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Showing posts with label Louis L’Amour. Show all posts
Showing posts with label Louis L’Amour. Show all posts

Tuesday, 1 July 2025

THE CHEROKEE TRAIL - Book review


Louis L’Amour’s novel The Cherokee Trail was published in 1982.

Mary Breydon, widow of retired major Marshall is taking on her late husband’s job of running a stagecoach station. With her daughter Peg she fled her home Harlequin Oaks in the South when it was pillaged and razed by guerrillas. Her father had taught her to ride, to shoot and to stand firm – ‘... “the strongest,” her father said, “is he who stands alone!’ (p95). 

She meets a Union cavalry officer Barry Owen – (not Gary from the 7th Cavalry music!) Indeed, she meets all sorts of folk on the stagecoaches passing through: ‘Actors, prospectors, gamblers, miners, hunters, newspapermen, homemakers, and shady ladies, whiskey peddlers and weapons-salesmen, Indian agents, drummers from all over the world (p193).

She’s stubborn and brave and peremptorily dismisses the slovenly detestable Scant Luther, making an enemy of the man; there’s another even more formidable, a ruthless war criminal who actually killed her husband! She has to face Indians and gunmen – yet nothing will deter her from making her station the best on the Cherokee Trail.

She is helped by the mysterious Temple Boone, cantankerous Ridge Fenton, the orphan Wat and the Irish lass, Matty – all characters who add to a very enjoyable story.

Interestingly, this adage ‘The secret of victory is to attack, always attack’ (p72) is used in his other books. And why not?

Editorial comment:


‘... the Williamses’ (p138)

And ne-er-do well ‘called Williams’ (p64). Of all the names in the world, why duplicate for two different people?

Sunday, 30 April 2023

BOWDRIE - book review

 

This collection of eight short western stories by Louis L’Amour was published in 1983. I read his collection Bowdrie’s Law in 2003. The stories here are from his early period, when he was ‘learning the art of storytelling’ and were featured in the Popular Western magazine 1940-1948. As he says in his foreword, those days of many magazines buying and printing short stories are long gone; a great proving ground for beginning writers to hone their trade.

Chick Bowdrie is a Texas Ranger and is as tough as they come. ‘Me, I never learned to live with folks. Most youngsters learn to live with people by playin’ with other youngsters. I never had any of that. I never really belonged anywhere. I was a stranger among the Comanches an’ a stranger among my own people when I got back. I never belonged anywhere. I’m like that no-account horse of mine…’ (p150) In short, he was a drifter – at least until the Texas Rangers took him in and gave him a purpose.

Here you will find L’Amour’s trademark western knowledge of the terrain and the people who populated it. The stories are traditional, but not merely shoot-em-up tales but mysteries and even romances, each one adding to the depth of the continuing character, Bowdrie. Interspersed between each story are historical notes, in effect brief overviews of real-life Texas Rangers, all of which make fascinating reading.

Bowdrie explains about his odd first name: ‘My name was Charles. Most times Chuck is a nickname for Charles, but there was another boy in school who was called Chuck. He was bigger than I was, so they called me Chick. I never minded.’ So the odd name stuck.


Friday, 8 January 2021

Classic Westerns - book review


 CLASSIC WESTERNS

Collected and introduced by Peter Haining, published 1998.

Haining brings together twelve Western short stories, many of which were the templates for movies.

Among these are: Three-ten to Yuma by Elmore Leonard, Stagecoach by Ernest Haycox, Hondo by Louis L’Amour, The Misfits by Arthur Miller, and A Man Called Horse by Dorothy M Johnson.

Other stories feature characters who subsequently appeared in TV or film: The Cisco Kid, Hopalong Cassidy, and The Virginian.

My favourites, besides those film titles above are ‘The Caballero’s Way’ by O. Henry, ‘Dust Storm’ by Max Brand,  ‘The Great Slave’ by Zane Grey, and ‘One Man’s Honour’ by Jack Schaefer.

There’s a good amount of fine prose to be found amongst this selection of mostly moral tales.