.



The Argan (Argania Espinosa) is a tree native to Morocco and the tree can live up to 200 years. Morocco is the only place where this tree grows.

They call it "the giver of life". The tree is resistant to dry and arid conditions, actually tolerating temperatures ranging from 3-50 ° C.

The Argan grows in the arid and semi-arid South-west of Morocco. Twisted and prickly, it sends its roots deep into the earth in search of water.

The tree’s fruit is green, like a giant olive and tastes sweet but quite unpalatable. But it contains a treasure: a tough nut with small oil-rich seeds. The oil is very nutritous, and - even more important – it’s rich in essential fatty acids and antioxidants.

The walnut shells are burned as fuel. The argan wood - known as "Moroccan ironwood" - is highly valued, and used for marquetry inlaid boxes. Nothing is wasted.


Argan oil production supports about two million people in the main argan oil-producing region, and much of the oil is made by a number of women's co-operatives. ‘Co-sponsored by the Social Development Agency with the support of the European Union, the Union des Cooperatives des Femmes de l’Arganeraie is the largest union of argan oil co-operatives in Morocco. Employment in the co-operatives provides women with an income, which many have used to fund education for themselves or their children. It has also provided them with a degree of autonomy in a traditionally male-dominated society and has helped many become more aware of their rights.’ – Wikipedia.


You may have seen photos of goats up trees, eating the firm argan fruit, which has a thick peel and pulp surrounding an almond-shaped nut. The fruit naturally passes through the goat’s digestive system whole and is eventually excreted. Traditionally, members of the indigenous Berber population gathered the nuts from the goat droppings, cracked them open with stones, then roasted and ground the seeds inside. The argan oil extracted from this process is high in essential fatty acids and vitamin E, and has long been used locally as a skin treatment and cooking ingredient, and for dips for bread and salad dressing. Now, the modern world has adopted the oil in diet and cosmetics.



Alas, the storyline in Catacomb never allowed me to introduce this fascinating subject, so this was one piece of research that got away.  The moral of this is – don’t use research information just because it’s interesting; only use it if you can make it relevant.