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Showing posts with label Zondadari. Show all posts
Showing posts with label Zondadari. Show all posts

Friday, 27 October 2017

Halloween horror-01 - ‘with X-rated parts…’



Especially for Halloween – the horror/romantic thriller Chill of the Shadow. One US reviewer statedThe story carefully unfolds into a complex, and chilling tale not exactly for the lighthearted. Maria Caruana, an investigative journalist and police Sergeant Francis investigate the disappearance of young pregnant women. They put their lives on the line to learn whether or not black magic is alive on the Maltese islands.
            … Some people make good out of bad, but Bryson Spellman takes his bitterness to the dark side. Zondadari, a vampire, and Bonello a politician, and his right hand man, Grech are just a few he sucks into his evil plan. Maria’s search for answers takes her to Zondadari. He has a hold over her from the moment she sets eyes on him, and even as she wonders if she loves him, she fears that he is a vampire.
            The dark forces gather, and then the story breaks wide open and reveals the depth of evil that has befallen the beautiful tourist island of Malta.
            This is a rather deep story with some X-rated parts that I feel should be placed as a warning...’

Here’s an excerpt from Chapter 3: ‘Tumbling thoughts’, where the journalist Maria does some research on black magic in Malta…

As the day wore on Maria found that several small libraries locked away books, often for purely censorial purposes, a hangover from the earlier times when the church held stronger sway.
            A quick search took her through the scant collection of Malti books and offered up nothing of note, which wasn’t surprising since her country’s language hadn’t been officially written down till last century
            The English, French and Italian works had merely scratched the surface of folklore, particularly the dark side. Instinctively, she now believed that a dark side existed, but it was – not surprisingly – hidden. Where there is light, there is shadow.
            The stories were all probably oral; and the country people normally associated with earth-magic were still exceptionally insular. Perhaps they didn’t write the lore down. Of course, the secret societies, if they existed, had the Order of St. John to emulate.
            Witchcraft reared its ugly head as well. Here, too, in these idyllic islands the Inquisition had taken its toll. Blood and gore had been splattered in the name of the Pope. But she could find no substantiated accounts of devil-worship in the islands. Which seemed rather odd. Throughout history, every society and country had its share of devil-worshippers and there was no reason why Malta should be any different. Father Joseph may believe that he is right and the islands are too devout but her cynical reporter’s head told her to dismiss the priest’s assurances for what they were, self-delusion.
            She found old copies of several classics in French: Collin de Plancy’s Spectriana, Cuisan’s Les ombres sanglantes and Gabrielle de Paban’s Histoire des Fantômes et de Demons and Démoniana. And while they were true treasure troves of the black arts, they didn’t mention Malta once.
            A couple of English encyclopedias on occultism and ritual magic proved useful for definitions and practices and were of great help when she spent time on the dense but always fascinating prose of the Reverend Montague Summers in his History of Witchcraft.
            Apparently, in medieval times crossroads were grim places, where miscreants were hung and left in cages to be feasted upon by carrion. Legend suggested that the mandrake or mandragora – the semi-human – was a plant of fertility, magical virtue and occult power. When a man was hanged, his semen or urine fell to the ground and there in that spot grew up the mandrake. Never read that explanation in Harry Potter, Maria mused. J.K. Rowling got it right, though, about not uprooting a mandrake as its shrieks were so fearful that whoever dug it up would die with the yells ringing in his ears. It could be harvested by getting dogs that tugged up the roots; though a whole kennel-load of them might be needed.
            Poisoning was quite commonplace in those dark days. Fortune-tellers added to their meagre fees by acting as back-street abortionists and bargain-basement prostitutes and as a side-line they also sold poisons to duchesses, princes, marquises and lords.
            Malta jumped out at her when she read about a poison ring with connections in England, Italy and Portugal. It was formed in the 1670s and had been headed by Galaup de Chasteuil, the son of the Attorney general of Aix, a Knight of Malta, and at one time also a Carmelite prior who happened to keep a mistress in his cell. Among the ring’s membership had been nobles, a banker and a lawyer. Chasteuil fled during the investigations of the Chambre Ardente in 1680, when the Black Mass was first mentioned in any historical document.    
            She was surprised to learn that the Knights Templar had been associated with black magic rites, though in fact it was their enemies who, jealous of the Knights’ power, had spread the rumour that even now wouldn’t lie still. King Philip of France and his puppet Pope Clement V lusted after the vast Templar wealth and sought to capture and torture the Knights. The Inquisition’s torture produced many confessions, among them that the knights worshipped the idol Baphomet, a goat-headed demon. Some scholars believed that Baphomet was a corruption of Mahomet or Mohammad. Maria shook her head, finding it hard to believe, considering that the Islamic faith abhors idols of any kind.
            A person who is physically constrained or morally terrorized has no freedom of will, Maria reasoned, shuddering as she read on. How could they give credence to confessions extorted in such a manner? The victim is not responsible. The elderly Grand Master Jacques de Molay insisted the Order was innocent of all but one offence against God, and that was confessing untruths while being tortured. Burned at the stake while facing Notre Dame, de Molay called out through the flames that both Pope Clement and King Philip would soon meet him before God. Pope Clement died a month later and King Philip was killed in a hunting accident before the year’s end.
            In 1312 the Knights Templar Order was dissolved and their assets were sequestered and some passed on to their rivals, the Knights Hospitallers who subsequently became the Knights of Rhodes and Malta. This was familiar territory for her, as she – like most of the islands’ schoolchildren – had studied the Great Siege of Malta of 1565.
            After delving into the terrible atrocities of the past – a perpetual war between good and evil in which inevitably the innocent were often destroyed – she was glad to emerge from the oppressive confines of the musty libraries.
            She spent an hour at her office computer, googling the worldwide web for anything about the combination of Witchcraft and Malta. Not a lot of useful information came up in the results, surprisingly. Wicca adherents argued for the understanding of life and nature, while there were studies of Witchcraft and sorcery during the Inquisition years in Malta, but nothing recent turned up. She hadn’t the stamina to check out all 91,300 result pages so she decided to leave for a hasty burger.
            Later in the afternoon, as she stood and leaned over the railings of Barrakka Gardens, idly watching the few ships and boats in the Grand Harbour, she breathed in the warm air and the fragrance of the flowers to clear her head. A flower arrangement spelled out MERHBA – welcome –– and had done so for many years.
            She never tired of this view. It was somehow reassuring; perhaps it was the solidity of the city-walls, a satisfying permanence – the same sixteenth century bastion walls that the knights of the Order of St. John built to protect and encircle their city of Valletta. The panorama from left to right took in the breakwater entrance to the harbour with, across the water, Fort Ricasoli, where she had covered the making of several films. Over there, too, was Bighi, once a Royal Naval hospital but now state housing, and Fort St. Angelo, still standing substantial and perfect – living history. Directly in front of her was the town of Senglea, now dwarfed by a moored rust-streaked giant Liberian tanker.
            A dghajsa crossed the harbour, the boatman standing above his tourist charges, effortlessly pushing his long oars. Maria was born the same year that the British armed forces left for good – the climax of Dom Mintoff’s political career – so she had no direct memories of the days when the water here was thick with moored warships and dozens of those water-taxis plied their way to the Customs House jetty. But her father had told her of those days and she’d seen his many photographs. Maria fished out of her shoulder bag a pair of small binoculars and studied the harbour.
            She shivered involuntarily on seeing two young boys diving off the bows of a tethered blue-painted luzzu, the fisherman having left the vessel to sell his catch in the market. The water was still too cold for her preference. The boys were having fun, though, the sun glinting off the water on their spare muscular bodies and glistening black hair. Maria was drawn to the protective eye of Osiris painted on the boat’s bow. To ward off evil. Yet another reminder of the fear of evil lurking below the surface of everyday life.

Chill of the Shadow

 Amazon paperback and e-book here


Monday, 21 October 2013

Writing tips – It’s all character building

Fiction relies on memorable characters. The reader needs to visualise the character and empathise. Part of character building is in the description.  Naturally, if you’re writing first person narrative, the physical description is going to be conveyed by reflections or other people’s comments; if you’re in the third person POV, even then you can’t easily describe your character, it has to be done by someone else – unless you slyly jump into omniscient POV when the drama permits.

Here’s a character breakdown for the hero of Death at Bethesda Falls.

JAMES DEXTER THORP

DoB: 6 Oct 1839. Jim is 26. He lived in Deadfall, a neighbouring town to Hope Springs, both being small Kansas towns, and went off to war in 1861 when he was 22.  He left behind his girl, Anna Comstock, who lived in Hope Springs.  He wrote to her as often as he could but never got any answers to his letters. 

When he returned after the war (1865), he found that his mother and kid sister had been killed; also, the Comstock parents had died two years earlier and only last year both Anna and her brother Clyde had up and left for somewhere west.  Before she went, Anna had qualified as a schoolteacher. 

He felt rootless but as he is good with a gun and he wanted to find the killers of his ma and sis, he takes up bounty hunting, mainly in the Dakota Territory.  The war hadn’t really prepared him for much else, only hunting and killing.

He smokes stogies (thin cigars) usually affected by gamblers.

Clothing
Dresses entirely in black.  Flat-crowned hat. Silk neckerchief. Linen shirt, broadcloth trousers. Leather boots, no spurs.

Two six-guns, slung low and slantwise and tied down.  A bullwhip is tied to his belt. Carries a Henry repeating rifle.  Also a Bowie knife in its sheath on his belt.

Physical appearance
With a tanned and lined brow, looks older than his young years.  Tall and broad and didn’t carry an ounce of fat. Slate-grey eyes. Livid scar on left temple.  Aquiline nose.  Burnt almond hair. Cleft chin. Broad grin.

Aloof, analytical.  Savvy.

Verbal mannerisms
Deep, husky voice. 
 
When angry, spoke with grave deliberation; tone becoming cool, icy. Eyes narrowing, fix with a level stare; mouth tightened into a stubborn line.
 
You can see that already Thorp is linked to Clyde and Anna with their previous history. Don’t neglect backstory, as no character comes into the world fully formed but is made by his experiences and the people he deals with in life.

Character breakdown list


Try to produce a breakdown for each main character; shorter versions for bit-part players. This can be as little or as much as you like, depending on the length of the work (short story, novella or novel). Every item doesn’t have to be allocated, of course. This also helps for consistency and avoids mistakes! Obviously, career choice or experience will influence behaviour. Some options won’t be appropriate if you’re writing a historical story!

Name – try to avoid using names beginning with the same letter; avoid similar sounding names; be imaginative and don’t always settle for the easy option. Check a directory for names. Dickens was good at this. In Death is Another Life, my American magus is called Spellman – just seemed right! Count Zondadari was the name of a Maltese knight and a triq (or street) was named after him, so I used this name for the vampire…

Age (Date of birth may be relevant, helps keep track, too, if the story covers a long period)

Height

Weight

Body type

Eye colour

Hair colour and style

Distinguishing features

Physical imperfections

Characteristic gestures

Race/ethnic group

Religion

Family background

Schooling

Studies/degree

Skills, abilities and talents

Occupation

Previous jobs

Military or other experience

Short term goals

Long term goals

Quirks/eccentricities

Temperament

Method of handling stress/anger/rage

Admirable traits

Negative traits

Bad habits/vices

Prejudices

Opinions on politics/other current issues

Fears

Hobbies/interests/sports

Favourite pastime

Favourite TV/films

Pets – animals should only be used if they’re going to have relevance to the plot or for character development

Favourite meal

Favourite alcoholic drink

Favourite book

Traumas/psychological scars from the past

Clothing/styles

Pet sayings/verbal mannerisms

Speaking style

Best friend

Past experience that has moulded personality

Home

Car type, colour etc

Character growth/change by the end of story


General character physical description guide


Even for short fiction, it’s useful to apply some of the following to your characters. It will depend on the story and its length as to how much description you can use. This list is by no means exhaustive but gives a taste of variety that can be applied to your characters to make them stand out from each other. Bear in mind family resemblances, though. Ring the changes so there’s no confusion of characters in the visual sense.

Hair: Black, brown, fair, auburn, grey. Turning grey, bald, waved, bobbed, close-cropped, dyed.

Eyes: Blue, brown, hazel, grey, green, squint, monocle, spectacles, blind, left or right eye missing, patch. Open, upper lid dropped, distinctly narrowed, drooping lower lid.

Complexion: Dark, fair, fresh, pale, ruddy, sallow, freckles, pock-marked, moles; warts, scars, beard, moustache.

Mouth: Full lips, thin upper and full lower lip, narrow lips, wide lips, hare lip.

Ears: Small, large, long lobed, short, thick, round; angular flat ears; right or left ear deformed or missing.

Teeth: Healthy, broken, decayed, false, gold-filled, missing.

Nose: Large, small, long, broad, snub, bulbous, pointed, hooked, straight, crooked.

Chin: Slight, heavy, dimpled.
 
Back: Straight, broad, humped, round-shouldered.

Legs: Slim, fat, bandy, right or left limp; right or left leg missing.

Physique: Corpulent, thin, short, tall, strong, weak.

Speech: Slow, rapid, impediment, thin, harsh, dumb.

As a rule, the nose decides ‘looks’; also where the nose is full and round, so are the lips, chin and brow. If the nose is sharp, so are the other features too.

The mouth indicates character while feelings are generally shown most rapidly in the eyes.

Character is also revealed by behaviour, but that’s another post at a later date.

For all writers of genre fiction, character creation is dealt with in Chapter 8 (p87) in Write a Western in 30 Days.
 

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