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Showing posts with label Rome. Show all posts
Showing posts with label Rome. Show all posts

Sunday, 10 November 2024

A PLACE IN THE HILLS - Book review


The novel
A Place in the Hills is Michelle Paver’s second book, published in 2001.Though 523 pages, it’s a quick read. It’s a time-slip novel paralleling lives in Rome in 53 BC and in France in the 1980s.

It begins in 53BC in Rome during the festivities of the Day of Blood: ‘The air was thick with the smell of balsam and trampled roses, and the salty, metallic undertow of blood’ (p12). Among the crowds are a Roman officer, Gaius Cassius Vitalis, who is also renowned as a poet. His eye has caught the attractive figure of a young woman, Tacita, daughter of Publius Tacitus Silanus, one of the oldest clans in Rome. There is a mutual attraction, though a relationship is quite impossible due to their different stations in society. ‘One long look and I was brought down. She entered my blood.’

Then we briefly shift to 1972 in the French Pyrenees where Toni, eight-year-old daughter of archaeologist Charles Hunt is being bloody awkward, unlike her sister Caroline. Charles is determined to locate clues to back up his theory that the poet-soldier Cassius lived here, at the so-called Source. A book quotes Cassius writing ‘I know a place in the hills where the gods walk the earth’ (p334). In a lucid moment Toni realises that the only way she can win her father’s devotion is by becoming an archaeologist herself.

Next, we move to 1988 and meet a poor American, Patrick McMullan, who is joining his rich university friend Myles Cantellow. Myles is with Antonia Hunt, working on an archaeological site with her father, Charles. Also on the site is eight-year-old Modge (short for Imogen) and Antonia’s half-sister Nerissa.

Myles is not a likeable character. He ‘belonged to the fast set, which took hard drugs, was far too cool to do any work...’ (p51).

Against her father’s wishes, Antonia wanted to prove that Lycaris – the woman Cassius referred to in his love poems – ‘was not some dry poetic construct, but a living woman whom he had loved with all his heart’ (p365).

The dig is claustrophobic, passions are in conflict, there’s a love triangle, a misguided Modge who has a crush on Patrick, an intransigent father, and a tragedy that changes everything, and all seems lost for almost fourteen years.

The parallels between the past and the book’s present are mainly quite subtle – whether that’s a love-bite on Cassius’s neck, a piece of broken pottery in Tacita’s hand, or the convoluted relationships of the characters.

Perhaps there was too much gratuitous swearing. Despite that, the characters’ emotions and the (admittedly all-too brief) slices of ancient Rome are well realised. The writing style is good and Paver’s descriptions put you in many a scene.

And there’s a satisfying end.

 

Thursday, 12 October 2023

LEO THE AFRICAN - Book review


Amin Maalouf’s
Leo the African was published in 1986 and translated into English by Peter Sluglett in 1988. This paperback copy was published in 1994.  The book is based on the true-life story of Hasan al-Wazzan, the sixteenth century traveller and writer who came to be known as Leo Africanus. It is told in the first person, and covers his first forty years.

He begins his narration when he was born – not as absurd as it first appears: we’re privy to second-hand details from his father and mother about their time in Granada in the late fourteen hundreds. His mother Salma befriends a Jewish pedlar-clairvoyant and healer, Gaudy Sarah, and ‘began to read my palm like the crumpled page of an open book’ (p6). Sarah’s prediction – and her elixir of orgeat syrup – result in Salma’s pregnancy (with Hasan).  Sarah also ‘doubled, when necessary, as midwife, masseuse, hairdresser and plucker of unwanted hair’ (p8).

The days of Islamic Andalusia are numbered. ‘And did not Andalusia flourish in the days when the vizier Abd al-Rahman used to say jokingly: “O you who cry ‘Hasten to the prayer!’ You would do better to cry: “Hasten to the bottle!” The Muslims only became weak when silence, fear and conformity darkened their spirits”.’ (p38).

The Arabs were evicted from Spain in 1492, among them the ineffectual ruler Boabdil, who lingered on the last ridge that afforded him a view of Granada – a place the Castilians thereafter called ‘The Moor’s last sigh’. It was said that the fallen sultan had shed tears there, of shame and remorse. ‘You weep like a woman for the kingdom you did not defend like a man’ (p57). At this time of expulsion of his family, Hasan was three years old. After eight centuries, no more would the voice of the muezzin be heard to call the faithful to prayer.

Hasan grew up in Fez, alongside Jews and Christians as well as Muslims. It is during this time that he learned about the philosophy of life and death: ‘… thank God for having made us this gift of death, so that life is to have meaning; of night, that day is to have meaning; silence, that speech is to have meaning; illness, that health is to have meaning; war, that peace is to have meaning…’ (p103)

Hasan’s friend Harun the Ferret got a job as a porter: ‘Three hundred men, simple, poor, almost all of the illiterate, but who had nevertheless managed to become the most respected, most fraternal and best organised of all the guilds of the city’ (p108). This guild takes care of its members; ‘when any of their number dies, they take over the responsibility for his family, help his widow to find a news husband and take care of his children until they are of an age to have a professions. The son of one is the son of all’ (p108).

The families would hang on the walls of their adopted homes the keys of their homes they left behind, hoping one day to return to Granada. Hasan was a quick learner and soon became successful in trading.

One of the most powerful men in Fez was the Zarwali, an ex-bandit and murderer who ‘had built the largest palace in the city, the largest, that is, after that of the ruler, a piece of elementary common sense for anyone who wanted to make sure that his head remained attached to his body’ (p131).

Harun the Ferret had learned about Zarwali’s past and his behaviour. Zarwali was ‘always convinced that his wives are trying to betray him, particularly the youngest and most beautiful ones. A denunciation, a slander, an insinuation on the part of one of her rivals is enough for the poor unfortunate to be strangled. The Zarwali’s eunuchs then make the crime look like an accident, a drowning, a fatal fall, an acute tonsillitis…’ (p137). Hasan and the Zarwali will clash – and there will be dire repercussions…

There are several amusing and even apt sayings scattered about the book, for example: ‘Destiny is more changeable than the skin of a chameleon, as one of the poets of Denia used to say’ (p57); and ‘If anyone tells you that avarice is the daughter of necessity, tell him that he is mistaken. It is taxation which has begotten avarice!’ (p154); and ‘I had become very susceptible to magic and superstitions… This is probably the fate of rich and powerful men: aware that their wealth owes less to their merits than to luck, they begin to court the latter like a mistress and venerate it like an idol’ (p196); and, finally, ‘in the face of adversity, women bend and men break…’ (p250).

Hasan ventures to Egypt and witnesses the Ottoman conquest there; he is abducted and becomes a prisoner in Renaissance Rome under the Medicis, and yet remarkably finds himself being a confidant of the Pope, and converts briefly to Christianity, and ultimately witnesses the horrendous sack of Rome in 1527.

The book possibly suffers from too much barely digestible religion and politics, yet these were the driving forces that impelled Hasan to wander.

The smells, the colours and the feeling for the period are well-conveyed and indeed instructive for anyone interested in these historic times. 

Friday, 9 October 2020

THE FAR ARENA - Book review

THE FAR ARENA

Richard ben Sapir

 



Published in 1979. An oil drill strikes into human flesh eight metres down in the Arctic ice. Against all the odds, a naked man  is dug out, completely preserved. The Texan Dr Lewellyn McCardle shipped the block of ice to Soviet Dr Semyon Fyodor Petrovitch, an expert in cryogenics. Petrovitch begins to thaw out the human specimen and discovers signs of EEG activity…

Interspersed with the medical aspects we delve into the mind of a renowned gladiator, Lucius Aurelius Eugenianus, who realises he has cheated death.

Eventually, the gladiator is brought to full recovery, but nobody can understand his ancient speech. They go to a convent and seek the help of Sister Olav, an expert.  They go to great lengths to ease the gladiator into the twentieth century and while they do so the relationship dynamic between this foursome is fraught, especially since the gladiator’s scruples are two thousand years old…

Without any friends or family, with the world so drastically changed, where can the Roman go? To Rome, perhaps, his old home. Where fresh torment awaits him.

Plenty of research is evident, plus a Roman glossary, and a lot of ethical questions are raised. Impressive.

Sunday, 11 May 2014

Blog guest - Alison Morton - roaming through history

Today, my blog guest is Alison Morton, who writes Roman-themed alternate history thrillers with strong heroines and lives in France. No relation. Welcome, Alison!

First of all, thank you, Nik, for hosting me today. We Mortons must stick together!

Alison in Rome - copyright Alison Morton, one-time use for this blog
 
My pleasure, Alison. There seem to be a lot of us about, too. Today's date is appropriate, as, on May 11, 330 Byzantium was renamed Nova Roma, though the name didn’t stick and instead Constantinople became common usage. What inspired you to use that form of New Rome for your series of thrillers?

Choosing ‘Roma Nova’ for my series was very pragmatic. It’s the Latin for ‘New Rome’, but with the classical positioning of the adjective after the noun. When the first settlers founded their new colony it had a much longer name, as most Roman settlements did, Colonia Apulinensis Roma Nova. Apulius was their leader and it was his late wife’s father who gave them their first land. But that’s a mouthful so copying prevailing practice they shortened it to ‘Roma Nova’.

 
I’ve always been attracted to alternate history books and stories and you mention some in your website about Roma Nova history. It can’t be an easy task, setting up changes in history as we didn’t know it. How did you tackle that?

Well, you start by studying the social, economic and political conditions at the time when the alternate timeline split from our real one, technically called the ‘point of divergence’.  This gives you a baseline. Rome changed quite a bit during its 1229 year existence in the West. By 395 AD, when the first Roma Novans set out, solidi had replaced sestertii and denarii, for instance. Regional government was localising with ‘barbarian’ warlords acting less like client kings of Rome and more like allied or even autonomous leaders with fully delegated powers.

Projecting your alternate historical line forward from its divergence point needs to follow historical logic. You can’t cater for every eventuality over hundreds of years or you’d never write a word! Think about the basic values of your society and work through how, as a people, they would react to events or push them forward. All peoples/nations run through different cycles during their history; even Roma Nova suffered from downturns! And you need a great deal of thinking time to build your world; you can’t make things up ‘on the hoof’ and expect to keep it plausible. As J K Rowling has said, it has to be all worked out first in your head.

Who is your favourite character from one of your books and why?

Of course, I love Carina, my protagonist; I even interviewed her. But equally intriguing are the triangle of men around her: Conrad, her husband, undoubtedly the love of her life; Lurio, the cop, also her colleague and ex-lover; and Apollodorus, criminal and ex-associate who keeps his own counsel until one day in PERFIDITAS...

What are you working on now, besides SUCCESSIO?
 
Book 4 of the Roma Nova series! I will be announcing details in my next newsletter, but there are at least three more books planned and we’ll still be in Roma Nova!


How much research goes into each book?

A lot! Reaching into the past means getting inside the heads of the characters, imagining what they see in their everyday world, what they smell, eat and touch. If you set your story in a different country, you can visit the places the characters would live in, smell the sea, touch the plants, walk under the hot blue sky, or freeze in a biting wind. But if you invent that country, then you go about it differently.

You need to think about your country’s approximate location and research real countries nearby for scenery, weather, transport, farming plus industry, political trends, architecture, even the type of cuisine. Roma Novans eat a diet approximately Italian/central European, but with quite a lot of echoes back to ancient times e.g. honey cake.

Luckily, I’ve breathed in history since I was a kid, particularly the Roman type. I even ‘went back to school’ to take a history masters’ thirty years after my first degree. So I have a reasonable grounding in the aspects of Roman history I want to draw on to start the story.
 
Constantine Arch, Rome - copyright Alison Morton, one-time use for this blog

I write the basics of a complex scene, then mark the text up in bright blue square brackets which gives me a visual signal to research more. For example, my 21st century Romans follow the traditional system of burning their dead. I knew how the pyres were built and that libations were thrown into the flames, so I could write the scene. But then I went back to the sources and refreshed my memory, I saw I’d totally forgotten that the family party has to walk three times round the pyre.  Basically, you need to check everything and if there’s even a tiny worm of doubt, check again.

Many thanks, Alison. I might add that there is a great deal more interesting detail in your blog (see below). Now, please tell us about your books.

Well, Roma Nova started with INCEPTIO (Kindle version on special officer this weekend until Monday 12 May!), then continued in PERFIDITAS. The third in series, SUCCESSIO will be out in early June.

Roma Nova – the last remnant of the Roman Empire that has survived into the 21st century – is at peace. Carina Mitela, the heir of a leading family, but choosing the life of an officer in the Praetorian Guard Special Forces, is not so sure.

She senses danger crawling towards her when she encounters a strangely self-possessed member of the unit hosting their exchange exercise in Britain. When a blackmailing letter arrives from a woman claiming to be her husband Conrad’s lost daughter and Conrad tries to shut Carina out, she knows the threat is real.

Trying to resolve a young man’s indiscretion twenty-five years before turns into a nightmare that not only threatens to destroy all the Mitelae but also attacks the core of the imperial family itself. With her enemy holding a gun to the head of the heir to the imperial throne, Carina has to make the hardest decision of her life…

About Alison

Alison Morton holds a bachelor’s degree in French, German and Economics, a masters’ in history and lives in France with her husband.

A ‘Roman nut’ since age 11, she has visited sites throughout Europe including the alma mater, Rome. But it was the mosaics at Ampurias (Spain) that started her wondering what a modern Roman society would be like if run by women…

INCEPTIO, the first in the Roma Nova series, was shortlisted for the 2013 International Rubery Book Award and awarded a B.R.A.G. Medallion® in September 2013. The next in series, PERFIDITAS, published October 2013, has also just been honoured with the B.R.A.G. Medallion®.  Alison is working on the third book SUCCESSIO which will be out in June 2014.

Alison's links  

Connect with Alison on her blog: http://alison-morton.com/blog/




 
Find where you can buy Roma Nova stories (multiple retailers)



 
http://www.youtube.com/watch?v=lUPhyUE0JvE
 

 

Monday, 24 February 2014

Sugarpedia

Here in Spain, the sugar sachets supplied with beverages by many cafés and restaurants contain interesting facts and quotations. I'm sure that this happens in other countries too. Two we picked up the other night (even though we don’t take sugar in coffee or tea) are here:

Sugar-pedia?
 

Mariachi.
Did you know that the term mariachi comes from the French term mariage?
According to this (top) sugar note, during the occupation of Mexico by France in the 1860s, the French hired musicians to play at weddings – sounds like French word mariage. As time passed, however, their music was adopted by popular Mexican orchestras participating in marriage ceremonies.
 
Typical mariachi singers - Wiki commons

However, there may not be a grain of truth in this sachet's explanation. According to Wikipedia, ‘this was a common explanation on record jackets and travel brochures. This theory was disproven with the appearance of documents that showed that the word ‘mariachi’ existed before this invasion. The origin of the word is still in dispute but most of the prominent theories attribute it to indigenous roots. One states that it comes from the name of the wood from which the dance platform is made. Another states that mariachi comes from the indigenous name of a tree called pilla or cirimo; yet another states that it came from an image locally called María H (pronounced Mari-Ache). Mariachi can refer to the music, the group or just one musician.'
 
Fiscal fact.

In Ancient Rome, taxes were collected in a wicker basket called a fiscus. In time, the reference to fiscal became common to the revenue or coin inside the basket. So, if you have any fiscal issues, blame the administrators of imperial Rome! [Interestingly, the first known use of ‘fiscal’ was 1563.]
Coin illustrated (Wikipedia commons) reads fisci Judaici calumnia sublata, "abolition of malicious prosecution in connection with the Jewish tax". The fiscus Judaicus ("Jewish tax") was a tax-collecting agency instituted to collect the tax imposed on Jews in the Roman Empire after the destruction of Jerusalem and its Temple in AD 70. Revenues were directed to the Temple of Jupiter Optimus Maximus in Rome.

 
 
 

Saturday, 3 October 2009

The book of the film: Angels and Demons


Though this was written before the million-bestseller The Da Vinci Code, and features the same hero, Robert Langdon, it was filmed after Da Vinci. Naturally, since Da Vinci was Dan Brown’s breakout novel. I’ve come to Angels and Demons after reading Da Vinci, so my observations are affected by that.

Angels and Demons is a better book, and more original in concept. In essence, Da Vinci seems to be utilising the same template of Angels. A bizarre death complete with arcane symbols requires the presence of Langdon. There are seemingly endless expositions on various aspects of the symbols and the history pertaining to them. Langdon teams up with a young woman who is ‘related’ to the deceased. The person who calls in Langdon becomes a strong suspect. A final twist reveals a seemingly ‘good’ individual to be the actual perpetrator behind the scheme and the deaths.

Most books – and films – tend to rely on setting one deadline for the protagonists to beat. Brown isn’t content with one deadline – he has six. Cleverly orchestrated, they get the reader turning the pages.

Langdon is called in when it’s discovered that physicist Leonardo Vetra has been murdered, the sign of the Illuminati burned into his chest. The Illuminati organisation was presumed extinct some 400 years ago. The murder takes place in CERN, of all places. The DG, Maximilian Kohler wants Langdon to get to the bottom of the mystery and hasn’t called in the police yet, as he’s worried about the bad publicity. Vetra’s adopted daughter Vittoria has worked on antimatter with the physicist and they now discover that a considerable quantity of that devastating material has been stolen. As she is the only person who can make the material safe, Vittoria teams up with Langdon as their trail takes them to Rome – where else?

The Vatican is beginning the process of electing a new pontiff. Meanwhile, to mind the shop, Carlo Ventresca, the late pope’s camerlengo runs the show. Soon, they learn that four cardinals, the favourites for selection, have been kidnapped and will be killed at hourly intervals at specific but unnamed spots in Rome. It’s up to Langdon and Vittoria to find the cardinals as the deadlines count down…

The tension rarely lets up – despite the dense paragraphs of exposition. Yes, the whole thing is contrived, but it works. And the film is better in many respects, eschewing some of the more fanciful escapades of Langdon, while amalgamating characters and dropping some characters’ involvement with red herrings.

Considering Brown has taught creative writing, his prose sometimes lapses. When Langdon is shown to a private jet, he is ‘motioned up the gangplank’ – shiver my timbers, perhaps steps or gangway, but not gangplank!

I lost count of the times Langdon’s eyes performed surreal acts; here are two examples: ‘Langdon let his eyes climb.’ And, ‘Langdon’s eyes crossed the courtyard…’ And his characters don’t look up, they look ‘skyward.’

He has the annoying knack of author intrusion – way beyond the information dumping. ‘He never suspected that later that night, in a country hundreds of miles away, the information would save his life.’ As we’re reading this chapter from his point of view, he can’t know he never suspects…! And, ‘The horrifying answer was only a moment away.’ These insertions are not foreshadowing but blatant attempts to provide cliff-hanging ends of chapters.

Written in 2000, Brown might have been prescient. He mentions Woodrow Wilson’s warning in 1921 of a ‘growing Illuminati control over the US banking system. Beside the fact that 1921 isn’t 400 years ago, it begs the question, were the Illuminati involved in the sub-prime collapse of 2008? He also had praise for the BBC, where ‘every story they ran was carefully researched and confirmed.’ Despite a certain bias, of course…

These are mere quibbles. If you haven’t read Angels, give it a try. It’s fast-paced, intriguing and never lets up. Great entertainment with dashes of eloquence and poignancy.