LOVE - Book review

Angela Carter’s slim novel Love was published in 1971 and revised in 1987. In her new Afterword she states that the three main characters are ‘the pure perfect products of those days of social mobility and sexual licence’ (p113). Sadly, the characters themselves are not perfect – far from it.

 Annabel is psychologically unstable: ‘a sparse, grotesquely elegant, attenuated girl with a narrow face and hair so straight it fell helplessly down around her as a mute tribute to gravity. She had prehensile toes that could pick up a pencil and sign her name. She stole’ (p27).

Her husband is Lee: ‘Annabel was quite incomprehensible to him and he already knew she was unbalanced; yet his puritanism demanded he should be publicly responsible for her. He was overcome with conflicting apprehensions’ (p30).

Lee’s brother Buzz ‘had been grievously exposed to his mother’s madness’ (p13) and lived with the married couple. ‘Their mother’s madness, their orphaned state, their aunt’s politics and their arbitrary identify formed in both a savage detachment’ (p11).

It’s a distinctly destructive love triangle tainted with infidelity, self-loathing, suicide, jealousy and a split from reality for impaired souls. The kind of fractured relationships Ruth Rendell/Barbara Vine indulged in most effectively.

At one point Lee is interviewed by Annabel’s psychiatrist, ‘She was dressed entirely in black and lavishly hung about with hair of metallic yellow. Her eyes were concealed behind tinted glasses and her voice was as if smoked also, dark-toned and husky’ (p55).

With few pen-strokes Carter effectively inhabits the damaged trio. And of course her prose is always readable, the writing of an astute and acute observer:

‘... and old men sit outside in shirtsleeves on kitchen chairs, as if put out to air upon the pavement. On the low window ledges, one might find, here, a pie set out to cool or a jelly to set, there, a dreaming cat’ (p11).

‘the peeling walls, bare and lopsided staircase, fissured linoleum underfoot, foetid accumulated reek of years of greasy cookery’ (p91).

‘He felt nothing but the absence of feeling which is despair’ (p100).

Indeed, it won’t end well.

FFB - Maisie Dobbs

Maisie Dobbs, by Jacqueline Winspear, was published in 2003. It is the first of a series of detective mysteries set in England between the two world wars and certainly promised to garner a strong following of crime readers and indeed anyone who likes period novels. It won the prestigious Agatha Award and the Macavity Award, both for Best First Novel. Seems fitting to mention it in this 100^th anniversary year of the beginning of WWI.

The story begins in the spring of 1929 and we’re immediately introduced to Maisie who is setting up her own private investigation agency in London. But she is not quite what she seems. Gradually, we get to know her until we’re drawn into a flashback – 1910 to 1917 - that amounts to over half the book, in which her humble beginnings are revealed and her strong and endearing character is developed.

Previously, Maisie had worked on investigation cases with her mentor, Maurice, but he’d now retired and she wanted to continue alone.  Apart from using observation, Maisie has developed an interesting psychological methodology, one aspect of which is to mimic the stance of an individual to glean how they’re feeling, and this comes across convincingly. She was also instructed by the mysterious Mr Khan on ways to remain calm and to organise her mental faculties. She engages the help of Billy Beale, an ex-soldier, as her assistant and office manager.

When her first case walked through her door, it seemed a straight-forward if rather boring infidelity issue. The man feared his wife was having an affair. While she agrees to take on the case, Maisie asks the aggrieved husband what value he places on understanding, compassion and forgiveness. This is indeed an unusual private investigator. She will ferret out the truth, but she also feels a responsibility regarding how the truth is dealt with by her clients too. The suspected wife leads Maisie down pathways that she’d mentally closed for many years so that besides uncovering something sinister, she also peels back the shroud covering a part of her dead past.

Told with compassion and never maudlin, the story is primarily about the walking wounded from the war. The writing style is excellent. Well-researched yet never noticeably so, the book captures the time and the people precisely.

Some characters and stories ‘write themselves’. That doesn’t mean they aren’t hard work to write. It’s just that the character seems to live and breathe for the author and won’t let go. When it happens, it’s a marvellous feeling. Jacqueline Winspear was an expat English journalist working in California when she was driving to work and stopped at some traffic lights. And while waiting, she saw in her mind’s eye a woman coming up through Warren Street Station turnstile and indeed essentially the entire first chapter of what was to be her first novel. And the more she wrote, the more the characters revealed themselves to her. Before long it was obvious that scenes and events not pertinent to the first book were appearing before her mind’s eye, so she realised she had a series in her head wanting to get out.

Her first book is dedicated to her grandfather Jack, who was severely wounded and suffered shell-shock in the Somme, and her grandmother Clara, who was partially blinded at Woolwich Arsenal during an explosion that killed several girls working alongside her. Inevitably, she developed an interest in the ‘war to end all wars’ even as a child. While the mysteries are not war novels as such, they reflect the after-effects of that devastating period when so many young men never came home.

 
Coming of age at a time when the First World War and its aftermath began altering society, many women like Maisie remained unmarried because quite simply there was a shortage of men to wed. Besides being a well-researched book of the period, it has an emotional depth and a cast of interesting individual characters.
 
I’m reluctant to say more about the plot in Maisie Dobbs, save that there are a couple of quite moving revelations at the end. Without doubt, this is a book with heart.

There are ten books in the Maisie Dobbs series:

Maisie Dobbs (2003)
Birds of a Feather (2004)
Pardonable Lies (2005)
Messenger of Truth (2006)

An Incomplete Revenge (2008)
Among the Mad (2009)

The Mapping of Love and Death (2010)

A Lesson in Secrets (2011)

Elegy for Eddie (2012)

Leaving Everything Most Loved (2013)